• Section of foliate border with two putti holding a wreath medallion of the arms of Cardinal Antoniotto Pallavicini, trompe l'oeil gems and birds (80 x 245 mm)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

2002, p. 238), and a cutting reproduced in Henry Shaw, ~The Decorative Arts Ecclesiastical and Civil of the Middle Ages~ (London: William Pickering, 1851), pl. 32. 15 historiated and foliate borders in colours and gold, of a martyr saint, God,

• Section of foliate border decorated with scrolling acanthus leaves, flowers, and a medallion of Arion riding the dolphin flanked by peacocks and cornucopiae (75 x 255 mm)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

2002, p. 238), and a cutting reproduced in Henry Shaw, ~The Decorative Arts Ecclesiastical and Civil of the Middle Ages~ (London: William Pickering, 1851), pl. 32. 15 historiated and foliate borders in colours and gold, of a martyr saint, God,

• Section of foliate border with trompe l'oeil gems and leaves (35 x 170 mm)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

2002, p. 238), and a cutting reproduced in Henry Shaw, ~The Decorative Arts Ecclesiastical and Civil of the Middle Ages~ (London: William Pickering, 1851), pl. 32. 15 historiated and foliate borders in colours and gold, of a martyr saint, God,

• Section of a border with grisaille foliage and a medallion with the holy monogram 'Ihs' (35 x 165 mm; at bottom of image)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

2002, p. 238), and a cutting reproduced in Henry Shaw, ~The Decorative Arts Ecclesiastical and Civil of the Middle Ages~ (London: William Pickering, 1851), pl. 32. 15 historiated and foliate borders in colours and gold, of a martyr saint, God,

• Section of a foliate border with an inscription reading 'An / toniottus / Pallavicinus / Car[dina]lis / Sancte / Praxe / dis' (355 x 60 mm)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

2002, p. 238), and a cutting reproduced in Henry Shaw, ~The Decorative Arts Ecclesiastical and Civil of the Middle Ages~ (London: William Pickering, 1851), pl. 32. 15 historiated and foliate borders in colours and gold, of a martyr saint, God,

• Miniature of the month of May, with a seated young man receives fruit and flowers from a courtly group composed of a dwarf, three girls and five youths, some of whom play musical instruments in the foreground. In the landscape in the background two peasants labour, one scything and the other carrying baskets., Calendar leaf from the Book of Hours, Use of Rome, of Bona Sforza (the 'Sforza Hours') (index Sforza Hours) (May)

F. Warner, ~Miniatures and Borders from the Book of Hours of Bona Sforza, Duchess of Milan in the British Museum~ (London: Trustees, 1894), pp. viii-ix). Three detached leaves, an Adoration of the Magi (Add. 45722), the calendar miniature for the

• Full-page miniature of peasants and noblemen engaged in the occupations and labours of the month of October: peasants making wine in the background and nobles hawking in the foreground., Calendar leaf from the Book of Hours, Use of Rome, of Bona Sforza (the 'Sforza Hours') (index Sforza Hours) (October)

F. Warner, ~Miniatures and Borders from the Book of Hours of Bona Sforza, Duchess of Milan in the British Museum~ (London: Trustees, 1894), pp. viii-ix). Three detached leaves, an Adoration of the Magi (Add. 45722), the calendar miniature for the

• Historiated initial 'C' of a saint (upper left)., Cuttings from a liturgical manuscript

1856. /Lots 1002, 1005, 1006, 1008, 1009./' and '150 specimens F. M. ' (on mounted leaf in box 1).William Boone, London bookseller trading 1815-1870: purchased by him for £33 12s on the 8th day of the Roger's, according to an

• Historiated initial 'C' of a saint (upper right)., Cuttings from a liturgical manuscript

1856. /Lots 1002, 1005, 1006, 1008, 1009./' and '150 specimens F. M. ' (on mounted leaf in box 1).William Boone, London bookseller trading 1815-1870: purchased by him for £33 12s on the 8th day of the Roger's, according to an

• Historiated initial 'D' of a saint (left centre)., Cuttings from a liturgical manuscript

1856. /Lots 1002, 1005, 1006, 1008, 1009./' and '150 specimens F. M. ' (on mounted leaf in box 1).William Boone, London bookseller trading 1815-1870: purchased by him for £33 12s on the 8th day of the Roger's, according to an

• Historiated initial 'D' of a saint (right centre)., Cuttings from a liturgical manuscript

1856. /Lots 1002, 1005, 1006, 1008, 1009./' and '150 specimens F. M. ' (on mounted leaf in box 1).William Boone, London bookseller trading 1815-1870: purchased by him for £33 12s on the 8th day of the Roger's, according to an

• Illuminated initial with pen-flourished decoration., Fragment from a Missal, on parchment

unpublished notes): other fragments from the same manuscript can be found in Add. 62104, Oxford, Bodleian Library, Lat. Liturg. e.38; London, Westminster Abbey, 36/17-19, and two flyleaves in Lincoln, Cathedral, V.5.11 (see Rankin 1984, Ker and Watson 1987, Gameson 1996).

• Coloured initial 'U' with penwork decoration., Fragment from and Canon law (?) text, on paper

unpublished notes): other fragments from the same manuscript can be found in Add. 62104, Oxford, Bodleian Library, Lat. Liturg. e.38; London, Westminster Abbey, 36/17-19, and two flyleaves in Lincoln, Cathedral, V.5.11 (see Rankin 1984, Ker and Watson 1987, Gameson 1996).

