16th century: inscribed several times with his name (ff. 34v, 59, 63, 81v, etc.).Listing of names, 16th century: 'John Hemys(?), John hill(?), John tomson(?), Robard Ward(?)' (f. 82).John McCarthy(?), 16th century: inscribed his name (f. 72v).Added tabula (f. 1) signed
page to John. There is a close connection between this manuscript and others from Echternach (see Boeckler 1933, pp. 44-45), e.g. British Library Egerton 608, and Paris, BN, lat. 10438, made for bishop Adalbero III of Metz (1047-1072).The scribe responsible
with interlace patterns at the beginning of Matthew ('L'[iber], f. 10v), Mark ('I'[nitium], f. 46), Luke ('Q'[uoniam], f. 71v), and John ('I'[n], f. 112v). Initials with coloured highlights (ff. 8v, 11, 44, 68v-71, 110v-113). Some initials in red or red
the Evangelist John, seated at a desk, with an eagle in the pediment. There is a close connection between this manuscript and others from Echternach (see Boeckler 1933, pp. 44-45), e.g. British Library Egerton 608, and Paris, BN, lat. 10438,
by the sun and the moon above, and by Mary and John the Evangelist, and the hand of God descending from above, facing the beginning of Psalm 1. 2 full-page miniatures of the Crucifixion (ff. 12v, 52v), the first in
Drawing of God over the circle of the world with two long trumpets issuing from his mouth (the breath of God), holding a scale, and the Holy Spirit over the waters, enclosed within a hemisphere, at the beginning of
Crucifixion, with Mary and John, and personifications of the sun (Sol) and moon (Luna). There is a close connection between this manuscript and others from Echternach (see Boeckler 1933, pp. 44-45), e.g. British Library Egerton 608, and Paris, BN, lat.
Detail of a drawing of God over the circle of the world with two long trumpets issuing from his mouth (the breath of God), holding a scale, and the Holy Spirit over the waters, enclosed within a hemisphere, at
at the beginning of John. Sometimes referred to as the Eller Gospels. Canon tables with architectural frames in colours with birds or men holding weapons (ff. 4-9v). 4 full-page or very large initials in colours and gold, with interlace decoration
Crucifixion, with Mary and John, and personifications of the sun (Sol) and moon (Luna). There is a close connection between this manuscript and others from Echternach (see Boeckler 1933, pp. 44-45), e.g. British Library Egerton 608, and Paris, BN, lat.