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Detail of the prefatory miniature of David praying with an angel holding a sword, scourge, and skull, in an oval frame. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours
Prefatory miniature of the arms of Henry Fitzalan, earl of Arundel, with his motto, 'Virtutis laus actio', and his monogram. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of
Detail of display script by Petruccio Ubaldini, Psalm 1. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of Catherine de Medici'. Includes the preface 'Psalterium Romae dudum' (f. 2v)
with a foliate border including John on Patmos, at the beginning of the Hours of the Virgin. 6 full-page miniatures with full foliate borders including human figures and/or animals, in colours and gold, for major divisions (ff. 17v, 49v, 68v,
in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon
in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon
in red with blue pen-flourishing. Rubrics, paraphs, and underlining in red. Miscellany with various astronomical, calendrical, medical, and philosophical texts John...: inscribed with his name in the 16th century (f. 229). Samuel Knott (d. 1687), rector of Combe Raleigh, Devon
shown as the woman of the Apocalypse and foliate borders including John on Patmos and Augustus with the Tiburtine Sibyl, at the beginning of the Hours of the Virgin; Spierinck's signature and date in the lower margin of f. 18.
shown as the woman of the Apocalypse and foliate borders including John on Patmos and Augustus with the Tiburtine Sibyl, at the beginning of the Hours of the Virgin; Spierinck's signature and date in the lower margin of f. 18.
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
Missal, Use of Rome Executed at Lisbon for the rectification of the services of the Portuguese Church, by order of John III King of Portugal (1521-1557), and completed after his death under the patronage of his wife, Queen Catherine, and
Missal, Use of Rome Executed at Lisbon for the rectification of the services of the Portuguese Church, by order of John III King of Portugal (1521-1557), and completed after his death under the patronage of his wife, Queen Catherine, and
Architectural frontispiece with an historiated initial, a portrait of Josephus, and the coat of arms and mottos of Aragon. The manuscript was copied in Florence and illuminated in Rome. The miniaturist, Gaspare da Padova, also known as the Master
Detail of the arms of Aragon and the mottos: BIEN ELIR (with the tassel of pearls) and POR BIEN FINIR (with bundle of maces). The manuscript was copied in Florence and illuminated in Rome. The miniaturist, Gaspare da Padova,
Detail of faceted initial 'H'(ebreos) with a putto reading from a book. The manuscript was copied in Florence and illuminated in Rome. The miniaturist, Gaspare da Padova, also known as the Master of the Vatican Homer, worked for various
Detail of faceted initial 'M'(oyse) with putti clambering to the top of the letter, which is decorated with the arms of Aragon. The manuscript was copied in Florence and illuminated in Rome. The miniaturist, Gaspare da Padova, also known
Detail of faceted initial 'Q'(uibus) with carnations and moto: 'SUST[I]NIRE'. The manuscript was copied in Florence and illuminated in Rome. The miniaturist, Gaspare da Padova, also known as the Master of the Vatican Homer, worked for various patrons, including