• CP.F.180

of church rights, dilapidations; immorality, fornication and adultery) Details:3 Pieces; Has deposition; No libel; No sentence Outcome: Date: 12/06/1435 — 24/06/1435 People & Places Participant: JohnEasby [Eseby] Role: plaintiff Details: male Employment: master or rector of the collegiate church of

• CP.F.181

Has deposition; No libel; Has sentence Outcome:plaintiff wins; marriage to be solemnized in a church. Date: 20/09/1438 — 09/02/1438 People & Places Participant: JoanWright [Wryght] Role: plaintiff Details: female Location: York (Ebor') : undefined Place(s): York : city North Street

• CP.F.227

: archdeaconry Participant: WilliamCorney [Corney; Cornay] Role: witness Details: male; 50; clerk Employment: dean of Cleveland, rector of the parish church of Kildale Location: Yorkshire, North Riding Place(s): Cleveland (Cleveland) : archdeaconry Participant: RogerHewetson [Hewetson] Role: witness Details: male Participant:

• CP.F.182

Outcome:plaintiff, Agnes Barber, loses; plaintiff, Margaret Thwing wins; marriage between Margaret and John Kirkby to be solemnized in church. Date: 07/03/1438 — 16/04/1439 People & Places Participant: AgnesBarber [Barbour; Barebour] Role: plaintiff Details: female Location: York (Ebor') : undefined Place(s):

• CP.F.221

sive prioratus de Ellerton) : religious house Notes: The prior and convent of Ellerton are involved as appropriators of the church of Ellerton and the chapel at East Cottingwith. Participant: RobertBarker [Barker] Role: witness Details: male; 53 Location: Wheldrake (YorkshireEastRiding)

• Miniature of the Crucifixion, with Gervasius de Someren, his wife, and a knight of the Church of St John Baptist in prayer., Missal, Use of Utrecht?

of Utrecht? Gervasius de Someren of Utrecht, for the Church of St John Baptist, Utrecht, 1510, four Latin verses stating that Gervasius de Someren presented the manuscript in 1510 to the Church of St John Baptist: inscribed 'Annis verbgene quingentis

• Historiated initial with the Resurrection; inscription dated 1510., Missal, Use of Utrecht?

of Utrecht? Gervasius de Someren of Utrecht, for the Church of St John Baptist, Utrecht, 1510, four Latin verses stating that Gervasius de Someren presented the manuscript in 1510 to the Church of St John Baptist: inscribed 'Annis verbgene quingentis

• Illuminated border and the historiated initial 'T'(erribilis) with a bishop outside a church, about to sprinkle it with holy water., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

'T'(erribilis) with a bishop outside a church, about to sprinkle it with holy water. Musical notation.? Possible instructions to the artist or later notes identifying the subject matter briefly, in the lower margin on most of the folios with historiated

• Illuminated miniature of the Trinity, with God the Father seated enthroned holding the cross with the crucified Christ and the dove of the Holy Spirit above the head of Christ (a 'Gnadenstuhl Trinity'), and below, a kneeling donor, William Melreth, alderman of London, in prayer, with his arms. Below this in gold letters and in English is the caption 'Blessed be the trinite', and an inscription detailing Melreth's gift of the missal to the church of St Lawrence, London., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

in English is the caption 'Blessed be the trinite', and an inscription detailing Melreth's gift of the missal to the church of St Lawrence, London. Musical notation.? Possible instructions to the artist or later notes identifying the subject matter briefly,

• Miniature of Dante and Virgil entering the area devoted to simoniacs and magicians, while Dante speaks to the upside-down figure of Pope Nicholas III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX., Divina Commedia (index Divine Comedy)

III, with a figure of the True Church in the centre, as a lady dressed in blue with a gold star on her breast, and a seven-headed monster before her (presumably the false church), in illustration of Canto XIX. Pope-Hennessy

• Manuscripts of the West Midlands

Oxon./ Diplomati RIC: RAWLINSON/ pro gradu/ Doctoris Legum/ Appensum' and drawing of a monk holding a book seated in a church and flanked by clerics/monks at sides and bottom. On edges of oval 'SIGLL . CANCELLARII ET VNIUERSITATIS OXONIENS'. ff.