• Text page., Various texts including secular and religious lyrics (also known as the 'Harley Lyrics'), including King Horn and the Follies of Fashion, and Psalms listed for recitation at certain times (imperfect)

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Text page., Various texts including secular and religious lyrics (also known as the 'Harley Lyrics'), including King Horn and the Follies of Fashion, and Psalms listed for recitation at certain times (imperfect)

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Text page., Various texts including secular and religious lyrics (also known as the 'Harley Lyrics'), including King Horn and the Follies of Fashion, and Psalms listed for recitation at certain times (imperfect)

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Text page., Various texts including secular and religious lyrics (also known as the 'Harley Lyrics'), including King Horn and the Follies of Fashion, and Psalms listed for recitation at certain times (imperfect)

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Text page., Various texts including secular and religious lyrics (also known as the 'Harley Lyrics'), including King Horn and the Follies of Fashion, and Psalms listed for recitation at certain times (imperfect)

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Decorated initials 'KL' with pen-flourishing for the month of May in the calendar., Register of St Mary's of Crich

24th year of the reign of Edward III (r. 1327-77) and includes charters dated until at least 1368.Numerous names including John Waleys and William de Wakebrug. For a more detailed list of contents, see ~Catalogue~ 1808. Initials in blue with

• Puzzle initial 'S'(amaritanus) with pen-flourishing at the beginning of book 4 of Peter Lombard's Sententiae., Sententiae (index Sentences), with marginal gloss, imperfect

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723 (see Wright 1972).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st

• Champ initial 'C'(redo) combined with a bar border ending in foliate feathering in the margins., Breviary, imperfect

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Text page with a description of the author's mistress, and complaints about her cruelty., Various texts including secular and religious lyrics (also known as the 'Harley Lyrics'), including King Horn and the Follies of Fashion, and Psalms listed for recitation at certain times (imperfect)

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• A song about the good effects of the spring; a song about Isomen; a ditty in which the poet repents of his former sinful life., Various texts including secular and religious lyrics (also known as the 'Harley Lyrics'), including King Horn and the Follies of Fashion, and Psalms listed for recitation at certain times (imperfect)

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Text page, with 24 lines of verse to the Virgin Mary, 'Mayden Moder Milde,' and 9 opening lines of the Gesta of King Horn., Various texts including secular and religious lyrics (also known as the 'Harley Lyrics'), including King Horn and the Follies of Fashion, and Psalms listed for recitation at certain times (imperfect)

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Decorated initial 'A'(nno) with foliate forms, in a cartulary of Chertsey abbey., Register of Chertsey abbey

left for initials. Register of Chertsey abbey ? The Benedictine abbey of St Peter, Chertsey, Surrey, during the abbacy of John de Rutherwyk, including charters from 1307 to 1344; see ~Chertsey Cartularies~ p. iii.Henry Powle (bap. 1630, d. 1692), politician:

• null, Register of Chertsey abbey

left for initials. Register of Chertsey abbey ? The Benedictine abbey of St Peter, Chertsey, Surrey, during the abbacy of John de Rutherwyk, including charters from 1307 to 1344; see ~Chertsey Cartularies~ p. iii.Henry Powle (bap. 1630, d. 1692), politician:

• null, Register of Chertsey abbey

left for initials. Register of Chertsey abbey ? The Benedictine abbey of St Peter, Chertsey, Surrey, during the abbacy of John de Rutherwyk, including charters from 1307 to 1344; see ~Chertsey Cartularies~ p. iii.Henry Powle (bap. 1630, d. 1692), politician:

• Miniature of God enthroned holding a globe with two angels supporting a papal tiara above him, and four Evangelists writing on scrolls with their symbols; two scenes in the bas-de-page, Samson with the gates of Gaza and Solomon setting the three sons to shoot at their father's corpse to prove their legitimacy; and a foliate initial 'P'(our) with a full border, at the beginning of the prologue., Bible historiale complétée moyenne (the 'Bible Historiale of John the Good')

in gold and blue with blue and red pen-flourishing. Bible historiale complétée moyenne (the 'Bible Historiale of John the Good') John II (John the Good) (b. 1319, d. 1364), king of France (1350-1364), made for him and seized by the

• Bas-de-page scene of John the Baptist preaching holding a disk before a seated group of people., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist preaching holding a disk before a seated group of people. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John the Baptist before a seated Herod with a sword., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John the Baptist before a seated Herod with a sword. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to

• Bas-de-page scene of John being pushed into a prison tower by a man holding a club., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John being pushed into a prison tower by a man holding a club. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important

• Bas-de-page scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl., Book of Hours, Use of Sarum ('The Taymouth Hours')

scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl. The style and subject, especially the many bas-de-page narratives ranging from romance

• Bas-de-page scene of Salome presenting the head of John in a golden bowl to her seated mother., Book of Hours, Use of Sarum ('The Taymouth Hours')

presenting the head of John in a golden bowl to her seated mother. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought