1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban
1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban
1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban
1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban
1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban
1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban
1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban
1246, 16th November, ff. 7, 153v); for St. Albans use: the calendar includes: the octave of the dedication of the church of St. Albans (4th January, f. 2), 'Festivitas reliquiarum' in gold (27th January, f. 2), the passion of Alban
dedicated the work. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic
a rectangular border. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic
Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles
pilgrimage to Rome. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic
or Old English. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic
above the lines. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic
abbey of St Albans; probably copied from a lost manuscript from the Benedictine Cathedral Priory of Holy Trinity or Christ Church, Canterbury which is recorded in the library catalogue that was compiled between 1284-1331, see Montague Rhodes James, ~The Ancient
initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to
in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to him during his lifetime
interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to him during his
outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices and the miracles attributed to him during his lifetime and
in Breton neumes. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic