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arms differentiated by labels of three and five points for Edward's sons, Edward, prince of Wales, and Richard, duke ofYork, two banners held by angels bearing the royal arms of England, and a Yorkist badge of white ~rose-en-soleil~ with
Detail of a miniature of Jean, duke of Berry, receiving the book from the translator, Laurent de Premierfait, at the beginning of the prologue. Contains the Decameron of Giovanni Boccaccio in the French translation from the lost Latin version of
Coloured initials with penwork decoration. The volume is a collection of fragments from manuscripts of different date and origin. It was originally part of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by the
'A'(d), at the beginning of the Statutum de Lincolnia. Large and small initials in blue with red foliate pen-flourishing. Vetera Statuta (index Statuta Angliae; Statute book; Statutes of England) Richard Nix (b. 1447, d. 1535), Bishop of Norwich: 'Ricardi Nykke'
of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library.See also the first volume of the work: Harley 5698. The Book
for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library.See also the first volume of the work: Harley
of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library.See also the first volume of the work: Harley 5698. The Book
Painting of a man sitting at the spread table lifting his cup and saying the blessing over food. Captions of the drawings are perhaps in Judeo-Italian. Watermark of a ~fleur-de-lis~, f. [183], unidentified. Decorated initial-word panel with full floral border
Marginal drawings for Passover with Judeo-Italian captions. Captions of the drawings are perhaps in Judeo-Italian. Watermark of a ~fleur-de-lis~, f. [183], unidentified. Decorated initial-word panel with full floral border (f. 1). 3 drawings illustrating the text, in brown and red
for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library.See also the first volume of the work: Harley
duke of Buckingham and Chandos, of Stowe House, near Buckingham.Inscribed '666' (f. 1).Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham.Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of
1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham
1797, d. 1861), 2nd duke of Buckingham and Chandos; sold in 1849 to Lord Ashburnham.Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the
Richard Heming, 1688: inscribed 'Richard Heming Hi Booke Anno Redemtionis between 1688 1687' (f. 27v), 'Richard' (f. 35v), 'Richard Hemin (f. 84v), .D. Hackluith, 1693: inscribed 'Libri H. Hackluith. 1693' (f. 118v). Robert Burscough (b. 1650/51, d. 1709), prebendary
Painting of a couple standing at the spread Seder table, lifting the seder basket. Under the table, there is a big cat. Beneath the scene, two figures are preparing food for the Seder. Captions of the drawings are perhaps in
full-page miniatures of the sanctuary implements with captions. Watermark, of a lamb holding a cross (f. [ii]) and initials of JW (f. [425]), of James Whatman II, paper maker (1764-1793). Gilt edges.Foliation is written on the verso side of the
the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th
the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th
the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th
the coat of arms represented in Harley 5716-5717, the patron of which was Joab Emmanuel. Thus the codex most probably was ordered by the same patron, Joab Emmanuel.Domenico Irosolimitano (fl. last quarter of the 16th century-first quarter of the 17th