• Foliate initial 'E', measuring 75 x 75. On the reverse, partial four-line stave, musical notation and text: '...me'., Cuttings from a Gradual

colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours

• Foliate initial 'S', measuring 75 x 80. On the reverse, partial four-line stave, musical notation and text: '…tate e'., Cuttings from a Gradual

colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours

• Foliate initial 'S', measuring 80 x 80. On the reverse, partial four-line stave, musical notation and text: '…um no(n)'., Cuttings from a Gradual

colours and gold, of a Memento Mori (f. 6), Larewnce (f. 11), a male martyr saint (f. 8), and a church (f. 12) with one four-line red stave, musical notation and text on their versos. 3 foliate initials in colours

• Detail of a bas-de-page scene of a king leading a couple to church., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

a king leading a couple to church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and added

• Detail of a bas-de-page scene of a man and a woman outside a church., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

a man and a woman outside a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and

• Detail of a bas-de-page scene of a man leading a woman to church., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

a man leading a woman to church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and added

• Miniature of Dante and Virgil in the area devoted to the punishment of robbers, and Dante and Virgil speaking to Vanno Fucci, the pillager of a church in Pistoia, and three others tormented by serpents, in illustration of Canto XXIV., Divina Commedia (index Divine Comedy)

robbers, and Dante and Virgil speaking to Vanno Fucci, the pillager of a church in Pistoia, and three others tormented by serpents, in illustration of Canto XXIV. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of

• Miniature of Dante and Virgil witnessing Vanno Fucci, the pillager of a church in Pistoia, being attacked by the monster Cacus, who is half-centaur and half-dragon, and Dante and Virgil speaking to three other souls, tormented by snakes and lizards, in illustration of Canto XXV., Divina Commedia (index Divine Comedy)

Vanno Fucci, the pillager of a church in Pistoia, being attacked by the monster Cacus, who is half-centaur and half-dragon, and Dante and Virgil speaking to three other souls, tormented by snakes and lizards, in illustration of Canto XXV. Pope-Hennessy

• Miniature of Dante and Beatrice in the sphere of the sun being greeted by Aquinas and Albertus Magnus, while ten other great intellectural authorities (the Doctors of the Church) are seated below, including Bede, Ambrose, Isidore, and Boethius., Divina Commedia (index Divine Comedy)

Aquinas and Albertus Magnus, while ten other great intellectural authorities (the Doctors of the Church) are seated below, including Bede, Ambrose, Isidore, and Boethius. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and

• Miniature of Dante and Beatrice, on the left, and Bonaventure, on the right, hovering over the Twelve Doctors of the Church (Paradiso XII)., Divina Commedia (index Divine Comedy)

on the right, hovering over the Twelve Doctors of the Church (Paradiso XII). Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large

• Historiated initials 'I'(n) of a building with a small face visible behind the bars of the window, and 'N'(isi) of a church building., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

visible behind the bars of the window, and 'N'(isi) of a church building. Other manuscripts associated with the Master of Duke Humfrey's Psalms are: Guildhall, Corporation of London Records Office, 'Statuta Antiqua Angliae', f. 137, London, Drapers' Company, Patent of

• Detail of an historiated initial 'N'(isi) of a church building., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

initial 'N'(isi) of a church building. Other manuscripts associated with the Master of Duke Humfrey's Psalms are: Guildhall, Corporation of London Records Office, 'Statuta Antiqua Angliae', f. 137, London, Drapers' Company, Patent of Arms, 10 March 1439, Capetown, South African

• Detail of a bas-de-page scene of a bishop expelling a devil from a church tower., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

a bishop expelling a devil from a church tower. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated

• Coloured initial 'A' with foliate decoration., 2 leaves with omelies translated from Origen, cropped

[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.

• Coloured initials with penwork decoration., Leaf from Richard's 'De Trinitate', Book 2, chapters 16-20

[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.

• Coloured initials with pen-flourished decoration., Leaf from de Chauliac's 'Surgery' (index Chirurgia magna), Book VI, in English translation (originally ff. 107-107v in New York, Academy of Medicine, MS. 12, from which it was removed by John Bagford)

[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.

• Miniature of the Resurrection of Lazarus., Prayer book of Joanna of Ghistelles (Office of the Dead, Use of Messines)

Ypres, in 1516: the Benedictine calendar includes Countess Adela (8 January), founder of the Abbey, and the dedication of the church and choir (21 September), and its octave (28 Sept.); both litanies have Sidronius (relics at Messines) immediately after Stephen

• Miniature of the monks in a choir with fixed rotating lecterns with books, singing the office of the Dead, with a shrouded coffin in the centre., Prayer book of Joanna of Ghistelles (Office of the Dead, Use of Messines)

Ypres, in 1516: the Benedictine calendar includes Countess Adela (8 January), founder of the Abbey, and the dedication of the church and choir (21 September), and its octave (28 Sept.); both litanies have Sidronius (relics at Messines) immediately after Stephen

• Miniature of the Virgin and Child with angels., Prayer book of Joanna of Ghistelles (Office of the Dead, Use of Messines)

Ypres, in 1516: the Benedictine calendar includes Countess Adela (8 January), founder of the Abbey, and the dedication of the church and choir (21 September), and its octave (28 Sept.); both litanies have Sidronius (relics at Messines) immediately after Stephen

• Miniature of the Adoration of the Magi., Prayer book of Joanna of Ghistelles (Office of the Dead, Use of Messines)

Ypres, in 1516: the Benedictine calendar includes Countess Adela (8 January), founder of the Abbey, and the dedication of the church and choir (21 September), and its octave (28 Sept.); both litanies have Sidronius (relics at Messines) immediately after Stephen