• Detail of a marginal drawing of a tonsured man., Treatise on Surgery, with tables and calendar

.' (f. 271v).Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Man John Arderne England, S. E.(?) (London?)

• Detail of inscription., Expositio symboli apostolorum (Expositio sancti Ieronimi in simbolum apostolorum ad papam laurentium)

Detail of inscription. Four dots before line four indicated where the compositor was to being the last page of the printed book. 1 full-page miniature (unfinished), with a full foliate border, in colours and gold (f. 2v). Large white

• Miniature of Jerome., Expositio symboli apostolorum (Expositio sancti Ieronimi in simbolum apostolorum ad papam laurentium)

Miniature of Jerome. Four dots before line four indicated where the compositor was to being the last page of the printed book. 1 full-page miniature (unfinished), with a full foliate border, in colours and gold (f. 2v). Large white

• Illuminated initial and heraldy in the lower border., Expositio symboli apostolorum (Expositio sancti Ieronimi in simbolum apostolorum ad papam laurentium)

Illuminated initial and heraldy in the lower border. Four dots before line four indicated where the compositor was to being the last page of the printed book. 1 full-page miniature (unfinished), with a full foliate border, in colours and

• Detail of diagram., Theological miscellany, including provebial Latin poetry, and William of Waddington's Le Manuel des Pechiez (f. 81r-v); the 'Speculum theologie'

miscellany, including provebial Latin poetry, and William of Waddington's Le Manuel des Pechiez (f. 81r-v); the 'Speculum theologie' Compiled by John Segbruck, monk of the Benedictine cathedral priory of St Cuthbert, Durham (see Friedman 1995 p. 245).? Thomas Howard (b.

• Historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

Historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small

• Detail of the last 4 staves of music and an inscription., Leaf from a Gradual

Detail of the last 4 staves of music and an inscription. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small initials in

• First page of the text, with the inscription of Thomas Cranmer (text bound with Royal 2 E. iii)., Breviarium on the Psalms

First page of the text, with the inscription of Thomas Cranmer (text bound with Royal 2 E. iii). Originally in 3 volumes, each containing the commentary to 50 Psalms, now in 2 volumes, Royal 2 E XIII and Royal

• Text page with supernatural words inscribed., Book of Hours, Use of Sarum

Mistres Trygg for yt by hers' (f. 1).John Bird, by 1517: inscribed 'Of your charyte pray for the sole of John Byrd gentylman the wych departyd the ii dey of august in thys ix yere + rayne of kyng herry

• Calendar page and text in various hands and inks., Book of Hours, Use of Sarum

Mistres Trygg for yt by hers' (f. 1).John Bird, by 1517: inscribed 'Of your charyte pray for the sole of John Byrd gentylman the wych departyd the ii dey of august in thys ix yere + rayne of kyng herry

• Miniature of Christopher carrying the Christ child across a stream., Book of Hours, Use of Sarum

Mistres Trygg for yt by hers' (f. 1).John Bird, by 1517: inscribed 'Of your charyte pray for the sole of John Byrd gentylman the wych departyd the ii dey of august in thys ix yere + rayne of kyng herry

• Miniature of Mary Magdalene kneeling in prayer, with the hand of God above., Book of Hours, Use of Sarum

Mistres Trygg for yt by hers' (f. 1).John Bird, by 1517: inscribed 'Of your charyte pray for the sole of John Byrd gentylman the wych departyd the ii dey of august in thys ix yere + rayne of kyng herry

• Full, historiated border with the text excised, of trompe l'oeil flowers and insects, doves and olive branches and roundels with scenes from the Passion (clockwise from top left; the Betrayal, the Agony in the Garden, the Crowning with Thorns, the Road to Calvary, and the Flagellation), and portraits of the Evangelists John (lower left) and Matthew (lower right) in monochrome. In the lower border, flanked by two winged putti, are the arms of pope Innocent X. The border frames miniatures of Christ's Entry into Jerusalem and an initial letter 'D', and Pentecost., Cuttings from Missals of Innocent X

Agony in the Garden, the Crowning with Thorns, the Road to Calvary, and the Flagellation), and portraits of the Evangelists John (lower left) and Matthew (lower right) in monochrome. In the lower border, flanked by two winged putti, are the

• Coloured initial 'A' with foliate decoration., 2 leaves with omelies translated from Origen, cropped

of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716) for historical purposes. Drawings and printed book fragments from the volume were transferred to

• Coloured initials with penwork decoration., Leaf from Richard's 'De Trinitate', Book 2, chapters 16-20

of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716) for historical purposes. Drawings and printed book fragments from the volume were transferred to

• Miniature of Pope Gregory handing his book to a messenger, while three cardinals stand by, within ivy leaf border with three grotesques, birds and butterflies., Les omelies Saint Grégoire pape

(d. 1544), 'Ce liure apartient au noble conte henri arundel mylle vc xlvii [1547]'.On f. 176 is 16th century inscription, 'John Bourdin'.John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1);

• Miniature of Pope Gregory handing his book to a messenger, while three cardinals stand by, within ivy leaf border with three grotesques, birds and butterflies., Les omelies Saint Grégoire pape

(d. 1544), 'Ce liure apartient au noble conte henri arundel mylle vc xlvii [1547]'.On f. 176 is 16th century inscription, 'John Bourdin'.John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1);

• Added prayer and miniature of Sebastian sewn to the parchment., Book of Hours, Use of Sarum

Mistres Trygg for yt by hers' (f. 1).John Bird, by 1517: inscribed 'Of your charyte pray for the sole of John Byrd gentylman the wych departyd the ii dey of august in thys ix yere + rayne of kyng herry

• Coloured print with Christ as Man of Sorrows being adored by a Carthsian, pasted to a page painted in red covered with streaming blood. A Carthusian kneels before a bloody Christ, who stands beside his cross. They converse by means of scrolls with texts in latin. The Carthusian petitions Christ: ‘O Lord I beseech, send me salvation’ (Domine obsecro dirige ad me salutem). He replies: ‘Son, shun (temptation, understood), subdue (it), say nothing, keep quiet (Fili fuge, vince, tace, quiesce). The formulation is found in Abelard’s Epistle VII on the foundation of a women’s convent, and the context is how to avoid the temptation to sin. Below is a caption in English: ‘The greatest comfort in al temptacyon Is the remembraunce of Crystes passyon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Coloured print with Christ as Man of Sorrows being adored by a Carthsian, pasted to a page painted in red covered with streaming blood. A Carthusian kneels before a bloody Christ, who stands beside his cross. They converse by

• Coloured print with Christ as the Man of Sorrows surrounded by instruments of the Passion pasted to a page painted in red covered with streaming blood, with an indulgence (later defaced): ‘To all them that devoutly say five Pater nosters, five Aves, and a Creed afore such a figure are granted 32,755 years of pardon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Coloured print with Christ as the Man of Sorrows surrounded by instruments of the Passion pasted to a page painted in red covered with streaming blood, with an indulgence (later defaced): ‘To all them that devoutly say five Pater