• Detail of a miniature of the Feast of All Saints, with the donors' patron saints, Stephen and Margaret., Gospel Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary)

Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary) The London city church of St Mary Aldermanbury: presented to the church by Stephen Jenyns (b. c. 1450, d. 1523), administrator, merchant, and lord mayor of London

• Miniature of John the Baptist pointing to the Lamb of God in a landscape, with an illuminated initial 'A' and partial foliate border, at the beginning of the reading for the feast of John the Baptist., Epistle Lectionary

in gold with black pen-flourishing, or in blue with red pen-flourishing. Epistle Lectionary The London city church of St Mary Aldermanbury: presented to the church by Stephen Jenyns (b. c.1450, d.1523), administrator, merchant, and lord mayor of London (1508-9) and

• Detail of a bas-de-page scene of a man approaching a church, with a bishop and his attendant on the other side., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

of a man approaching a church, with a bishop and his attendant on the other side. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium

• Detail of a bas-de-page scene of men building a church, and two monks carrying a burden on poles., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

scene of men building a church, and two monks carrying a burden on poles. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous

• Coloured drawings, of Lot's wife, the Ark, and Egyptian soldiers being drowned in the Red Sea., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Drawing of a dragon, with seven heads in its tail. In Joachim's thought, the seven heads correspond to Herod, Nero, Constantinus, Mohometh, Melsemothus, Saladin, the Antichrist, with Gog, the last Antichrist., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Drawing of Adam and of sacrifices., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Diagram of the habitable and uninhabitable zones of the world., De temporum ratione; a collection of short verse and prose texts including Liber monstrorum

ratione; a collection of short verse and prose texts including Liber monstrorum Part 1: The Benedictine cathedral priory of Christ Church, Canterbury: (see Temple 1976).Part 2: The abbey of St Remi at Reims: inscribed in a 10th-century hand: 'Lib[er] s[anc]ti

• Drawings, including of king Saul, the priest Eli, who falls dead after being told that his two sons had been killed and the ark of God taken by the Philistines (1 Samuel 4:17-18); and the destruction of the city of Jerusalem., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Historiated initial 'S' (anctificavit) of a bishop dedicating a church., Prayers for saints' vigils with a calendar

of a bishop dedicating a church. Horizontal catchwords.Miniature curtains, likely of silk, once protected the full-page minitures. These are no longer extant, but the holes and thread, by means of which these were attached, are still visible. 6 full-page miniatures

• Decorated initials 'KL' with pen-flourishing for the month of May in the calendar., Register of St Mary's of Crich

with red pen-flourishing (ff. 6-11v). Register of St Mary's of Crich ?Made at and for the use of St Mary's Church of Crich (Derbyshire).Numerous added inscriptions and texts including accounts, rentals, a recipe (f. 104), 14th-16th century (ff. 1v, 5v,

• Full-page architectural border in colours and gold with a large historiated initial 'D'(ominus) with Pope Gregory the Great, putti, Jerome and another Church father, and the arms of Ferdinand I of Aragon, king of Naples., Sermons (index Homiliae)

initial 'D'(ominus) with Pope Gregory the Great, putti, Jerome and another Church father, and the arms of Ferdinand I of Aragon, king of Naples. Vertical catchwords.Ruled in hardpoint.Covers of a previous red leather Harleian binding are pasted inside the present

• Historiated initial 'D'(ixit) with the Annunciation to the Shepherds, at the beginning of Psalm 52., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

historian and Church of England clergyman: inscription 'Fran: Blomfield Coll: Gon: Caij Camb: 175 [5?] [to which has been added] nuper de Fersfield Com: Norf' (f. 2).; his note dated 1725 that the manuscript came from the collegiate church of

• Decorated initials, and line-endings in the form of animals and hybrids at the beginning of a litany., Psalter (the 'Egerton Psalter'), with calendar, Office of the Dead (imperfect), litany, and prayers

historian and Church of England clergyman: inscription 'Fran: Blomfield Coll: Gon: Caij Camb: 175 [5?] [to which has been added] nuper de Fersfield Com: Norf' (f. 2).; his note dated 1725 that the manuscript came from the collegiate church of

• Miniature of Duke Richard the Fearless supervising the rebuilding of the church of the Abbey of Fecamp, while in the background, a man destroys the old church., Grande Chronique de Normandie

Miniature of Duke Richard the Fearless supervising the rebuilding of the church of the Abbey of Fecamp, while in the background, a man destroys the old church. The clothing suggest a date somewhere around 1465. 15 half-page miniatures, the first

• Inscription of a title reading, 'Expositio su[per] Reg[u]lam beati Benedicti. nova' with a reference sign repeated at the beginning of the text (f. 3), a shelfmark, 'D. III. g. XII, an ownership inscription of John Lumley, and an offset of a miniature from leaf 2v., Expositio in Regulam S. Benedicti

Initials in red, blue or green. Expositio in Regulam S. Benedicti The Benedictine cathedral priory of Holy Trinity or Christ Church, Canterbury: inscribed [under erasure] 'Liber Ricardi ...ham monachi' and 'ecc[lesi]e xp[ist]I cantuar[ie]', with a title 'Expo[s]it[i]o s[anc]ti du[n]stani sup[er]

• Coloured initial 'P'(aseha) in red with penwork decoration in red, black, and green, at the beginning of the text, with the Old Royal Library seal of a ship in the lower left corner., Carmen Paschale; poems

capitals at the beginning of each line in red. Carmen Paschale; poems Part 1: The Benedictine cathedral priory of Christ Church, Canterbury: (see Temple 1976).Part 2: The abbey of St Remi at Reims: inscribed in a 10th-century hand: 'Lib[er] s[anc]ti

• Detail of a miniature of Dante and Virgil entering the area devoted to simoniacs and magicians, while Dante speaks to the upside-down figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX., Divina Commedia (index Divine Comedy)

III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX. Pope-Hennessy

• Text page with a marginal drawing of a church., Historia regum Britanniae, Historia Britonum, Visio Thurkilli, Gesta regum Anglorum and Historia Novella, De genealogia regum Anglorum, Gesta pontificum Anglorum

marginal drawing of a church. Contents: Geoffrey of Monmouth, Historia regum Britanniae (ff. 1-37v);Historia Britonum (ff. 38-45); Visio Thurkilli, attributed to Ralph of Coggeshall, abbot of Coggeshall, Essex (1208-1218), a description of a vision seen in 1206 at Stisted in

• Detail of a marginal drawing of a church., Historia regum Britanniae, Historia Britonum, Visio Thurkilli, Gesta regum Anglorum and Historia Novella, De genealogia regum Anglorum, Gesta pontificum Anglorum

marginal drawing of a church. Contents: Geoffrey of Monmouth, Historia regum Britanniae (ff. 1-37v);Historia Britonum (ff. 38-45); Visio Thurkilli, attributed to Ralph of Coggeshall, abbot of Coggeshall, Essex (1208-1218), a description of a vision seen in 1206 at Stisted in