• CP.F.51

193 Court:Curia Ebor Case:Appeals (violation of church rights, citation to appear) Details:3 Pieces; No deposition; No libel; No sentence Outcome: Date: 12/07/1424 — 1424 People & Places Participant: RobertOrmshead [Ormeshede; Hormyshede] Role: plaintiff Details: male; clerk, master Employment: vicar of

• CP.F.150

CP.F.150 Reference:CP.F.150 Repository:Borthwick Institute GB 193 Court:Curia Ebor Case:Appeals (violation of church rights, repairs of church) Details:8 Pieces; Has deposition; No libel; No sentence Outcome: Date: 06/07/1424 — 09/03/1424 People & Places Participant: JohnHome [Holme] Role: plaintiff Details: male; domicellus

• CP.F.162

de Kokyrsand) : undefined Participant: RogerGarnet [Garnett; Garnet] Role: witness Details: male; 40; clerk Employment: perpetual vicar of the parish church of Mitton Participant: JohnCoton [Coton; Cotom] Role: witness Details: male; 15 Location: Mitton (Lancashire) Place(s): Mitton (Mitton) : undefined

• Zoomorphic initial 'H'(esterno) [Hesternam] with interlace and a bird's head, at the beginning of Augustine's Tractatus 25 on the Gospel of John., Tractatus in Evangelium Ioannis, imperfect, lacking tracts 18 and 19 and substituting Sermo 125 (ff. 66-70)

of the consecration of the abbey church of S. Mariae de Poplina in 1100, during the reign of Pope Pascal II (reigned 1099 to 1118), (f. 2v). Inscription regarding the consecration of the church of S. Michael de Puplena in

• Zoomorphic initial 'Q'(uales) with interlace and an animal's head, and a snake? forming the tail of the letter, at the beginning of Augustine's Tractatus 103 on the Gospel of John., Sermon 7 in natale sanctae Mariae, imperfect

of the consecration of the abbey church of S. Mariae de Poplina in 1100, during the reign of Pope Pascal II (reigned 1099 to 1118), (f. 2v). Inscription regarding the consecration of the church of S. Michael de Puplena in

• Decorated initial 'B'(EATVS) overpainted., Psalter, with glosses

overpainted in gold and colours, 17th century (f. 1v). Psalter, with glosses William Crashawe (index Crashaw) (bap. 1572, d. 1625/6), Church of England clergyman, religious controversialist and poet: his table of contents (f. 242, upside-down; see Watson 1966.Sir Simonds d'Ewes

• Illuminated initial 'Þ'(is), with a partial bar border., Wycliffite sermon cycle, 'The Church and her members'

158). Initials in blue with red pen flourishing. Paraphs in blue. Rubrics and underlining in red. Wycliffite sermon cycle, 'The Church and her members' Thomas Dekyn, a Dominican friar: on f. 196v in a late fifteenth-century hand is a licence

• Decorated initial 'S'([an]c[t]a) with penwork decoration at the beginning of a prayer to Mary Magdalen., Prayer book, including verse (imperfect)

carmen’ (f. 71v)ff. 61-64 is a quire with later additions (see Provenance).Unfinished.Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Christ Church - Canterbury), (ff. 37, 71v, 133); late neumes on four-line brown staves, England, second half of the 12th century

• Decorated initial 'D'(eum) with pen-flourishing in book 1., Theological miscellany entitled 'Compendium theologicae veritatis'

(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed

• Miniature of the Visitiation shown as taking place in Florence, in front of the church of San Giovannino, with the Medici Palace on the right and a view up the Via Gori in the background, and full all'antica borders, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

place in Florence, in front of the church of San Giovannino, with the Medici Palace on the right and a view up the Via Gori in the background, and full all'antica borders, at the beginning of Lauds in the Hours

• Miniature of the Crucifixion, with the Virgin and John the Evangelist, at the beginning of the Te igitur in a Missal., Missal

147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the

• Historiated initial 'R'(esurrexi) with the Resurrection, angels supporting heraldic arms to the left, in a Missal., Missal

147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the

• Historiated initial 'R'(esurrexi) with the Resurrection, angels supporting heraldic arms to the left, in a Missal., Missal

147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the

• Border roundels with the Maries at the sepulchre, and the 'Noli me tangere', in a Missal., Missal

147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the

• Detail of text., Missal

147. Missal The cathedral of St. Kylian, Würzburg, between 1443 and 1455: the calendar includes the dedication of the old church of Würzburg (26 July), in black, and the feasts of Kylian, its octave (8 and 15 July), and the

• Initial 'A'(ftir) with and full border with interlace motif., The Orcherd of Syon

Middlemore (f. 192).'Thomas Poynes' (f. 192v).'Walter Standen' (f. 192).'Thomas Thornton' (f. 193).'Robert Wakeley' (f. 193).John Batteley (bap. 1646, d. 1708), Church of England clergyman and antiquary: his collection sold to Harley on 5 November 1723 (see Wright, 1966).The Harley Collection,

• Detail of a historiated intial with a bishop in a church with the scroll text 'Per omnia secula seculorum'., Pontifical; Tabula

with a bishop in a church with the scroll text 'Per omnia secula seculorum'. Musical notation on four-line staves.ff. 1-2 are paper flyleaves; f. 249v is a paper leaf pasted onto a parchment leaf.According to Scott, made in two campaigns

• Detail of a historiated initial 'B'(eatus) with king David at prie-dieu, with harp and church in background, at the beginning of Psalm 1., Bible (the 'Big' or 'Great Bible'), with the Gospel of Nicodemus and the Interpretation of Hebrew names

king David at prie-dieu, with harp and church in background, at the beginning of Psalm 1. Includes the Gospel of Nicodemus entitled 'Tractatus passionis Christi secundum Nichodemum' (ff. 282-286v), the Interpretation of Hebrew names (ff. 323-337v), and capitula of the