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of a monk entering a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and added on
cardinal, bishops, and other men and women, with the fathers of the church, Gregory, Augustine, Jerome, and Ambrose at its walls and men and women representing vices, with a full border containing a space for a coat of arms, and
wedding of Cleridius and Meliadice at the church door. Included two romances in French, the 'Cleriadus et Meliadice', probably composed in the early 1440s (ff. 1-209v), and 'Historia Apollonii regis Tyri' translated in French as 'La cronique et histoire des
[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.
[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.
[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.
[part 4]: Originally part of a manuscript corpus of Augustine's works written by Eadmer, (d. c. 1130), monk at Christ Church, Canterbury, in the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d.
at the windows, surrounded by the fathers of the church, Gregory, Augustine, Jerome, and Ambrose, with a group of women and men. In two volumes, the second volume is Royal 17 F VII.Includes a list of contents (ff. 1-21v).Catchwords written
woman at the centre window, surrounded by the fathers of the church, Gregory, Augustine, Jerome, and Ambrose, with a group of women and one man, on the right and a crowd of attacking Jews on the left; with a full
and Latin verses and a letter addressed to Eulalia (i.e. Gundrada, cousin of Charlemagne), imperfect at the end The cathedral church of St Nazaire, Carcassone: its ownership inscription, 'Iste liber est ecclesie sancti Nazarii Carcassonnensis. Quicunque eum furatus fuerit vel
Coloured initials in red or blue. Capitals marked with red. Baarlam et Josaphat, imperfect John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John
red. Psalter, including Odes (ff. 245-265v) and the fragment of a Euchologion (ff. 266-282) Conyers Middleton (b. 1683, d. 1750), Church of England clergyman and author, fellow of Trinity College, Cambridge from 1706, head librarian of the University Library at
made from the Greek by Abu l-Fath Abd Allah b. al-Fadl b. Abd Allah al-Mutran al-Antakie, deacon of the Melkite church of Antioch in the mid-eleventh century. This may be the earliest surviving manuscript of this translation. Headpieces in red
defended by the fathers of the church, Gregory, Augustine, Jerome, and Ambrose fighting demons, with a full border containing a space for a coat of arms, and an illuminated initial 'A'(pres), at the beginning of book 5. In two volumes,
1 large foliate initial in colours on a burnished punched gold ground (f. 1, perhaps 19th-century ?), with a three-sided border incorporating heraldic arms. Small initials alternately plain red or blue, often in unusual angular forms. Epitome bellorum omnium
1 large foliate initial in colours on a burnished punched gold ground (f. 1, perhaps 19th-century ?), with a three-sided border incorporating heraldic arms. Small initials alternately plain red or blue, often in unusual angular forms. Epitome bellorum omnium
sent by the head of the church being brought before the Grand Duke Dmitri. The Skazanie is a romance, composed in the 15th century, relating the struggle of the Muscovian Grand Prince, Dmitri Donskoj, against his Tartar opponent, Mamai. The
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the
St Petroc, Bodmin by the end of the 10th century: records of public manumissions at the high altar of the church were added in Anglo-Saxon minuscule in the 2nd half of the 10th and the 11th centuries. They include the