• Miniature of Christ in the Garden of Gethsemane with foliate borders, at the beginning of the Hours of the Virgin., Book of Hours, Use of Sarum, and Psalter

of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his

• Detail of a miniature of a fool with his master, at the beginning of Psalm 52., Book of Hours, Use of Sarum, and Psalter

of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his

• Illuminated initial 'U'(rbis) and border, on the first page of the text., Facta et dicta memorabilia (ff. 2-179v), followed by a capitula list (ff. 180-181)

la maison professe des jesuites a paris’ (f. 1v), therefore not in their 1764 sale.Samuel Pegge (b. 1704, d. 1796), Church of England clergyman and antiquary; his sale, 29 March 1798, lot 2074.Inscribed in ink with a price(?)-code ‘cmino’ (or

• null, Facta et dicta memorabilia (ff. 2-179v), followed by a capitula list (ff. 180-181)

la maison professe des jesuites a paris’ (f. 1v), therefore not in their 1764 sale.Samuel Pegge (b. 1704, d. 1796), Church of England clergyman and antiquary; his sale, 29 March 1798, lot 2074.Inscribed in ink with a price(?)-code ‘cmino’ (or

• null, Facta et dicta memorabilia (ff. 2-179v), followed by a capitula list (ff. 180-181)

la maison professe des jesuites a paris’ (f. 1v), therefore not in their 1764 sale.Samuel Pegge (b. 1704, d. 1796), Church of England clergyman and antiquary; his sale, 29 March 1798, lot 2074.Inscribed in ink with a price(?)-code ‘cmino’ (or

• Miniature of the Trinity at the Resurrection of Christ, with John the Evangelist and the instruments of the Passion, with full foliate borders including a miniature of Gregory kneeling before an altar in a church, at the beginning of the Mass of St Gregory in the Passion according to John., Book of Hours, Use of Rome ('The Dunois Hours')

the Passion, with full foliate borders including a miniature of Gregory kneeling before an altar in a church, at the beginning of the Mass of St Gregory in the Passion according to John. A bond by Jean, Bastard d'Orléans, Comte

• Section of border with floral motifs and bezants., Cuttings from a choir book

floral motifs, bezants and Mount Calvary (f. 3). Cuttings from a choir book An Augustinian monastery in Cremona, possibly the church and convent of Santa Monica: the motto of the Cremonese Meli family "Usque Quo" appears in the related cutting

• Section of border with floral motifs, bezants and Mount Calvary., Cuttings from a choir book

floral motifs, bezants and Mount Calvary (f. 3). Cuttings from a choir book An Augustinian monastery in Cremona, possibly the church and convent of Santa Monica: the motto of the Cremonese Meli family "Usque Quo" appears in the related cutting

• Detail of the colophon: 'Anno dominicae incarnationis M^o^CCCC^o^LXX^o^ & vii^a^ decembris opus hoc consumatum est: die autum veneris summo mane. Laus & gloria sit omnipotenti yhu xpo per infinita secula'., Lives

inscribed, 'card(...ale)' , half erased (f. 1v) (see de la Mare, 1984, p. 272).Rome S. Andrea [? della Valle, mother church of the Theatines, founded 1524]: late-16th century book stamp (almost entirely effaced): 'BIBLIOTECAE S. ANDREAE ROMAE' (f. 3).John Wright,

• Detail of faceted initial 'D'(e) with a pair of dolphins, and, in the border, a lioness seizing a ram and the arms and mottos of Aragon: BIEN ELIR and SUST[I]NIRE., De Antiquitates Judaicae and Vetustate Judaica

'card(enale)', half erased (f.[ii]), (see de la Mare, 1984, p. 273). Rome S. Andrea [? della Valle, Rome, the mother church of the Theatines, founded 1524]: late-16th century book stamp (almost entirely effaced): 'BIBLIOTECAE S. ANDREAE ROMAE' (f. 1)John Wright,

• Miniature of Job on the dungheap, at the beginning of the Vigil of the Dead., Book of Hours, Use of Lyon, imperfect

