• Inscription recording that the book was given in 1503 by Edmund Carter to the 'royal collegiate' probably to be identified with the collegiate church of St. Mary, Southwell, reading 'Ex dono mag[ist]ri Edmu[n]di Carter quonda[m] vicarii. / Et nu[n]c cano[ni]ci huius colegii regii xxviimo die oct[obris] / A[nn]o X[rist]i m d tercio et a[nn]o r[egni] r[egi]s Henrici VIImi xixº.', Commentary on Catholic Epistles and Commentary on Tobit

Carter to the 'royal collegiate' probably to be identified with the collegiate church of St. Mary, Southwell, reading 'Ex dono mag[ist]ri Edmu[n]di Carter quonda[m] vicarii. / Et nu[n]c cano[ni]ci huius colegii regii xxviimo die oct[obris] / A[nn]o X[rist]i m d

• Detail of a bas-de-page scene of a man approaching a church, with a bishop and his attendant on the other side., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

of a man approaching a church, with a bishop and his attendant on the other side. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium

• Inhabited initial 'P'(lures) in outline drawing, at the beginning of the Gospel Prologue, with a man fighting with a dragon., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Historiated initial 'L' (incipit unfinished) of a devil urging a monk to gluttony, with a portrait of Matthew below, a naked man pointing his mouth and a man with a head of an ox, at the beginning of a prologue to Matthew, with the instruction 'non scribatur' (not to be written) in the space above the opening of the prologue., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Decorated initial 'H'(ic est), with an instruction for display script., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Historiated initial 'I'(n principio) with the Lamb with cross, a bird, and a dragon in medallions, at the beginning of John., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Records of the revenues of the Benedictine abbey of St Augustine, Canterbury., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Zoomorphic initial 'A'(monius) formed of dragons, with display script, at the beginning of the epistle of Eusebius to Carpianus., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Initial 'M'(atheus) of the archangel Michael killing a dragon, at the beginning of an 'argumentum' to Matthew., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Inhabited initial 'L'(iber) with a dog, at the beginning of Matthew., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Inhabited initial 'I'(nicium) with a horse, a dragon, and a lion, at the beginning of the prologue to Mark., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Zoomorphic initial 'Q'(uoniam) in outline drawing, at the beginning of Luke., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of an inhabited initial 'P'(lures) in outline drawing, at the beginning of the Gospel Prologue, with a man fighting with a dragon., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of an historiated initial 'L' (incipit unfinished) of a devil urging a monk to gluttony, with a portrait of Matthew below, a naked man pointing his mouth and a man with a head of an ox, at the beginning of a prologue to Matthew, with the instruction 'non scribatur' (not to be written) in the space above the opening of the prologue., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of a decorated initial 'H'(ic est), with an instruction for display script., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of a zoomorphic initial 'A'(monius) formed of dragons, with display script, at the beginning of the epistle of Eusebius to Carpianus., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of an inhabited initial 'I'(nicium) with a horse, a dragon, and a lion, at the beginning of the prologue to Mark., Gospels

Michael Gullick the scribe also wrote Christ Church College, MS. 94, ff.182v-196, Trinity College, MS. B.3.13 and probably part of Royal 7 E VI and Cotton Claudius C VI, ff. 174-202, both Christ Church books.Catchwords, quire signatures in the form

• Detail of a bas-de-page scene of men building a church, and two monks carrying a burden on poles., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

scene of men building a church, and two monks carrying a burden on poles. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous

• Coloured drawings, of Lot's wife, the Ark, and Egyptian soldiers being drowned in the Red Sea., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Drawing of a dragon, with seven heads in its tail. In Joachim's thought, the seven heads correspond to Herod, Nero, Constantinus, Mohometh, Melsemothus, Saladin, the Antichrist, with Gog, the last Antichrist., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo