• Miniature of Nectanebus seducing Olympias, Philip of Macedon's queen, in the guise of a dragon; miniature of Nectanebus as a dragon, kissing Olympias while she is at a table with Philip., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Miniature of Philip of Macedon taking Alexander to Aristotle., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Miniature of the death of Nectanebus., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Detail of a miniature of Bucephalus kneeling before Alexander, and Bucephalus with his cage., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Miniature of the coronation of Alexander., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Miniature of Philip and Alexander discussing envoys; miniature of Philip and Alexander setting out against Armenia; miniature of Pausanias and others marching against Philip., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Miniature of the defeat of Philip; miniature of the battle of Alexander and Pausanias; miniature of Alexander enthroned with Bucephalus under his feet., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

5 scribes (Hand I: quires i-viii; Hand II: quires ix-xii, xvii-xix, xxxvi-xxvii; Hand III to be identified with Jean de Senlis: quires xiii-xvi, xxxi-xxxv; Hand IV: quires xx-xxii, xxiii except f. 165v, xxvi-xxx; Hand V: quires xxiii, f. 165v, xxiv-xxv),

• Trinitarian diagram with the tetragrammaton in chapter 6 ('De Trinitate') of Petrus Alfonsi's 'Dialogus contra Judaeos'., Dialogus contra Judaeos

Judaeos'. Running headers (ff. 1-17); catchwords (1 word respectively); quire signatures (on the first leaf of quires, near the gutter).Ampersands. 1 diagram in red and brown, with a yellow wash (f. 53v). Numerous large initials in red or green. Simple

• Decorated initials and full bar border with quatrefoils, a few acanthus leaves, small red masks, and foliate decoration at the beginning of the vigil of the Ascension., Breviary (Temporal), Use of Sarum, imperfect

initials in blue or red enclosing foliate motifs on gold ground with foliate decoration extending into the margins (only in quires 'x' (ff. 65-72v), 'three dots' (ff. 97-104v) and the following one (ff. 105-112v)), or combined with bar borders ending

• Decorated initials with pen-flourishing at the beginning of the text., Summa de vitiis et virtutibus (index Summa virtutum)

aid in the lower margin of f. 3 stating the number of quires. Original foliation in Arabic numerals the lower margin.Catchwords written horizontally.f. 1* is a parchment flyleaf. Puzzle initials in red and blue with pen-flourishing in the same colours

• Historiated initial 'B'(eatus) with David harping, at the beginning of the Psalms., Bible with prologues (ff. 1-524v), followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible')

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

• Historiated initial 'L'(iber) with a Tree of Jesse, at the beginning of Matthew., Bible with prologues (ff. 1-524v), followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible')

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

• Historiated initial 'I'(n) with the Creation in seven roundels, at the beginning of Genesis., Bible with prologues (ff. 1-524v), followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible')

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

• Detail of an historiated initial 'B'(eatus) with David harping, at the beginning of the Psalms., Bible with prologues (ff. 1-524v), followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible')

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

• Detail of an historiated initial 'L'(iber) with a Tree of Jesse, at the beginning of Matthew., Bible with prologues (ff. 1-524v), followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible')

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

• Detail of a historiated initial 'I'(n) with the Creation in seven roundels, at the beginning of Genesis., Bible with prologues (ff. 1-524v), followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible')

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

• Detail of an historiated initial 'C' with Solomon, at the beginning of 2 Chronicles (index 2 Paralipomenon)., Bible with prologues (ff. 1-524v), followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible')

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

• Detail of an historiated initial 'D'(ixit) of a fool., Bible with prologues (ff. 1-524v), followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible')

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

• Historiated initial 'E'(t), at the beginning of Maccabees., Bible with prologues (ff. 1-524v), followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible')

followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following

• Detail: pen-flourishing inhabited by a lion., Pentateuch (the 'Duke of Sussex's Italian Pentateuch')

visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of the books (ff. 1,