• Miniature of Francis receiving the stigmata, with a full foliate border with a coat of arms., Noted Breviary of Anthony of Burgundy

blue grounds. Capital letters highlighted in yellow. Noted Breviary of Anthony of Burgundy A Franciscan convent, Mons: the dedication of church of the Franciscans of Mons included in the calendar (12 September).Anthony (b. 1421, d. 1504), bastard of Burgundy: his

• Historiated initial 'R'(esurrexi) with the Resurrection, and border roundels with the Maries at the sepulchre, and the 'Noli me tangere'; angels supporting heraldic arms to the left of the initial, in a Missal., Missal

147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the

• null, Historia adversus paganos

blue, occasionally with human faces (e.g., f. 57v). Historia adversus paganos The Augustinian priory of the Holy Trinity or Christ Church, Kirkham, Yorkshire (founded c. 1122): the main scribe (ff. 5-88v) also wrote Additional 38817, ff. 5-91v, from Kirkham, and

• null, Historia adversus paganos

blue, occasionally with human faces (e.g., f. 57v). Historia adversus paganos The Augustinian priory of the Holy Trinity or Christ Church, Kirkham, Yorkshire (founded c. 1122): the main scribe (ff. 5-88v) also wrote Additional 38817, ff. 5-91v, from Kirkham, and

• null, Historia adversus paganos

blue, occasionally with human faces (e.g., f. 57v). Historia adversus paganos The Augustinian priory of the Holy Trinity or Christ Church, Kirkham, Yorkshire (founded c. 1122): the main scribe (ff. 5-88v) also wrote Additional 38817, ff. 5-91v, from Kirkham, and

• Detail of a miniature of the Visitiation shown as taking place in Florence, in front of the church of San Giovannino, with the Medici Palace on the right and a view up the Via Gori in the background, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

as taking place in Florence, in front of the church of San Giovannino, with the Medici Palace on the right and a view up the Via Gori in the background, at the beginning of Lauds in the Hours of the

• Decorated foliate initial 'B'(eatus), and a three-sided foliate border with a bas-de-page scene of a farmer's wife pursuing a fox who has stolen a goose, at the beginning of the Ordinal., Antiphoner (index antiphonal, antiphonary), Use of Sarum (ff. 1-97v); Calendar for Salisbury (ff. 98-103v); Ordinal, Use of Sarum (ff. 104-133); Breviary, Use of Sarum (ff. 134-202v) (ends imperfectly)

Westnewton anno Domini 1438' (9 November, f. 103); 'Obitus Erne Rawlins [no year]' (12 November, f. 103). Dedication of the church of Norwich, 15th-century: 'Dedicacio ecclesie Norwic' (23 September, f. 102).William Petty (~formerly~ Fitzmaurice) (b. 1737, d. 1805), 2nd earl

• Calendar for July, with a border of a scene of reaping and a rural scene with a church (?), a roundel of Leo, and an upper scatter border of flowers and birds., Book of Hours, Use of Sarum

scene of reaping and a rural scene with a church (?), a roundel of Leo, and an upper scatter border of flowers and birds. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs

• Detail of a miniature of Dante and Virgil in the area devoted to the punishment of robbers, and Dante and Virgil speaking to Vanno Fucci, the pillager of a church in Pistoia, and three others tormented by serpents, in illustration of Canto XXIV., Divina Commedia (index Divine Comedy)

punishment of robbers, and Dante and Virgil speaking to Vanno Fucci, the pillager of a church in Pistoia, and three others tormented by serpents, in illustration of Canto XXIV. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the

• Detail of a miniature of Dante and Virgil witnessing Vanno Fucci, the pillager of a church in Pistoia, being attacked by the monster Cacus, who is half-centaur and half-dragon, and Dante and Virgil speaking to three other souls, tormented by snakes and lizards, in illustration of Canto XXV., Divina Commedia (index Divine Comedy)

Virgil witnessing Vanno Fucci, the pillager of a church in Pistoia, being attacked by the monster Cacus, who is half-centaur and half-dragon, and Dante and Virgil speaking to three other souls, tormented by snakes and lizards, in illustration of Canto

