Detail of a bas-de-page scene of a bishop approaching a church, while the Virgin Mary leads a woman away behind the church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with
from Job to Revelation. The first volume is Royal 1 E VII. The text corrected or emended by a Christ Church scribe; other manuscripts attributed to him are: Cambridge, Trinity College, B. 1.17 and B. 3.9 (see Marsden 1994 and
of the consecration of a church, with a foliate initial 'D'(e), at the beginning of pars 3, De consecratione. Illuminated by the artist of Bibliothèque nationale, lat. 830, a Missal for Paris use, and Giessen, Universitatsbibliothek 945, Justinian's Codex in
cover.Musical notation of plain-song settings for the Venite, hymns for the office throughout the year, for the dedication of the church and the Commune Sanctorum (ff. 470-479). Large initials in blue and/or red with red and blue penwork decoration. Large
in red. On ff. 153v-155, initials in brown with red and brown penwork decoration. Ordinal, Use of Sarum The parish church of Risby, Suffolk: inscribed 'Iste liber constat ecclesie de Rysbey in comitatu de Suffolke. Ordinele' (f. 162).Inscribed 'Thomas Stezgen
Given here in full. English f. 46r 'Arta erit nimis uia reprobis', etc. French Latin f. 46r Augustine On the church militant Latin f. 46v 'Lingua latina potens' Latin f. 46v On the wood of the cross Latin f. 46v