• Illuminated white vine initial 'C'(um), at the beginning of Book 9 of Quintilian's Institutiones., Institutiones

A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries~, 7 vols (London: Warburg Institute, 1963; repr. 1977-1997) IV (Alia Itinera II): ~Great Britain to Spain~ (1989), p. 45).Anthony Askew (bap. 1722,

• Illuminated white vine initia 'V'(entum), at the beginning of Book 12 of Quintilian's Institutiones., Institutiones

A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries~, 7 vols (London: Warburg Institute, 1963; repr. 1977-1997) IV (Alia Itinera II): ~Great Britain to Spain~ (1989), p. 45).Anthony Askew (bap. 1722,

• Detail of illluminated initial., Institutiones

A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries~, 7 vols (London: Warburg Institute, 1963; repr. 1977-1997) IV (Alia Itinera II): ~Great Britain to Spain~ (1989), p. 45).Anthony Askew (bap. 1722,

• Detail of illluminated initial., Institutiones

A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries~, 7 vols (London: Warburg Institute, 1963; repr. 1977-1997) IV (Alia Itinera II): ~Great Britain to Spain~ (1989), p. 45).Anthony Askew (bap. 1722,

• Detail of historiated initial., Institutiones

A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries~, 7 vols (London: Warburg Institute, 1963; repr. 1977-1997) IV (Alia Itinera II): ~Great Britain to Spain~ (1989), p. 45).Anthony Askew (bap. 1722,

• Detail of heraldry., Institutiones

A finding list of uncatalogued or incompletely catalogued humanistic manuscripts of the Renaissance in Italian and other libraries~, 7 vols (London: Warburg Institute, 1963; repr. 1977-1997) IV (Alia Itinera II): ~Great Britain to Spain~ (1989), p. 45).Anthony Askew (bap. 1722,

• Decorated initial 'M'(arcus) with birds' heads and interlace on a ground of red dots, and decorated letters in a calligraphic copy of a page from Cotton Otho C.V at the beginning of Mark, and on the lower part of the page, an alphabetical 'sampler' of the letter forms found in the manuscript., Copy of a page from Cotton Otho C.V

68) and a double flageolet (f. 101) (see Augustus Hughes-Hughes, ~Catalogue of Manuscript Music in the British Museum~, 3 vols (London: British Museum, 1906-1965), III, pp. 361-62). Large initials and display script in yellow, green, and red, with interlace, foliate,

• Detail of miniature of Lydgate and pilgrims on the road to Canterbury, at the beginning of the prologue of the Siege of Thebes., Troy Book, Siege of Thebes, Testament and The reignes of the kyngis of England; A Treatise between Information and Truth; On the Death of the Earl of Northumberland; Le assemble de dyeus; Descent of the Lords Percy

in the catalogue of 1666, Royal Appendix 71, f. 12.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Pilgrims John Lydgate, William Cornish, John Skelton, William Peeris London England, S. E. (London)

• Historiated initial 'C'(um) in colours and gold and the beginning of the book of Aristotle., Ethica (index Ethics)

Albinia de la Mare article in A.S. Osley, ~Calligraphy and Palaeography. Essays presented to Alfred Fairbank on his 70th birthday~ (London: Faber and Faber, 1965), pp. 55-68, and, on Dávalos, p. 62 n. 34).The Master of the 'Vitae Imperatorum' was

• Historiated initial 'I'(gitur) in colours and gold and the beginning of the book of Aristotle., Ethica (index Ethics)

Albinia de la Mare article in A.S. Osley, ~Calligraphy and Palaeography. Essays presented to Alfred Fairbank on his 70th birthday~ (London: Faber and Faber, 1965), pp. 55-68, and, on Dávalos, p. 62 n. 34).The Master of the 'Vitae Imperatorum' was

• Offset of the Trinity miniature, with an inscription reading '19 A XXII / p. 296'., Sept articles de la foy

was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and

• Miniature of the Trinity with a kneeling king, identified as Henry VII, and a full foliate border., Sept articles de la foy

was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and

• Miniature of the Trinity with a kneeling king, identified as Henry VII, and a full foliate border., Sept articles de la foy

was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and

• Miniature of the Resurrection of Christ, with a full foliate border., Sept articles de la foy

was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and

• Detail of a miniature of the Resurrection., Sept articles de la foy

was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and

• Detail of the emblem of the Order of the Garter, from the lower border of the folio., Sept articles de la foy

was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and

• Miniature of the Ascension of Christ, with a Tudor Rose, and the royal arms in the lower margin of the folio., Sept articles de la foy

was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and

• Detail of a miniature of the Ascension of Christ., Sept articles de la foy

was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and

• Detail of the royal arms, from the lower border of the folio., Sept articles de la foy

was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and

• Miniature of the Nativity., Sept articles de la foy

was added to the image of the Trinity (f. 1). See Scott 2007 and ~Royal Manuscripts: The Genius of Illumination~ (London: British Library, 2011), no. 37 [exhibition catalogue]. 8 full borders in colours and gold with rinceaux decoration, floral and