• Text page with inventory of relics at Exeter: 'These are the names of the holy saints, which are in the monastery of St Peter and St Mary, Exeter . . .'. The list begins with relics of Christ's blood, his cross, tomb, and clothing. The list also enumerates a part of St Peter's beard and St Andrew's walking-stick., De laudibus virginitatis, with Old English and Latin glosses

of Barking. Large outline initial in red and black on blue ground with man and hybrid creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in

• Initial with foliate decoration., De laudibus virginitatis, with Old English and Latin glosses

of Barking. Large outline initial in red and black on blue ground with man and hybrid creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in

• Initial 'I'(am) with man and a dragon enmeshed in foliage., De laudibus virginitatis, with Old English and Latin glosses

of Barking. Large outline initial in red and black on blue ground with man and hybrid creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in

• Puzzle initial 'K'(i) and rubric at the beginning of the Brut., The Scheme of the Heptarchy (f. 40), the Roman de Brut (ff. 40-113), the Estoire des Engles (ff. 113-150) (index Estoire des Engleis)

lance in red and brown ink (f. 81). 2 large puzzle initials in red and blue (ff. 40v, 113). Plain initials in red and blue. Capitals marked in red. The Scheme of the Heptarchy (f. 40), the Roman de Brut

• Decorated initial 'P'(aulus), from a fragment of a 12th-century copy of 1 Thessalonians., Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15 (f. 51); 5:17-2 Thessalonians 1:3 (f. 52); Philippians 2:22-3:5.

tropes). Musical notation: square notation on four-line red staves. 1 large decorated initial in blue, green, red and yellow (f. 52v). Small initials in red, blue and green. Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15

• Detail of decorated initial 'P'(aulus), from a fragment of a 12th-century copy of 1 Thessalonians., Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15 (f. 51); 5:17-2 Thessalonians 1:3 (f. 52); Philippians 2:22-3:5.

tropes). Musical notation: square notation on four-line red staves. 1 large decorated initial in blue, green, red and yellow (f. 52v). Small initials in red, blue and green. Fragments of a glossed Bible of 1 Thessalonians 2:13-3:3 (f. 50); 5:2-5:15

• A parchment leaf onto which two other pieces of parchment have been pasted. The lists of contents on these added pieces are identical., The Revelations of Bridget of Sweden (Libri XII), Acts for the canonization of Bridget with accounts of her miracles, and various other texts, including the Tractatis de summis pontificibus (ff. 125-127), and the Vita venerabilis domine katerine filie beate Birgitte (ff. 288v-291v).

160v, 208). 2 smaller initials in colours with brief sprays (ff. 125, 295v). Plain initials in blue, some with red. Paraphs in red or blue. Rubrics in red. Running headers in red. Capitals marked in yellow. Cadels. The Revelations of

• Detail of decorated initial 'S'(tupor), incorporating the name 'Syon'., The Revelations of Bridget of Sweden (Libri XII), Acts for the canonization of Bridget with accounts of her miracles, and various other texts, including the Tractatis de summis pontificibus (ff. 125-127), and the Vita venerabilis domine katerine filie beate Birgitte (ff. 288v-291v).

160v, 208). 2 smaller initials in colours with brief sprays (ff. 125, 295v). Plain initials in blue, some with red. Paraphs in red or blue. Rubrics in red. Running headers in red. Capitals marked in yellow. Cadels. The Revelations of

• Detail of a text page with marginal drawing in the form of a log., The Revelations of Bridget of Sweden (Libri XII), Acts for the canonization of Bridget with accounts of her miracles, and various other texts, including the Tractatis de summis pontificibus (ff. 125-127), and the Vita venerabilis domine katerine filie beate Birgitte (ff. 288v-291v).

160v, 208). 2 smaller initials in colours with brief sprays (ff. 125, 295v). Plain initials in blue, some with red. Paraphs in red or blue. Rubrics in red. Running headers in red. Capitals marked in yellow. Cadels. The Revelations of

• Detail of a text page with marginal drawing in the form of a banderole wound round a pointer, held by a hand., The Revelations of Bridget of Sweden (Libri XII), Acts for the canonization of Bridget with accounts of her miracles, and various other texts, including the Tractatis de summis pontificibus (ff. 125-127), and the Vita venerabilis domine katerine filie beate Birgitte (ff. 288v-291v).

160v, 208). 2 smaller initials in colours with brief sprays (ff. 125, 295v). Plain initials in blue, some with red. Paraphs in red or blue. Rubrics in red. Running headers in red. Capitals marked in yellow. Cadels. The Revelations of

• Detail of a text page with a marginal drawing of a book with many tags., The Revelations of Bridget of Sweden (Libri XII), Acts for the canonization of Bridget with accounts of her miracles, and various other texts, including the Tractatis de summis pontificibus (ff. 125-127), and the Vita venerabilis domine katerine filie beate Birgitte (ff. 288v-291v).

160v, 208). 2 smaller initials in colours with brief sprays (ff. 125, 295v). Plain initials in blue, some with red. Paraphs in red or blue. Rubrics in red. Running headers in red. Capitals marked in yellow. Cadels. The Revelations of

• Zoomorphic initial formed of a dragon and foliage. The inscription in reddish ink in the lower margin states that it is from Glastonbury Abbey, and names 'Robertus Wottone', one of its monks., Homiliary

Abbey, and names 'Robertus Wottone', one of its monks. Large zoomorophic initial in green, red, brown, and blue (f. 1). Initials in blue, red, brown, or green, some with penwork decoration in the same colour or in another colour or

• Decorated initial 'P'(ost), with later underlining and marginal notations., Homiliary

Decorated initial 'P'(ost), with later underlining and marginal notations. Large zoomorophic initial in green, red, brown, and blue (f. 1). Initials in blue, red, brown, or green, some with penwork decoration in the same colour or in another colour or

• Decorated initial 'B'(ritannia) at the beginning of Bede's text., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork

• Decorated initial 'H'(is) at the beginning of Book II., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork

• Decorated initial 'S'(uccessit) at the beginning of Book V. The roman numeral 'xvii' at the lower edge of the page is a quire signature., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork

• Ownership inscription: 'Liber sancti Andree Roffensis ecclesie' (book of the church of St. Andrew, Rochester). The inscription above ('5 die Novembris A.D. 1723') was written by Humfrey Wanley, librarian of Robert and Edward Harley, 1st and 2nd earls of Oxford., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork

• Decorated initial 'G'(loriossimo), and in the lower margin is an added inscription recording that the book belonged in the cloister of Rochester Cathedral, and was given by Hubert the precentor., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork

• Decorated initial 'A'(t) at the beginning of Book III. In the top margin and top right corner are the book number '3', and the folio number '63'; the sketch of a horse's head in the lower margin is a doodle by a later reader., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

decoration in purple, green, red, and blue, a few also with yellow highlighting at the beginning of the prologue, books, or texts (ff. 2, 4v, 36v, 63, 100, 137v ). Initials in red, green, blue or purple, some with penwork

• null, Bible ('The Arnstein Bible') (Genesis to Malachi), imperfect, the first of two volumes

foliage and hybrid creatures (ff. 102v, 210). Large initials in red and sometimes also black on coloured grounds usually of blue, yellow, and green with foliate decoration and sometimes intertwined creatures (ff. 2, 24, 40, 51, 67v, 81, 81v, 90v,