Gregory, the Five Joys of the Virgin, the Seven verses of Bernard, the Ten Commandments and Five Commandments of the Church in French, the Hours of the Conception (ff. 151-154), the Hours of Barbara (ff. 154-156), a prayer in French

• Decorated initial 'B'(eatus) with animal heads and figures at the beginning of Psalm 1., Psalter, with litany and additional prayers and canticles

in red, and display script in colours. Rubrics in red. Psalter, with litany and additional prayers and canticles ?The cathedral church of Augsburg [see Wright 1972].Added 12th-century prayers (with later initials?) to St. Francis and St. Anthony Confessoris (f. 1v).Added

• A montage (now dismembered) of a full-page historiated border, with the text removed, of floral motifs, trompe l'oeil fruit, and medallions containing figures in gold monochrome of the four Doctors of the Church (clockwise from top) Gregory the Great, Augustine, Ambrose and Jerome (f. 89a; 325 x 240 mm) and a section of border (f. 89b; 10 x 25 mm); an historiated initial 'P' of Christ Disputing with the Doctors in gold monochrome, a winged putto and banner inscribed 'Apparvit / gratia dei / salvatoris / nostri / omnibus / homi / nibus' from Titus 2:11 (f. 89c; 80 x 80 mm); a historiated initial 'T' of the Ascension in gold monochrome and a banner inscribed 'Euntes in / mundum uni / versum predi / cate evange / lium omni / creature' from Mark 16:15 (f. 89e; 80 x 80 mm); an historiated initial 'T' of the Holy Women at the Tomb in gold monochrome and a banner inscribed 'Non est hic / surrexit / enim si / cut dixit' from Matthew 28:6 (f. 89j; 85 x 85 mm); a historiated initial 'N' of the Supper at Emmaus in gold monochrome and a banner inscribed 'Pax / vobis ego / sum / no / lite time / re ' from Luke 24:36 (f. 89l; 85 x 85 mm); a historiated initial 'T' of the ?Last Judgment in gold monochrome and a banner inscribed 'Ascendit / ad celeos sedet / ad dextram dei /patris omnipotent / is' (f. 89o; 95 x 80 mm); a historiated faceted initial 'T' held by a putto and entwined with a scroll inscribed 'Memento / nostri / Domine / in bene / placito / populi / tui' from Matthew 28:6 (f. 89q; 95 x 90mm); and 9 strips of gold parchment (ff. 89d, f-i, k, m, n and p). On the reverse of the border and initials are lines of partial text ‘E…’ (f. 89a verso); '…cut erat in /… et n[u]nc et se/...cula seculo /e[n]. Iteru[m] re' (f. 89c verso); '…ferimus pro / sancta catho /…acificare: cu /…nare: et regi' (f. 89j verso); '…erat in prin / e et semper: / eculoru[m]. Am /…epetit[ur] introi' (f. 89l verso ); '…ius pro ec / …catholica q / …ustodire ad /…ere digner /…erraru[m] una (f. 89o verso); and '…i offerimus /… tua sancta /…m pacificar /…dunare, et i/…is toto orb' (f. 89q verso)., Cuttings from service books of Pius IV

trompe l'oeil fruit, and medallions containing figures in gold monochrome of the four Doctors of the Church (clockwise from top) Gregory the Great, Augustine, Ambrose and Jerome (f. 89a; 325 x 240 mm) and a section of border (f. 89b;

