• Puzzle initial 'Q'(uod) and pen-flourished initial 'D'(e)., Compendium of theological truths in seven books with an alphabetical index (ff. 128-135v) (index Compendium theologiae veritatis)

church of the Holy Cross, Crediton, Devon, 14th century (see Wright 1972).William Mugg, 16th century: his 'ex libris' and an ownership inscription recording his gift of the manuscript to Gerorge Mason (f. 1).George Mason, last dean of the Collegiate

• Decorated initials 'KL' with pen-flourishing for the month of May in the calendar., Register of St Mary's of Crich

with red pen-flourishing (ff. 6-11v). Register of St Mary's of Crich ?Made at and for the use of St Mary's Church of Crich (Derbyshire).Numerous added inscriptions and texts including accounts, rentals, a recipe (f. 104), 14th-16th century (ff. 1v, 5v,

• Full-page architectural border in colours and gold with a large historiated initial 'D'(ominus) with Pope Gregory the Great, putti, Jerome and another Church father, and the arms of Ferdinand I of Aragon, king of Naples., Sermons (index Homiliae)

initial 'D'(ominus) with Pope Gregory the Great, putti, Jerome and another Church father, and the arms of Ferdinand I of Aragon, king of Naples. Vertical catchwords.Ruled in hardpoint.Covers of a previous red leather Harleian binding are pasted inside the present

• Historiated initial 'D'(ixit) with the Annunciation to the Shepherds, at the beginning of Psalm 52., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

historian and Church of England clergyman: inscription 'Fran: Blomfield Coll: Gon: Caij Camb: 175 [5?] [to which has been added] nuper de Fersfield Com: Norf' (f. 2).; his note dated 1725 that the manuscript came from the collegiate church of

• Decorated initials, and line-endings in the form of animals and hybrids at the beginning of a litany., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

historian and Church of England clergyman: inscription 'Fran: Blomfield Coll: Gon: Caij Camb: 175 [5?] [to which has been added] nuper de Fersfield Com: Norf' (f. 2).; his note dated 1725 that the manuscript came from the collegiate church of

• Miniature of Duke Richard the Fearless supervising the rebuilding of the church of the Abbey of Fecamp, while in the background, a man destroys the old church., Grande Chronique de Normandie

Miniature of Duke Richard the Fearless supervising the rebuilding of the church of the Abbey of Fecamp, while in the background, a man destroys the old church. The clothing suggest a date somewhere around 1465. 15 half-page miniatures, the first

• Inscription of a title reading, 'Expositio su[per] Reg[u]lam beati Benedicti. nova' with a reference sign repeated at the beginning of the text (f. 3), a shelfmark, 'D. III. g. XII, an ownership inscription of John Lumley, and an offset of a miniature from leaf 2v., Expositio in Regulam S. Benedicti

Initials in red, blue or green. Expositio in Regulam S. Benedicti The Benedictine cathedral priory of Holy Trinity or Christ Church, Canterbury: inscribed [under erasure] 'Liber Ricardi ...ham monachi' and 'ecc[lesi]e xp[ist]I cantuar[ie]', with a title 'Expo[s]it[i]o s[anc]ti du[n]stani sup[er]

• Coloured initial 'P'(aseha) in red with penwork decoration in red, black, and green, at the beginning of the text, with the Old Royal Library seal of a ship in the lower left corner., Carmen Paschale; poems

capitals at the beginning of each line in red. Carmen Paschale; poems Part 1: The Benedictine cathedral priory of Christ Church, Canterbury: (see Temple 1976).Part 2: The abbey of St Remi at Reims: inscribed in a 10th-century hand: 'Lib[er] s[anc]ti

• Detail of a miniature of Dante and Virgil entering the area devoted to simoniacs and magicians, while Dante speaks to the upside-down figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX., Divina Commedia (index Divine Comedy)

III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX. Pope-Hennessy

• Text page with a marginal drawing of a church., Historia regum Britanniae, Historia Britonum, Visio Thurkilli, Gesta regum Anglorum and Historia Novella, De genealogia regum Anglorum, Gesta pontificum Anglorum

marginal drawing of a church. Contents: Geoffrey of Monmouth, Historia regum Britanniae (ff. 1-37v);Historia Britonum (ff. 38-45); Visio Thurkilli, attributed to Ralph of Coggeshall, abbot of Coggeshall, Essex (1208-1218), a description of a vision seen in 1206 at Stisted in

• Detail of a marginal drawing of a church., Historia regum Britanniae, Historia Britonum, Visio Thurkilli, Gesta regum Anglorum and Historia Novella, De genealogia regum Anglorum, Gesta pontificum Anglorum

marginal drawing of a church. Contents: Geoffrey of Monmouth, Historia regum Britanniae (ff. 1-37v);Historia Britonum (ff. 38-45); Visio Thurkilli, attributed to Ralph of Coggeshall, abbot of Coggeshall, Essex (1208-1218), a description of a vision seen in 1206 at Stisted in

• Miniature of the martyrdom of Alban in the upper register, and of the martyrdom of Amphibaldus in the lower register., Psalter and Canticles

1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban

• Miniature of the Annunciation to the Shepherds in the upper register and the Adoration of the Magi in the lower register., Psalter and Canticles

1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban

• Miniature of the Crucifixion in the upper register and the Holy Women at the empty tomb in the lower register., Psalter and Canticles

1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban

• Miniature of the martyrdom of Alban in the upper register, and of the martyrdom of Amphibaldus in the lower register; and a miniature of John the Baptist with John the Evangelist in the upper register, and an Archbishop and an abbot or bishop in the lower register., Psalter and Canticles

1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban

• Text page with pen-flourished initials and line-fillers., Psalter and Canticles

1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban

• Detail of lines 4 - 8 of a column of the text., Psalter and Canticles

1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban

• Zoomorphic initial 'M'(agnitudo) in dark brown ink, red and green and some blue, with knot-work and foliate motifs, in the shape of a grotesque(s)., De mysteriis (ff. 1-4v); De sacramentis (ff. 4v-16v); Sermo de corpore et sanguine Domini (serm. 17, ff. 16v-18v); Contra Iouinianum (ff. 18v-69v); Hypomnesticon (ff. 69v-90)

abbey of St Albans; probably copied from a lost manuscript from the Benedictine Cathedral Priory of Holy Trinity or Christ Church, Canterbury which is recorded in the library catalogue that was compiled between 1284-1331, see Montague Rhodes James, ~The Ancient

• Zoomorphic initial 'I' in dark brown ink, red and green and some blue, with knot-work and foliate motifs, in the shape of a bird., De mysteriis (ff. 1-4v); De sacramentis (ff. 4v-16v); Sermo de corpore et sanguine Domini (serm. 17, ff. 16v-18v); Contra Iouinianum (ff. 18v-69v); Hypomnesticon (ff. 69v-90)

abbey of St Albans; probably copied from a lost manuscript from the Benedictine Cathedral Priory of Holy Trinity or Christ Church, Canterbury which is recorded in the library catalogue that was compiled between 1284-1331, see Montague Rhodes James, ~The Ancient

• Detail of a historiated initial 'C'(onsecracio) of a consecration of a church by a bishop., Omne Bonum (Circumcisio-Dona Spiritui Sancti)

'C'(onsecracio) of a consecration of a church by a bishop. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order. Bound in four volumes: Royal 6 E