• Calendar page for April with tinted drawings of a man with a flower (the labour of the month), a bull (Taurus), saints Mary of Egypt, Ambrose, Guthlac's scourge, and saints Tiburtius and Valerianus, George, Wilfrid, and Mark., Almanac with an astrological miscellany

of Corne so ever that it be' ( ~A Catalogue of the Harleian Manuscripts in the British Museum~, 4 vols (London: Eyre and Strahan, 1808-12), II (1808), no. 2332. 12 calendar pages, one opening for each month, with tinted drawings

• Miniature of John the Evangelist writing, with his symbol, the eagle, before him, with a full border including grotesques, two angels holding a shield with the arms of Holy Trinity Priory, Aldgate, London in the upper margin, and the arms of the Holand and Lovell families in the lower margin., Lectionary, imperfect (the 'Lovell Lectionary')

border including grotesques, two angels holding a shield with the arms of Holy Trinity Priory, Aldgate, London in the upper margin, and the arms of the Holand and Lovell families in the lower margin. ff. 1-3 are paper leaves.The name

• Gothic text on the verso of initial from Ps. 109: 2-4, reading: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do / minare i(n) medio inimi / corum tuorum. / Tecum pri(n)cipium i[n] die / virtutis tue in splen / dorib(u)s s(ancto)rum ex utero / an(te) luciferu(m) genui te. / Iuravit d(omi)n(u)s et non / penitebit eum tu es sa'. Affixed nineteenth-century inscription reading: 'Magnificent sheet from a Missal bought at Palermo in 1803. Painted by Peter Peruginei the book contained two large paintings and eight smaller ones which with much regret cut from the binding in consequence of the fear of losing the book - it having been taken from the convent of St. Jerome. It is to be regretted that we possess but very incomplete accounts of the artists of the 13th and fourteenth centuries to whom we are indebted for the labours and often splendid performances which decorate the choral books and other illuminated manuscripts written in Italy during these periods. Sometimes it is true these illuminations were the work of monks who could do little more than evince their devotion to the saints by their prodigial use of gold and rich colours, still it is certain that the cloisters often produced Artists of great ability, and besides Italy as at all times produced professional illumanists and miniature painters of an Superior Order, this book could it have remained perfect by the Chevalier de Bronti - at 1000 Florins - and he remarked that whatever now remains to us of those performances merit our highest veneration as the monuments of a LOST ART - W.Y.O'., Cutting from a Missal

His sale, Sotheby's 11 May 1838, lot 190; purchased by Sotheby for £4 1s. Samuel Sotheby (b. 1771, d. 1842), London auctioneer and book collector: ?his inscription with details of alleged origin, attribution, date and value added to text taken