• A montage (now dismembered) of four sections of historiated border of cartouches, scrolls, trompe l’oeil pearls, cherubs, arabesques, and figures in monochrome of John, the Resurrection, Mark and two medallions inscribed 'De / dit / illi no / men' and 'Quod / est su / per omne / nome[n]' (f. 83a; 35 x 240 mm); of Augustine, Gregory, a scene with many figures and two plaques inscribed 'MDLXIIII' and 'Iulio' (f. 83e; 270 x 35 mm); of Matthew, the Ascension, Luke and two medallions inscribed 'Ut / in nomi / ne / Iesu' and 'Om / ne genus flecta / tur' (f. 83h; 35 x 240 mm); of Jerome, Ambrose, and a scene with many figures and two plaques inscribed 'Anno V' and 'Mense' (f. 83d; 270 x 35); four plaques inscribed 'Apollonius / de / Bonfratellis / de / Capranica' (f. 83b; 35 x 35 mm), 'Capellae / et / Sacrestiae / Apostolicae / Minaiator / Fecit' (f. 83c; 35 x 35 mm), 'Anno / Domini / MDLXIV / Mense Iulio' (f. 83f; 35 x 35 mm), and 'Sedente / Pio Iv / Pont. Opt. Max. / De Medicis / Mediolanense / Anno V' (f. 83g; 35 x 35 mm); and two strips of gold parchment (ff. 83i and j; 50 x 80 mm each)., Cuttings from service books of Pius IV

annotated Western Manuscripts departmental copy of the sale catalogue.William Boone, London bookseller trading 1815-1870: purchased from him on the same day by the British Museum. Resurrection, Ascension, Evangelists and Doctors of the Church Apollonio de' Bonfratelli Rome Italy, Central (Rome)

• Decorated initial 'A'(d honorem) with pen-flourishing including foliate motifs at the beginning of the text., Office book of the Cathedral church of Trier ('Liber officiarius ecclesiae treverensis collegii')

in red (ff. 1, 37). Capitals marked in red. Office book of the Cathedral church of Trier ('Liber officiarius ecclesiae treverensis collegii') Made for the cathedral church of Skt. Peter in Trier, 14th century (f. 1). Effaced inscriptions (ff. 27,

• Added flyleaf with church music, and initial 'H'(enricus) with pen-flourishing, at the beginning of the Magna Carta., 2 leaves with church music, used as flyleaves and pastedowns at the beginning and the end

Added flyleaf with church music, and initial 'H'(enricus) with pen-flourishing, at the beginning of the Magna Carta. Large initials in blue with red foliate pen-flourishing. 2 leaves with church music, used as flyleaves and pastedowns at the beginning and the

• Calendar page for May, with an early addition to this calendar is the dedication of the church of Hitchin, Hertfordshire, on 17 May, suggesting that the manuscript was owned in the parish fairly soon after it was made., Psalter, including a calendar (ff. 1-6v), litany (ff. 145-146v), and prayers

brown (f. 174). Psalter, including a calendar (ff. 1-6v), litany (ff. 145-146v), and prayers The parish church of Hitchin, Herfordshire: dedication of the church in the calendar for 17 May (f. 3).The Harley Collection, formed by Robert Harley (b. 1661,

• Calendar page for March, with several red-letter feast-days in this calendar relate to Ely, such as that of Withburga about half-way down this page (17 March)., Psalter, including a calendar (ff. 1-6v), litany (ff. 145-146v), and prayers

brown (f. 174). Psalter, including a calendar (ff. 1-6v), litany (ff. 145-146v), and prayers The parish church of Hitchin, Herfordshire: dedication of the church in the calendar for 17 May (f. 3).The Harley Collection, formed by Robert Harley (b. 1661,

• Illuminated initial 'B'(eatus) at the beginning of the Psalms., Psalter, including a calendar (ff. 1-6v), litany (ff. 145-146v), and prayers

brown (f. 174). Psalter, including a calendar (ff. 1-6v), litany (ff. 145-146v), and prayers The parish church of Hitchin, Herfordshire: dedication of the church in the calendar for 17 May (f. 3).The Harley Collection, formed by Robert Harley (b. 1661,

• Decorated initial 'D'(eus), with English explanation that the prayer can be used to deliver a woman safely from the dangers of childbirth; that it was composed by St. Peter; and that he granted to everyone that says it a year's pardon. The Latin of the prayer is written with feminine forms of words, indicating that it was intended to be read by a woman., Prayer book, including a calendar (ff. 1-6v), litany (ff. 31-32v), starting imperfectly

Some prayers in the feminine form, e.g., (f. peccatrice (f. 71v).The parish church of South Molton, in Devon: addition in the calendar of the dedication of the church (f. 5v).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724),