Details:4 Pieces; Has deposition; No libel; Has sentence Outcome:plaintiff wins; defendant, Richard Squire, makes appeal but the initial sentence is confirmed. Date: 31/01/1432 — 10/06/1433 People & Places Participant: WilliamNorfolk [Northefolk] Role: plaintiff Details: male Location: Great Givendale (YorkshireEastRiding) Place(s):
of WilliamGreathead [Grethed] Role: witness Details: female; 40 Location: York, St Cuthbert (Yorkshire) Place(s): York, St Cuthbert (Sanctus Cuthbertus) : ecclesiastical parish Participant: Joan wife of JohnRichardson [Rychereson] Role: witness Details: female; 40 Location: York, St Cuthbert (Yorkshire) Place(s):
York : city York, Holy Trinity (Sancta Trinitas) : ecclesiastical parish Cannot identify which parish of Holy Trinity is meant. Location: Whitby (YorkshireNorthRiding) Place(s): Whitby (Whitteby) : township Location: York (Ebor') : city Location: York (Ebor') : diocese Location:
Employment: Baker (bakster) Location: York, All Saints (pavement) (Yorkshire) Place(s): York, All Saints (Pavement) (omnium sanctorum super pavimentum ) : ecclesiastical parish Participant: JohnHoltby [Holteby] Role: witness Details: male; 40 Location: York, St Denys (Yorkshire) Place(s): York, St Denys (Sanctus
[Lascelles; Lascels] Role: plaintiff Details: male; citizen ofYork Employment: merchant Location: York (Ebor') : city Participant: MargaretHarman [Harman] Role: defendant Details: female Employment: candler Location: York, St Peter The Little (Yorkshire) Place(s): York, St Peter the Little (Sanctus Petrus
New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 52a); New York, The
Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 ofRichardof St-Victor's In apocalypsim. 1 large initial in blue, with reserved designs, with foliate penwork decoration in red and blue (f. 1). Smaller initials mostly
Decorated Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 ofRichardof St-Victor's In apocalypsim. 1 large initial in blue, with reserved designs, with foliate penwork decoration in red and blue (f. 1). Smaller initials
on a ground of red dots, and decorated letters in a calligraphic copy of a page from Cotton Otho C.V at the beginning of Mark, and on the lower part of the page, an alphabetical 'sampler' of the letter forms
Miniature of the Visitation, at the beginning of Lauds in the Hours of the Virgin. The calligraphic copies include representations of a harp (f. 68) and a double flageolet (f. 101) (see Augustus Hughes-Hughes, ~Catalogue of Manuscript Music in the
Prick of Conscience , the Abbey of the Holy Ghost and the Three Kings of Cologne . The mid fifteenth-century date of 1442 is indicated by the explicit of item 5, 'Thus endythe þe lyffe of iij kyngys of coleyne
and the names of recipients of copies of this Middle Hill edition. Other notes on f. iv, presumably by a member of the Fermor family, are taken from Warton's account of the manuscript ( The History of English Poetry ,
p. 154. f. 178r-v Fifteen Joys of the Virgin 'Legitur...archiepiscopus viii gaudia'. Narrative of the vision of St. Thomas, Archbishop of Canterbury, concerning the Fifteen Joys of the Virgin. Latin ff. 178v-179r Memorial of St. George 'Salue miles nobilis'. Latin
of Robert of Gloucester/Piers Plowman/Aldelmus de Vita Monachorum'. Later drawings: drawing of comic face on ff. 224r and 229r. On f. 230r are three faces, two brown copies of one in black. On f. 286v there are two versions
H., ed, 1959. Historical Poems of the XIVth and XVth Centuries , New York: Columbia University Press. Ward, H. 1910. Catalogue of Romances in the Department of Manuscripts in the British Museum , London: Trustees of the British Museum, 2,