• Detail of a miniature of Dante and Beatrice in the sphere of the sun being greeted by Aquinas and Albertus Magnus, while ten other great intellectural authorities (the Doctors of the Church) are seated below, including Bede, Ambrose, Isidore, and Boethius., Divina Commedia (index Divine Comedy)

greeted by Aquinas and Albertus Magnus, while ten other great intellectural authorities (the Doctors of the Church) are seated below, including Bede, Ambrose, Isidore, and Boethius. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the

• Detail of a miniature of Dante and Beatrice, on the left, and Bonaventure, on the right, hovering over the Twelve Doctors of the Church (Paradiso XII)., Divina Commedia (index Divine Comedy)

and Bonaventure, on the right, hovering over the Twelve Doctors of the Church (Paradiso XII). Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years.

• Detail of a historiated initial with a portrait of a famous man, at the beginning of his biography., Lives

inscribed, 'card(...ale)' , half erased (f. 1v) (see de la Mare, 1984, p. 272).Rome S. Andrea [? della Valle, mother church of the Theatines, founded 1524]: late-16th century book stamp (almost entirely effaced): 'BIBLIOTECAE S. ANDREAE ROMAE' (f. 3).John Wright,

• Marginal image of king Lucius in a baptismal font, with a caption reading 'Rex luci[us] p[ri]mu[s] in Anglia', next to a fragment referring to the origins of the christianity in England during the reign of Lucius, with a marginal note by Matthew Paris beginning 'Luciu[s] rex britannie p[ri]m[us] fuit in anglia/ baptizat[us]'., Series causae inter Henricum regem et Thomam archiepiscopum, Abbreviationes chronicorum, and Imagines historiarum

Marginal image of king Lucius in a baptismal font, with a caption reading 'Rex luci[us] p[ri]mu[s] in Anglia', next to a fragment referring to the origins of the christianity in England during the reign of Lucius, with a marginal

• Foliate border with four portraits of philosophers in roundels, putti, the coat of arms of Aragon, and a large historiated initial 'D'(ivina) of Plato in his study., Opera

'Fernandi Aragonii mandato Petrus Hippolytus Lunensis...transcripsit' (f. 2v); his arms (f. 3).Rome S. Andrea [? della Valle, Rome, the mother church of the Theatines, founded in 1524?]: late-16th century book stamp (almost entirely erased): 'BIBLIOTECAE S. ANDREAE ROMAE' (f. 2).John

• Miniature of the Funeral service, decorated initial 'D'(ilexi) and foliate borders, at the beginning of the Office of the Dead., Book of Hours, Use of Sarum ('Hours of Eleanor Worcester')

183v-184: added prayer in English by a contemporary professional hand, starting 'This prayer is written in a stone in the church of saint John Lateraneus in rome...'. 23 full-page miniatures with large decorated initials and full foliate borders, some with

• Miniature of the Last Judgement with the patron in prayer, decorated initial 'D'(omine) and foliate borders, at the beginning of the Penitential Psalms., Book of Hours, Use of Sarum ('Hours of Eleanor Worcester')

183v-184: added prayer in English by a contemporary professional hand, starting 'This prayer is written in a stone in the church of saint John Lateraneus in rome...'. 23 full-page miniatures with large decorated initials and full foliate borders, some with

• Miniature of Erasmus, decorated initial 'O' and foliate borders, at the beginning of his suffrage., Book of Hours, Use of Sarum ('Hours of Eleanor Worcester')

183v-184: added prayer in English by a contemporary professional hand, starting 'This prayer is written in a stone in the church of saint John Lateraneus in rome...'. 23 full-page miniatures with large decorated initials and full foliate borders, some with

• Initial 'L'(yfe thow) with pen-flourishing with a drawing of twin dragons with the sun and moon. The dragons and text were reproduced by Elias Ashmole (b. 1617, d. 1692), on page 212 of his ~Theatrum chemicum britannicum~, which is noted at the top of the folio., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other

• Astrological drawing of the sun, moon, and Zodiac constellations., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

~Theatrum chemicum britannicum~ (1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other