cover.Musical notation of plain-song settings for the Venite, hymns for the office throughout the year, for the dedication of the church and the Commune Sanctorum (ff. 470-479). Large initials in blue and/or red with red and blue penwork decoration. Large
holding his keys and a church, at the beginning of Peter 1. Includes the Interpretation of Hebrew names (ff. 399v-431).Catchwords, quire signatures in the form of Roman numerals.According to Nigel Morgan (see Morgan 1988, p. 62), only a few initials
Detail of a bas-de-page scene of a bishop approaching a church, while the Virgin Mary leads a woman away behind the church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with
from Job to Revelation. The first volume is Royal 1 E VII. The text corrected or emended by a Christ Church scribe; other manuscripts attributed to him are: Cambridge, Trinity College, B. 1.17 and B. 3.9 (see Marsden 1994 and
virtutibus (index Summa virtutum) Added text, 13th century (f. 1) and list of contents, ?14th century (ff. 1v-2v). The cathedral church of Ely, Cambridge: inscribed, 15th century, 'Iste liber p[er]tinet eccl[es]ie Elien[si]' (ff. 2v, 186) and the library mark (f.
Given here in full. English f. 46r 'Arta erit nimis uia reprobis', etc. French Latin f. 46r Augustine On the church militant Latin f. 46v 'Lingua latina potens' Latin f. 46v On the wood of the cross Latin f. 46v