• Miniature of the Crucifixion, with Gervasius de Someren, his wife, and a knight of the Church of St John Baptist in prayer., Missal, Use of Utrecht?

of Utrecht? Gervasius de Someren of Utrecht, for the Church of St John Baptist, Utrecht, 1510, four Latin verses stating that Gervasius de Someren presented the manuscript in 1510 to the Church of St John Baptist: inscribed 'Annis verbgene quingentis

• Historiated initial with the Resurrection; inscription dated 1510., Missal, Use of Utrecht?

of Utrecht? Gervasius de Someren of Utrecht, for the Church of St John Baptist, Utrecht, 1510, four Latin verses stating that Gervasius de Someren presented the manuscript in 1510 to the Church of St John Baptist: inscribed 'Annis verbgene quingentis

• Illuminated border and the historiated initial 'T'(erribilis) with a bishop outside a church, about to sprinkle it with holy water., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

'T'(erribilis) with a bishop outside a church, about to sprinkle it with holy water. Musical notation.? Possible instructions to the artist or later notes identifying the subject matter briefly, in the lower margin on most of the folios with historiated

• Illuminated miniature of the Trinity, with God the Father seated enthroned holding the cross with the crucified Christ and the dove of the Holy Spirit above the head of Christ (a 'Gnadenstuhl Trinity'), and below, a kneeling donor, William Melreth, alderman of London, in prayer, with his arms. Below this in gold letters and in English is the caption 'Blessed be the trinite', and an inscription detailing Melreth's gift of the missal to the church of St Lawrence, London., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

in English is the caption 'Blessed be the trinite', and an inscription detailing Melreth's gift of the missal to the church of St Lawrence, London. Musical notation.? Possible instructions to the artist or later notes identifying the subject matter briefly,

• Detail of a coloured drawing depicting idol worship and blood-sacrifice at the church of Calamye., Travels (index Itinerarium)

idol worship and blood-sacrifice at the church of Calamye. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made in a vertical quarto shape, perhaps for travel or for carrying:

• Coloured drawings of Noah's Ark, resting on the mountain of Taneez, and the story of a monk that brought one plank down to house in a church at the foot of the mountain., Travels (index Itinerarium)

story of a monk that brought one plank down to house in a church at the foot of the mountain. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle, 1986).Made

• Coloured initials., Benedictional, with prayers (the 'Canterbury Benedictional')

decoration. Rubrics in red. Highlighting of initials in red. Benedictional, with prayers (the 'Canterbury Benedictional') The Benedictine abbey of Christ Church, Canterbury: evidence of the text (see Temple 1976; Pfaff 2009).Added text and musical notation (ff. 71v, 214v).The Harley Collection,

• Decorated initial 'D'., Benedictional, with prayers (the 'Canterbury Benedictional')

decoration. Rubrics in red. Highlighting of initials in red. Benedictional, with prayers (the 'Canterbury Benedictional') The Benedictine abbey of Christ Church, Canterbury: evidence of the text (see Temple 1976; Pfaff 2009).Added text and musical notation (ff. 71v, 214v).The Harley Collection,

• Coloured initials., Benedictional, with prayers (the 'Canterbury Benedictional')

decoration. Rubrics in red. Highlighting of initials in red. Benedictional, with prayers (the 'Canterbury Benedictional') The Benedictine abbey of Christ Church, Canterbury: evidence of the text (see Temple 1976; Pfaff 2009).Added text and musical notation (ff. 71v, 214v).The Harley Collection,

• Sir John Mandeville meditates on the Church of St. Nicholas in Bethlehem, where the Virgin Mary milked her overflowing breasts onto red marble stones., Travels (index Itinerarium)

meditates on the Church of St. Nicholas in Bethlehem, where the Virgin Mary milked her overflowing breasts onto red marble stones. Written in a Norfolk dialect. Combination of the beginning of text B with the end of text A (Doyle,

• Detail of a bas-de-page scene of a queen entering a church, with an angel following behind., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

of a queen entering a church, with an angel following behind. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the

• Detail of a bas-de-page scene of two ladies outside a church., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

of two ladies outside a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and added on

• Miniature of the Nativity, with a foliate initial 'I'(n) and a partial border., Gospel Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary)

Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary) The London city church of St Mary Aldermanbury: presented to the church by Stephen Jenyns (b. c. 1450, d. 1523), administrator, merchant, and lord mayor of London

• Miniature of the Resurrection, with a foliate initial 'I'(n) with a partial border., Gospel Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary)

Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary) The London city church of St Mary Aldermanbury: presented to the church by Stephen Jenyns (b. c. 1450, d. 1523), administrator, merchant, and lord mayor of London

• Miniature of the Pentecost, with a foliate initial 'I'(n) with a partial border., Gospel Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary)

Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary) The London city church of St Mary Aldermanbury: presented to the church by Stephen Jenyns (b. c. 1450, d. 1523), administrator, merchant, and lord mayor of London

• Detail of a miniature of Corpus Christi, with two kneeling angels holding a chalice with the host above., Gospel Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary)

Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary) The London city church of St Mary Aldermanbury: presented to the church by Stephen Jenyns (b. c. 1450, d. 1523), administrator, merchant, and lord mayor of London

• Miniature of Christ, with a decorated initial 'I'(n) and a partial border., Gospel Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary)

Lectionary (volume two of Royal 2 B XII, which contains an Epistle Lectionary) The London city church of St Mary Aldermanbury: presented to the church by Stephen Jenyns (b. c. 1450, d. 1523), administrator, merchant, and lord mayor of London

• Miniature of Dante and Virgil entering the area devoted to simoniacs and magicians, while Dante speaks to the upside-down figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX., Divina Commedia (index Divine Comedy)

III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX. Pope-Hennessy

• Coloured drawings, of Lot's wife, the Ark, and Egyptian soldiers being drowned in the Red Sea., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo

• Drawing of a dragon, with seven heads in its tail. In Joachim's thought, the seven heads correspond to Herod, Nero, Constantinus, Mohometh, Melsemothus, Saladin, the Antichrist, with Gog, the last Antichrist., Summary of the Liber Concordiae Novi ac Veteris Testamenti (Harmony of the Old and New Testaments), imperfect

Old and New Testaments), imperfect Made for Pedro Fort, a merchant of Barcelona in 1455, who presented it to a church, probably Barcelona: inscribed 'Scriptus fuit liber iste per petrum fort mercatorem In Civitate barchenone anno a nativitate dominj Millesimo