• Full-page emblematic miniature with symbols and an inscription reading 'Eterno deo virtutu[?] glorie etatis regi iustitis ac Pietatis habunda[n]ti mundi rectori religionis n?c Triu[m]phas cum laude sacrum hoc dicaturn est'., Hieroglyphica and Emblematic Inscriptions

Full-page emblematic miniature with symbols and an inscription reading 'Eterno deo virtutu[?] glorie etatis regi iustitis ac Pietatis habunda[n]ti mundi rectori religionis n?c Triu[m]phas cum laude sacrum hoc dicaturn est'. ff. 1, 25 are parchment flyleaves.1 blank parchment leaf

• Full-page emblematic miniature of symbols in a room with two arches, and an inscription reading 'Iustitia[?] ama[n]s ab omnib[us] diligitu. Divina amore aete[r]nas mo? Renascitur. nobilis patientur prudenterque cordis imper[ver?] Tener et est liberirate ornatus'., Hieroglyphica and Emblematic Inscriptions

Full-page emblematic miniature of symbols in a room with two arches, and an inscription reading 'Iustitia[?] ama[n]s ab omnib[us] diligitu. Divina amore aete[r]nas mo? Renascitur. nobilis patientur prudenterque cordis imper[ver?] Tener et est liberirate ornatus'. ff. 1, 25 are

• Full-page emblematic miniature of a wreath with symbols inside and an inscription reading 'Invictus rex tuus: iustitia Opibus : fama: imperio : pace Omnibus potentior.', Hieroglyphica and Emblematic Inscriptions

Full-page emblematic miniature of a wreath with symbols inside and an inscription reading 'Invictus rex tuus: iustitia Opibus : fama: imperio : pace Omnibus potentior.' ff. 1, 25 are parchment flyleaves.1 blank parchment leaf after f. 1.Contemporary index entitled,

• Illuminated initial 'A'(s the) in gold and red, at the beginning of the text., The pleasaunt poesye of princelie practise, imperfect

poesye of princelie practise, imperfect Added leaves of a lectionary from lives of saints of English origin containing readings of John and Paul (26 June) and Margaret (20 July), 1st half of the 13th century (ff. 1, 79)William Forrest (fl.

• Calendar page for January, with marginal scenes, including the water carrier, Aquarius., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

Calendar page for January, with marginal scenes, including the water carrier, Aquarius. The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts

• Double-page with a historiated initial 'A'(d) with a monkey standing on a dog, and full borders, in the Book of Hours., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

Double-page with a historiated initial 'A'(d) with a monkey standing on a dog, and full borders, in the Book of Hours. The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution

• Miniature of the Flight into Egypt, with an historiated initial 'D'(eus) of a mourner, and a bas-de-page scene of the Entombment of Christ, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

Miniature of the Flight into Egypt, with an historiated initial 'D'(eus) of a mourner, and a bas-de-page scene of the Entombment of Christ, at the beginning of Vespers in the Hours of the Virgin. The manuscript was severely damaged

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in

• null, Book of Hours, Use of Paris ('The Hours of Yolande of Flanders')

The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in