• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

and paraphs in red. Letters highlighted in red. Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry John Theyer (bap. 1598, d. 1673): his monogram (ff. 1, 32v) and included in the catalogue of his library left

• Beginning of the prologue to John., Four Gospels (the 'Harley Gospels', or 'Codex Harleianus')

the prologue to John. This is source Z in the studies of the Latin New Testament (Wordsworth and White; Bonifatius Fischer). Corrections in a contemporary hand in slanting uncial employ a Greek style of syllabification recalling the method of Victor

• Beginning of the text of John., Four Gospels (the 'Harley Gospels', or 'Codex Harleianus')

the text of John. This is source Z in the studies of the Latin New Testament (Wordsworth and White; Bonifatius Fischer). Corrections in a contemporary hand in slanting uncial employ a Greek style of syllabification recalling the method of Victor

• Coloured drawing of the Trinity at the beginning of the text., Passion poem

Coloured drawing of the Trinity at the beginning of the text. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church

• Coloured drawing of the Original Sin, with Adam and Eve on either side of the tree., Passion poem

Coloured drawing of the Original Sin, with Adam and Eve on either side of the tree. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f.

• Coloured drawing of God standing before ?Adam., Passion poem

Coloured drawing of God standing before ?Adam. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to have

• Coloured drawing of the Betrayal with Judas kissing Christ and soldiers standing by., Passion poem

Coloured drawing of the Betrayal with Judas kissing Christ and soldiers standing by. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem

• Coloured drawing of Christ before the High Priest Caiaphas., Passion poem

Coloured drawing of Christ before the High Priest Caiaphas. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought

• Coloured drawing of Christ before Herod., Passion poem

Coloured drawing of Christ before Herod. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to have been

• Coloured drawing of Christ before Pilate., Passion poem

Coloured drawing of Christ before Pilate. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to have been

• Coloured drawing of the Flagellation., Passion poem

Coloured drawing of the Flagellation. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to have been found

• Coloured drawing of the Carrying of the Cross., Passion poem

Coloured drawing of the Carrying of the Cross. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to

• Coloured drawing of the Crucifixion., Passion poem

Coloured drawing of the Crucifixion. 10 marginal coloured drawings (ff. 1, 1v, 2, 6v, 7v, 9, 10, 11v, 14v, 15v). Initial in red with brown penwork decoration (f. 1). Passion poem Sancreed church (Cornwall): thought to have been found

• king John is brought to Winchester for burial, Roman de Brut, a verse epitome (begins imperfectly) with continuation to Edward III; Destruction de Rome; Fierabras

king John is brought to Winchester for burial The first quire misbound; the right order being ff. 2, 8, 3-7, 1, 9.French verse translation, in octosyllabic couplets, of Geoffrey of Monmouth's Historia Regum Britanniae.One of the first images of Stonehenge:

• Text page in the register for Northload [in Glastonbury]., Terrier of the Somersetshire estates of Glastonbury Abbey, with additional material relating to the abbey

Thomas Sutton, 'cellerarius forinsicus', assisted by John fitz James, steward of the abbey, William Lange, auditor, Thomas Gunwyn, a clerk with a special knowledge of the Glastonbury muniments and 'circa terrarium mensuratorem precipuum,' and John Horner, bailiff of Whitstone, who

• Text page in the register for Northload [in Glastonbury]., Terrier of the Somersetshire estates of Glastonbury Abbey, with additional material relating to the abbey

Thomas Sutton, 'cellerarius forinsicus', assisted by John fitz James, steward of the abbey, William Lange, auditor, Thomas Gunwyn, a clerk with a special knowledge of the Glastonbury muniments and 'circa terrarium mensuratorem precipuum,' and John Horner, bailiff of Whitstone, who

• Text page in the register for Northload [in Glastonbury]., Terrier of the Somersetshire estates of Glastonbury Abbey, with additional material relating to the abbey

Thomas Sutton, 'cellerarius forinsicus', assisted by John fitz James, steward of the abbey, William Lange, auditor, Thomas Gunwyn, a clerk with a special knowledge of the Glastonbury muniments and 'circa terrarium mensuratorem precipuum,' and John Horner, bailiff of Whitstone, who

• Miniature of John the Almoner kneeling before the Virgin, with a partial border and a foliate initial 'L'(aint) instead of 'S'., Legenda aurea

of John the Almoner kneeling before the Virgin, with a partial border and a foliate initial 'L'(aint) instead of 'S'. Contains the Golden legend by Iacobus de Voragine translated in c. 1333-1348 by Jean de Vignay as Legende doree, originally

• Miniature of John the Baptist with a partial border and two foliate initials 'I'(ehan)., Legenda aurea

of John the Baptist with a partial border and two foliate initials 'I'(ehan). Contains the Golden legend by Iacobus de Voragine translated in c. 1333-1348 by Jean de Vignay as Legende doree, originally for Jeanne de Bourgogne, queen of France