• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with animal heads. Small initials and rubrics in red.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with animal heads. Small initials and rubrics in red.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with animal heads. Small initials and rubrics in red.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with animal heads. Small initials and rubrics in red.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with animal heads. Small initials and rubrics in red.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with animal heads. Small initials and rubrics in red.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with animal heads. Small initials and rubrics in red.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with animal heads. Small initials and rubrics in red.

• Coloured initial., Epistola de sacrificio azymi et fermentati, and misc. theological texts

(pp. 134-35) and Burney 357, f. 24v, for a list of contents of the manuscript. Simple small red, brown, or blue initials, a few with simple decoration in a second colour. Epistola de sacrificio azymi et fermentati, and misc. theological

• Illustration of the constellation of Aries, the ram, with text or scholia written within the figure of the zodiacal sign., Aratea, with extracts from Hyginus's Astronomica in the constellation figures

of the solar system in brown and red (f. 19). Small initials in brown or red. Text in red or blue. Aratea, with extracts from Hyginus's Astronomica in the constellation figures f. 1 is a slightly later addition (c. 1000,

• Illustration of Perseus, a hero of Greek mythology, with the head of the snake-haired Medusa, with text or scholia within the figure of the constellation., Aratea, with extracts from Hyginus's Astronomica in the constellation figures

of the solar system in brown and red (f. 19). Small initials in brown or red. Text in red or blue. Aratea, with extracts from Hyginus's Astronomica in the constellation figures f. 1 is a slightly later addition (c. 1000,

• Illustration of the faces of the Pliades, seven sisters who lived in the heavens as stars, with their names inscribed around them., Aratea, with extracts from Hyginus's Astronomica in the constellation figures

of the solar system in brown and red (f. 19). Small initials in brown or red. Text in red or blue. Aratea, with extracts from Hyginus's Astronomica in the constellation figures f. 1 is a slightly later addition (c. 1000,

• Illustration of Lepus the hare, the favourite prey of the hunter Orion, located beneath his feet, with its body formed of text or scholia. In the 'Aratea' verses below, an Anglo-Saxon reader has written a correction between the lines., Aratea, with extracts from Hyginus's Astronomica in the constellation figures

of the solar system in brown and red (f. 19). Small initials in brown or red. Text in red or blue. Aratea, with extracts from Hyginus's Astronomica in the constellation figures f. 1 is a slightly later addition (c. 1000,

• Illustration of the sea-monster Coetus (Cetus) with its body formed of text or scholia. In the verses of the 'Aratea' below, an Anglo-Saxon reader has made some corrections between the lines., Aratea, with extracts from Hyginus's Astronomica in the constellation figures

of the solar system in brown and red (f. 19). Small initials in brown or red. Text in red or blue. Aratea, with extracts from Hyginus's Astronomica in the constellation figures f. 1 is a slightly later addition (c. 1000,

• Illustration of an excerpt of Pliny's Natural History on the positions and movements of seven planets, with earth in the centre, and around it the moon, Mercury, Venus, the Sun, Mars, Jupiter, and Saturn. The "Signifer" or zodiac encircles the whole. 'Tonus' and 'Semit' are musical terms used by Pythagoras in discussion the mathematical ratios of distances between the planets., Aratea, with extracts from Hyginus's Astronomica in the constellation figures

of the solar system in brown and red (f. 19). Small initials in brown or red. Text in red or blue. Aratea, with extracts from Hyginus's Astronomica in the constellation figures f. 1 is a slightly later addition (c. 1000,

• Illustration of the 'planesphere' of Geruvigus, showing the positions of the constellations in the band of the zodiac., Aratea, with extracts from Hyginus's Astronomica in the constellation figures

of the solar system in brown and red (f. 19). Small initials in brown or red. Text in red or blue. Aratea, with extracts from Hyginus's Astronomica in the constellation figures f. 1 is a slightly later addition (c. 1000,

• Coloured initials, and added 12th-century decorated initial 'B'(eatus), at the beginning of the Psalter., Psalter, with canticles (ff. 99-108), litany for the use of Exeter, prayers, and offices (The 'Leofric Psalter')

attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in

• Coloured initials and musical notation of Anglo-Saxon neumes at the beginning of Psalm 50., Psalter, with canticles (ff. 99-108), litany for the use of Exeter, prayers, and offices (The 'Leofric Psalter')

attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with animal heads. Small initials and rubrics in red.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

the Psalms. Large historiated initial in colours at the beginning of Psalm 1 (f. 2). Initials in red, green, or blue with penwork decoration, some with decoration in another colour or with animal heads. Small initials and rubrics in red.