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Calendar page for March with a man trimming vines (the labour of the month), a ram (Aries), David's harp, saints Gregory, Edward, Cuthbert, Benedict, and a fleur-de-lis (for the Annunciation). Contents very similar to Harley 2332.Prologue to a letter
Miniature of a man warming himself by a fire, in a calendar page for December. Damage done to the book by a Thames flood in the early 19th century (see S. C. Cockerell, ~The Book of Hours of Yolande
Historiated initial of a man praying, at the beginning of Psalm 101. Damage done to the book by a Thames flood in the early 19th century (see S. C. Cockerell, ~The Book of Hours of Yolande of Flanders: A
Decorated initial. Musical notation.For vol. 1, see Egerton 3311. For a third volume in the set, formerly in the possession of Major J. R. Abbey, see E. Ph. Goldschmidt, ~Gothic and Renaissance Bookbindings: Exemplified and Illustrated from the Author's
Partial white vine border with the initial 'M'(ecenas) and the arms of the Del Pugliese family of Florence. ff. 135-136 is a parchment leaf inscribed with a poem in Italian. Partial white vine border in colours and gold with
Partial border with birds and a leopard and an historiated initial 'D'(um) of Petrarch, holding a book. f. [iv] is a former pastedown.There are 3 unfoliated ruled folios after f. 6*.The table of contents (ff. 1*-6*) is in a
Large initial 'N'(atus) with interlaced foliate decoration, combined with a full white vine border with a wreath enclosing unidentified arms. The decoration, especially the initial on f. 1, is in the Ferrarese manner, according to unpublished notes of A.
Harley (b. 1689, d. 1741), 2nd earl of Oxford and Mortimer, book collector and patron of the arts; purchased through John Gibson (fl. 1720-26); the manuscript probably arrived at the library in June 1726 (see Wright 1976, p. 468). Edward
Simple border in shaded mauve with a large initial 'A'(pud) with an oak leaf motif, capitals in alternating lines of gold and blue, and a trompe l'oeil seal with the arms of the Della Rovere family. Bound together with
Text page with humanistic script. Bound together with Harley 2708. Simple border in shaded mauve with a large initial in silver on a red ground with an oak leaf motif, capitals in alternating lines of gold and blue, and,
Detail of a white vine initial 'E'(t si) with decoration extending into the margins at the beginning of the text. According to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford, this manuscript was made
Front cover of the red leather binding with gold tooling. Horizontal catchwords.The manuscript was written in the 3rd quarter of the 15th century, possibly in Rome, according to unpublished notes of A. C. de la Mare at the Bodleian
Spine of the red leather binding crafted by Thomas Elliot, one of the two binders employed by Edward Harley for this style. The gold-tooled letters of Elliot's name appear in small roundels. Horizontal catchwords.The manuscript was written in the
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
Historiated white vine initial 'I'(n ipso) with Jerome writing combined with a white vine border with birds and the arms of Ludovicus Petronius (index Lodovico Petroni). ff. i and ii are paper flyleaves, ff. iii and [322] are former
Partial white vine border; white vine initial 'N'(el); and the arms of the Tedaldi family of Florence or Cremona: barry ~or~ and ~gules~, a lion rampant ~azure~ overall. No catchwords or signatures. Partial white vine border in blue, green,
Initial in foliate design in a foliate design, in gold and colours, inhabited by snakes. The text corresponds to Dorotheos of Moenmbasia's 'Bible History', but with significant variations.The manuscript has an old pagination '1-1723' in ink (ff. 1-861). Headpiece
White vine initial 'P'(lutarchus) at the beginning of the text. Guide letters. Catchwords written vertically. Leaf signatures. 19 large white vine initials (ff. 2v, 18v, 34v, 45v, 54v, 65, 73, 86, 95v, 107v, 115v, 125v, 140, 149v, 159v, 169,
acanthus leaves, flowers, fruits, besants, and birds, of the Crucifixion (f. 12v), the Last Judgment (f. 17v), Bridget (f. 47v), John the Evangelist (f. 77v), Barbara (f. 81v), and the Assumption of the Virgin (f. 83v). 1 small miniature combined
Partial white vine border with a large historiated initial 'L'(eo) with a portrait of Pope Leo I in his study and a smaller white vine initial 'L'(eo). f. 1 is a parchment flyleaf.This manuscript was written by the same