• Detail of flowers in the border of the folio., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Detail of a painting of a drum-beating ape, flowers, and a moth, from the borders of the folio., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Detail of a marginal painting of two men with wicker armour riding on rams, as one unseats the other in a parody of tournament., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Detail of a marginal painting of a butterfly and flowers, from the full border., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Detail of a marginal painting of a peacock among flowers, from the lower margin of the folio., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Illumianted initial ‘I'(n), with a partial bar border, and an added drawing of two interlaced gloves., The Regement of Princes, with other poems

century (f. 3),Signatures including: Blount (ff. 1v, 2), and Humfrey Blount (f. 3), John Myll (ff. 2, 3), Acton (f. 2), Folyet (f. 2), Stoughton (f. 2), John Womgey (f. 2), Roland Schakyrley (f. 3), 16th century.John Lumley, 1st baron

• Text page., The Regement of Princes, with other poems

century (f. 3),Signatures including: Blount (ff. 1v, 2), and Humfrey Blount (f. 3), John Myll (ff. 2, 3), Acton (f. 2), Folyet (f. 2), Stoughton (f. 2), John Womgey (f. 2), Roland Schakyrley (f. 3), 16th century.John Lumley, 1st baron

• Illuminated initial ‘M’ in colours and gold with a partial bar-border and the arms of William FitzAlan, earl of Arundel impaling those of his wife, Joan, daughter of Richard Neville, earl of Salisbury., The Regement of Princes, with other poems

century (f. 3),Signatures including: Blount (ff. 1v, 2), and Humfrey Blount (f. 3), John Myll (ff. 2, 3), Acton (f. 2), Folyet (f. 2), Stoughton (f. 2), John Womgey (f. 2), Roland Schakyrley (f. 3), 16th century.John Lumley, 1st baron

• Miniature of John and the woman clothed with the sun and the dragon; miniature of John and the Beast., Bible historiale, the early version

Miniature of John and the woman clothed with the sun and the dragon; miniature of John and the Beast. Bound In four volumes: vol. 1 (ff. 1-144), vol. 2 (ff. 145-284v), vol. 3 (ff. 285-412), vol. 4 (ff. 413-532), originally

• Detail of a miniature of the author, Thomas Hoccleve, presenting the book to prince Henry., The Regement of Princes, with other poems

century (f. 3),Signatures including: Blount (ff. 1v, 2), and Humfrey Blount (f. 3), John Myll (ff. 2, 3), Acton (f. 2), Folyet (f. 2), Stoughton (f. 2), John Womgey (f. 2), Roland Schakyrley (f. 3), 16th century.John Lumley, 1st baron

• Detail of a marginal miniature of Geoffrey Chaucer pointing the text, with a caption reading 'Chauceris ymago'., The Regement of Princes, with other poems

century (f. 3),Signatures including: Blount (ff. 1v, 2), and Humfrey Blount (f. 3), John Myll (ff. 2, 3), Acton (f. 2), Folyet (f. 2), Stoughton (f. 2), John Womgey (f. 2), Roland Schakyrley (f. 3), 16th century.John Lumley, 1st baron

• Illuminated initial 'T'(o) with a partial bar and foliate border., The Regement of Princes, with other poems

century (f. 3),Signatures including: Blount (ff. 1v, 2), and Humfrey Blount (f. 3), John Myll (ff. 2, 3), Acton (f. 2), Folyet (f. 2), Stoughton (f. 2), John Womgey (f. 2), Roland Schakyrley (f. 3), 16th century.John Lumley, 1st baron

• Partialy repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning of the dedicatory letter to Charles VI of France., L'Arbre des batailles

beginning 'Je may pouoir de vivre en joye...', and 'Triste playsir et doloureuse joye...', 15th century (f. 165). John Gamston (or John of Gamston, Nottinghamshire): inscribed with his name, 'Iste liber constat Joh[an]i Gamston[i] generoso', early 16th century (f. 164v).Henry

• Drawing of a white horse in the lower margin of the folio, with a badge bearing the motto 'My trust ys'., The Regement of Princes, with other poems

century (f. 3),Signatures including: Blount (ff. 1v, 2), and Humfrey Blount (f. 3), John Myll (ff. 2, 3), Acton (f. 2), Folyet (f. 2), Stoughton (f. 2), John Womgey (f. 2), Roland Schakyrley (f. 3), 16th century.John Lumley, 1st baron

• Detail of an added drawing of a white horse in the lower margin of the folio, with a badge bearing the motto 'My trust ys'., The Regement of Princes, with other poems

century (f. 3),Signatures including: Blount (ff. 1v, 2), and Humfrey Blount (f. 3), John Myll (ff. 2, 3), Acton (f. 2), Folyet (f. 2), Stoughton (f. 2), John Womgey (f. 2), Roland Schakyrley (f. 3), 16th century.John Lumley, 1st baron

• Full-page miniature of Edward III, wearing a blue Garter mantle, with his arms., Pictorial book of arms of the Order of the Garter ('William Bruges's Garter Book')

Full-page miniature of Edward III, wearing a blue Garter mantle, with his arms. This is the first armorial for the Order of the Garter. The leaves were rearranged and are now mounted on paper leaves.ff. 1-3v are later notes;

• Full-page miniature of Henry, Duke of Lancaster, wearing a blue Garter mantle, with his arms., Pictorial book of arms of the Order of the Garter ('William Bruges's Garter Book')

Full-page miniature of Henry, Duke of Lancaster, wearing a blue Garter mantle, with his arms. This is the first armorial for the Order of the Garter. The leaves were rearranged and are now mounted on paper leaves.ff. 1-3v are

• Miniature of William Bruges kneeling before George., Pictorial book of arms of the Order of the Garter ('William Bruges's Garter Book')

Miniature of William Bruges kneeling before George. This is the first armorial for the Order of the Garter. The leaves were rearranged and are now mounted on paper leaves.ff. 1-3v are later notes; f. 4 is a page from

• Detail of lower border with a woman holding shields with the arms of John the Fearless (d. 1419), duke of Burgundy, and his wife, Margaret of Bavaria., Breviary (the 'Breviary of John the Fearless and Margaret of Bavaria'), Use of Rome (index Breviary of Jean sans Peur)

woman holding shields with the arms of John the Fearless (d. 1419), duke of Burgundy, and his wife, Margaret of Bavaria. The manuscript bears references to the work of the Limbourg brothers, e.g., the Martyrdom of Mark (f. 282v) copies

• Drawing of the Mocking of Christ., Speculum humanae salvationis, with tabula, prohemium, and 45 chapters

details. Large initials in blue. Small initials in brown. Speculum humanae salvationis, with tabula, prohemium, and 45 chapters 15th-century inscription 'John west of new (?) Beryy' [in Berkshire?] (f. 1).15th-16th century inscription of a marriage bann (f. 1).Sir Hans Sloane