• Detail of a miniature of Nebuchadnezzar, lying in bed, telling Daniel his dream, while Moses, John the Evangelist, and John the Baptist sit enclosed in a circle of seraphs, and the Archangels Raphael, Gabriel and Michael stand below, in illustration of Paradiso, Canto IV., Divina Commedia (index Divine Comedy)

Detail of a miniature of Nebuchadnezzar, lying in bed, telling Daniel his dream, while Moses, John the Evangelist, and John the Baptist sit enclosed in a circle of seraphs, and the Archangels Raphael, Gabriel and Michael stand below, in illustration

• Detail of a miniature of Dante being examined by James and John, with Christ and angels looking on., Divina Commedia (index Divine Comedy)

Dante being examined by James and John, with Christ and angels looking on. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral, in building during these years. 3 large

• Detail of a miniature of Beatrice watching as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls., Divina Commedia (index Divine Comedy)

watching as Dante is examined by John the Evangelist, who stands within a circle of golden stars with five naked souls. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence

• Marginal miniatures of the kingship ritual in Trirconnell of killing of the white mare, the bath of a king in a stew of mare's meat, and eating of the meat by the king's supporters; and on the opposite page, two men of Connaugh in a boat called a curragh and an Irishman riding bare-chested on a horse., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• Marginal miniatures of examples of bestiality: the Cow-stag of Chester, the woman of Connaught embracing a goat and Joanna of Paris embracing a lion, with an Irish cockerel, and Kevin of Glendalough allowing a bird to nest in his hand., Topographia Hiberniae, Expugnatio Hibernica, Itinerarium Kambriae; De purgatorio sancti Patrici, Excerpts from the Chronicle of Eusebius of Caesarea

c. 1375-c. 1420, no. 906 (see St Augustine's Abbey 2008). John Twyne (b. c.1505, d. 1581), schoolmaster and antiquary, perhaps owned by him: inscribed 'Twyne' in the hand of John Dee, antiquary (b. 1527, d.1609), in the entry of the

• The upper pastedown, with a typical Bury press-mark, '.J. 7.' ('J' is for Jerome). To the right of this is an inscription headed 'A book of St. Edmund, in which are contained', followed by a note on the contents., Commentaries on Isaiah and Ezechiel

note on the contents, beginning 'Liber sancti edmundi in quo continentur', c. 1375 (f. 1).? Possibly notes of 'the librarian', John of Boston 'Boston Buriensis', a monk of Bury St Edmunds (said to have fl. c. 1410) (ff. 1, 159);

• Initial 'Q'(uintus) with decoration in foliate and dot patterns at the beginning of book 4., Commentary on Jeremiah

Initial 'Q'(uintus) with decoration in foliate and dot patterns at the beginning of book 4. 7 initials in red, green or blue with penwork decoration in red and green (ff. 1, 1v, 20, 41, 60, 79v, 97v). Rubrics in

• Initial 'P'(rolixitas) at the beginning of book 6, and initial 'H'(oc) with decoration in foliate and dot patterns., Commentary on Jeremiah

Initial 'P'(rolixitas) at the beginning of book 6, and initial 'H'(oc) with decoration in foliate and dot patterns. 7 initials in red, green or blue with penwork decoration in red and green (ff. 1, 1v, 20, 41, 60, 79v,

• Detail of decorated initial., Historia Anglorum

Mary, Southwick, Hampshire, 13th century: ownership inscriptions (ff. 2v-3, 10v, 58v-59, 67, 69v, 84v-85, 161); borrowed from the priory by John Leland in c. 1533 (see discussion Carley 2001).Inscribed '95' (1st parchment flyleaf).Lord William Howard, 1589 (b. 1563, d. 1640),

• Detail of inscription., Historia Anglorum

Mary, Southwick, Hampshire, 13th century: ownership inscriptions (ff. 2v-3, 10v, 58v-59, 67, 69v, 84v-85, 161); borrowed from the priory by John Leland in c. 1533 (see discussion Carley 2001).Inscribed '95' (1st parchment flyleaf).Lord William Howard, 1589 (b. 1563, d. 1640),

• Detail of a miniature of the Annunciation., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

of Hours, Use of Sarum (the 'Hours of the Umfray Family') Erased entries in the calendar commemorating the marriage of John and Eleanor Umfray in 1453 and the birth of their daughter Joan in the following year: 'Nata fuit Johanna

• Detail of a miniature of the Nativity., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

of Hours, Use of Sarum (the 'Hours of the Umfray Family') Erased entries in the calendar commemorating the marriage of John and Eleanor Umfray in 1453 and the birth of their daughter Joan in the following year: 'Nata fuit Johanna

• Detail of a miniature of the Visitation., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

of Hours, Use of Sarum (the 'Hours of the Umfray Family') Erased entries in the calendar commemorating the marriage of John and Eleanor Umfray in 1453 and the birth of their daughter Joan in the following year: 'Nata fuit Johanna

• Detail of a miniature of the Crucifixion., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

of Hours, Use of Sarum (the 'Hours of the Umfray Family') Erased entries in the calendar commemorating the marriage of John and Eleanor Umfray in 1453 and the birth of their daughter Joan in the following year: 'Nata fuit Johanna

• Detail of historiated initial of a nun., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

of Hours, Use of Sarum (the 'Hours of the Umfray Family') Erased entries in the calendar commemorating the marriage of John and Eleanor Umfray in 1453 and the birth of their daughter Joan in the following year: 'Nata fuit Johanna

• Miniature of the Adoration of the Magi, illuminated initial 'D'(eus) and foliate borders, at the beginning of Sext in the Hours of the Virgin., Book of Hours, Use effaced, probably Rouen

contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Adoration of the Magi Master of Sir John Fastolf Rouen France, N. E. (Rouen)

• Miniature of the Flight into Egypt, illuminated initial 'D'(eus) and foliate borders, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use effaced, probably Rouen

their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Flight into Egypt Master of Sir John Fastolf Rouen France, N. E. (Rouen)

• Miniature of Pentecost, decorated initial 'D'(omine) and foliate borders, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use effaced, probably Rouen

fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Pentecost Master of Sir John Fastolf Rouen France, N. E. (Rouen)

• Illuminated initials., Book of Hours, Use effaced, probably Rouen

of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Illuminated initials Master of Sir John Fastolf Rouen France, N. E. (Rouen)

• Decorated initial at the beginning of John., Four Gospels (the 'Harley Gospels', or 'Codex Harleianus')

the beginning of John. This is source Z in the studies of the Latin New Testament (Wordsworth and White; Bonifatius Fischer). Corrections in a contemporary hand in slanting uncial employ a Greek style of syllabification recalling the method of Victor