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refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
the University Archives and the Taylor Institution~ (Oxford: Clarendon Press, 1985) no. 823, pl. LVI).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Immaculate Conception and Henry VII London England, S. (London)
the University Archives and the Taylor Institution~ (Oxford: Clarendon Press, 1985) no. 823, pl. LVI).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Immaculate Conception and Henry VII London England, S. (London)
Oxford College Libraries, the University Archives and the Taylor Institution~ (Oxford: Clarendon Press, 1985) no. 823, pl. LVI).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page London England, S. (London)