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British Library Catalogue of Illuminated Manuscripts
(x2), 224, 225, 231, 233v, 234, 234v, 238v, 241v). Smaller and small initials and line-fillers in gold on red and blue grounds. Prayers The calendar is Parisian, but the manuscript was probably made for use in Brittany: the litany includes
(x2), 224, 225, 231, 233v, 234, 234v, 238v, 241v). Smaller and small initials and line-fillers in gold on red and blue grounds. Prayers The calendar is Parisian, but the manuscript was probably made for use in Brittany: the litany includes
some with nude men (ff. 58, 70v), or with wild men (ff. 84v, 100v, 169v). Coloured initials in red or blue. Psalter Conrad Peutinger (b. 1465, d. 1547), German humanist diplomat, politician, and economist, of Augsburg: the arms of the
Large and small decorated initials, in colours and gold. Small initials (1 line) and line fillers in gold on red, blue or brown grounds. Book of Hours, Use of Rome Guillaume de Seigne, trésorier général de l'artillerie du roi, and
Columba, Maxelendis (Cambrai), Cunegundis, Julitta (Nevers, Liège, etc), Cilinia (Céline of Meaux, Laon, Reims), etc. Coloured initials in red or blue. Capitals marked in red. Various texts including the Penitential Psalms, litanies and prayers, masses for the dead etc. Corrections
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in
140, 142, 143, 153, 160v, 166, 167v, 169, 177v, 178v, 181, 184v). Initials in colours and gold. Smaller initials in blue with red pen-flourishing or in gold with black pen-flourishing. Cadels in red ink (ff. 134v, 136). Capitals marked in