• Puzzle initial with penwork decoration, at the beginning of book 10 of Vergil's Aeneid., Aeneid, and others

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2; its book-plate with the

• A dismembered montage of a section of foliate and historiated border with zoomorphic figures, trompe l'oeil gems and a roundel containing a seated female personification of Roma (Rome) facing left in profile, holding a winged victory in her right hand and a sword in her left with at her feet piled trophies of arms and shields (f. 10b; 245 x 60 mm; at centre of image) and two sections of foliate border with anthropomorphic grotesques (f. 10a, 245 x 60 mm; f. 10c, 240 x 60 mm). On the reverse of f. 10b are remnants of a foliate, historiated border with two simulated cameos., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

51-88; Present location unknown: London, Sotheby's, 21 June 1988, lot 38, ex-Curtis Baer Collection (see Alexander, 2002, p. 238), and a cutting reproduced in Henry Shaw, ~The Decorative Arts Ecclesiastical and Civil of the Middle Ages~ (London: William Pickering, 1851),

• A dismembered montage of a section of foliate border with the arms of Cardinal Antoniotto Pallavacini: chequy of three points or and azure, and a chief or an estacade sable, two cameos of male busts in profile flanked by the iitials 'M. C.' and 'T. A.', foliage and urns in monochrome (f. 6b; 80 x 155 mm), and two cuttings in gold inscribed in capitals 'Anton. Pallavicinus Genuensis Cardin. S. Praxedis' (f. 6a; 75 x 15 mm) and 'Creat. Ab Innoc. VIII An Domini MCCCCLXXXIX' (f. 6c, 80 x 15 mm)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

51-88; Present location unknown: London, Sotheby's, 21 June 1988, lot 38, ex-Curtis Baer Collection (see Alexander, 2002, p. 238), and a cutting reproduced in Henry Shaw, ~The Decorative Arts Ecclesiastical and Civil of the Middle Ages~ (London: William Pickering, 1851),

• A dismembered montage of a historiated initial 'T' of Christ supported in the Tomb as Man of Sorrows (f. 9e; 105 x 85 mm), sections of foliate and historiated border with the arms of Cardinal Antoniotto Pallavacini: chequy of three points or and azure, and a chief or an estacade sable (f. 9a; 250 x 60 mm) and God in roundels (f. 9b; 30 x 85 mm), foliage (f. 9d, 60 x 85 mm; 9f, 70 x 90 mm) and anthropomorphic figures (f. 9c; 255 x 55 mm) and cuttings in gold (f. 9g, 5 x 55 mm; f. 9-h, 5 x 90 mm)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

51-88; Present location unknown: London, Sotheby's, 21 June 1988, lot 38, ex-Curtis Baer Collection (see Alexander, 2002, p. 238), and a cutting reproduced in Henry Shaw, ~The Decorative Arts Ecclesiastical and Civil of the Middle Ages~ (London: William Pickering, 1851),

• An engraved historiated full-page border of medallions containing the four Evangelists and scenes from the life of the Virgin and the life and Passion of Christ: (anti-clockwise from top left) of the Annunciation, Luke, the Nativity, the Flight into Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, John, the Feeding of the Five Thousand, the Last Supper, Matthew, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection., Cuttings from a printed Missal, containing text from the Masses for the feasts of Pentecost and Augustus

1856. /Lots 1002, 1005, 1006, 1008, 1009./' and '150 specimens F. M. ' (on mounted leaf in box 1).William Boone, London bookseller trading 1815-1870: purchased by him for £33 12s on the 8th day of the sale, 8 May 1856,

• An engraved historiated full-page border of medallions containing the four Evangelists and scenes from the life of the Virgin and the life and Passion of Christ: (anti-clockwise from top left) of the Annunciation, Luke, the Nativity, the Flight into Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, Matthew, the Feeding of the Five Thousand, the Last Supper, John, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection., Cuttings from a printed Missal, containing text from the Masses for the feasts of Pentecost and Augustus

1856. /Lots 1002, 1005, 1006, 1008, 1009./' and '150 specimens F. M. ' (on mounted leaf in box 1).William Boone, London bookseller trading 1815-1870: purchased by him for £33 12s on the 8th day of the sale, 8 May 1856,

• A dismembered montage of a historiated border, with the text removed, of gold cartouche frames with four scenes in gold monochrome, two inscibed 'Protecta Vestae sussitatis mortuis' (centre left) and 'Johannes destruit templum Dian[a]e' (centre right), garlands of flowers and fruit, lions' heads, naturalistic birds, cherubs and angels, and four medallions inscribed (clockwise from left): 'Qui / timet / deum faci / et bona', 'qui / conti /nens est iu / stiae appre / hendit / illam', 'quasi / mater / honori / fica ta', and 'et / ?ob /?stabit / il / le' (f. 81a; 335 x 245 mm); a cartouche, with the centre removed, of two old men trampling on dragons and plaques inscribed 'Super aspidem ei pasi / lis cum ambulabis' and 'et conculcabis le / onem et draconem' (f. 81c; 45 x 160 mm); a centre for the cartouche inscribed 'Apollonius de Bonfratellis / de Capranica / Capellae et Sacrestiae Apostolicae Miniator / Fecit Anno Domini MDLXIV / Sedente Pio IV Pontif Opt. Max. / de Medicis Mediolanense', with off-setting of rubric and text from the verso of the cartouche (f. 81d; 45 x 170 mm); 1 section of architectural border (f. 81b; 10 x 245 mm); and two strips of scrolls (ff. 81e and f; 50 x 100 mm each). On the reverse of f. 82a are five lines of partial text from the Kyrie Eleison: 'e eleison / e eleison / ste eleison / ste eleison / ste eleison'., Cuttings from service books of Pius IV

all the cuttings order Add. 21412, Old Covers.Musical notation (f. 90a verso).Other cuttings from service books of Pius IV include London, Sotheby's 26 Jan 1959, lot 47; part of Philadelphia, Rosenbach Museum and Library, 54.662 (see Roger S. Wieck, 'Papal