• Interlace initial and letter 'Qu'(oniam) with animal heads at the beginning of the Gospel of Luke., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses

decade of the 12th century.Henry and Marsh-Micheli's Group IVA: 'Middle and Late Twelfth-Century Manuscripts from the North-East of Ireland and Galloway, with initials of Henry's 'knotted wire' type. 2 full-page miniature of Evangelist symbols in ink with washes of green,

• Decorated initial 'M'(agnificant) in Luke chapter 1., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses

decade of the 12th century.Henry and Marsh-Micheli's Group IVA: 'Middle and Late Twelfth-Century Manuscripts from the North-East of Ireland and Galloway, with initials of Henry's 'knotted wire' type. 2 full-page miniature of Evangelist symbols in ink with washes of green,

• Coloured initials in the ancestry of Christ in Luke 3., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses

decade of the 12th century.Henry and Marsh-Micheli's Group IVA: 'Middle and Late Twelfth-Century Manuscripts from the North-East of Ireland and Galloway, with initials of Henry's 'knotted wire' type. 2 full-page miniature of Evangelist symbols in ink with washes of green,

• Coloured initials., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses

decade of the 12th century.Henry and Marsh-Micheli's Group IVA: 'Middle and Late Twelfth-Century Manuscripts from the North-East of Ireland and Galloway, with initials of Henry's 'knotted wire' type. 2 full-page miniature of Evangelist symbols in ink with washes of green,

• Explicit of the first text: 'Explicit liber q[ue] intitulatur liber niger qui fuit inventus cu[m] cruce magna de Waltham S[an]c]t]e Crucis'., Various religious and historical tracts (also known as 'Codex ruber' and 'Waltham Abbey Miscellany' ; beginning and end imperfect), part 2

1933). A terminus post quem is provided by a poem written in one of the original hands lamenting the death of the ninth abbot of Waltham, Richardof Hertford, who died in 1345 (Harley 3776, ff. 38v-39).Added later medieval foliation

• Coloured initials in a text page of the chronicle., Chronicle, AD 1-1135 (ff. 34-61), with additions up to 1266 (ff. 61v-73)

formed by manuscripts of different date and origin and includes:'Gui de Warewic', romance in Anglo-Norman verse, with initials in red, last quarter of the 13th or 1st quarter of the 14th century (ff. 15-26v);Life of Saint Robert of Knaresborough, prose

• Decorated initial 'P'(rimo)., Commentary on the Song of Songs, followed by other texts (ff. 2-104v); Commentary on Acts of the Apostles (ff. 105-152v); Commentary on Catholic Epistles (ff. 153-222); Homiliae (ff. 223-251); Commentary on Tobit (ff. 252-258)

The Benedictine abbey of St Mary and St Benedict, Ramsey, Huntingdonshire; Robert Gotham: inscribed, 15th century 'liber rameseye Roberti Gotham' (f. 258v): for this type of inscription see Richard Sharpe, ~English Benedictine Libraries: The Shorter Catalogues~, Corpus of British Medieva

• Initial 'A'(udiens) with foliate decoration., Gesta Normannorum ducum

fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial Symeon of Durham and two continental scribes Symeon of

• An Easter table, with tinted drawing depicting Pachomius receiving the tables from an angel, with the words on the scroll handed to the saint by the angel the same as those written immediately below. This pair of arches is one of a series containing texts related to the calculation of the date of Easter, which were supposed to have been given to Pachomius (died c. 346) by an angel., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

of Norfolk in 1592: inscribed ‘William Howarde 1592' (ff. 2, 133); his emblem of a lion rampant drawn in ink (f. 2).? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl

• Ink drawing of canon tables, with a monk above pointing to an open book with his left hand; the gesture of his right hand, shared by the other two monks, may indicate that they are debating with one another. However, it has also been suggested that this monk is Benedict, perhaps expounding his monastic rule., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

of Norfolk in 1592: inscribed ‘William Howarde 1592' (ff. 2, 133); his emblem of a lion rampant drawn in ink (f. 2).? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl

• Drawing of a diagram of the vision of Claudius Senator, and a drawing of a diagram of 'labarum Constantini.', Translation of Testamenta duodecim patriarcharum, and Suidas De probatione Virginitatis Beate Marie

Drawing of a diagram of the vision of Claudius Senator, and a drawing of a diagram of 'labarum Constantini.' Part I Includes the Historia scholastica of Peter Comestor (ff. 9-160v), the paraphrase of the Acts of the Apostles (ff. 160v-181v),

• Decorated foliate initial 'A'(d te) with acanthus leaves combined with a partial bar border with interlace, ending in foliate tendrils., Missal, Use of Sarum, adapted for the diocese of Norwich

Cedde (bishop of London), Edwardi, Cuthberti, Vitalis, translation of Edmund (x 2), Johannis beverlaci (John of Beverley), Dunstani, Aldelini, translation ofRichard, translation of Edward (x2), Albani, translation of Thomas Becket (erased), translation of Swithune, Anne, translation of Cuthbert, Edithe,

• The arms of the guild of barber-surgeons of the city of York., Guild Book of the Barber Surgeons of York, including its ordinances

arms of the guild of barber-surgeons of the city ofYork. 15 large miniatures in colours, of heraldry and portrait busts of English sovereigns from Henry VII to Elizabeth I (ff. 6, 7, 8, 9, 10, 11) with additions of

• Miniature of a bust of Henry VIII., Guild Book of the Barber Surgeons of York, including its ordinances

in black and red (f. 54). Guild Book of the Barber Surgeons ofYork, including its ordinances The Guild of the Barber Surgeons ofYork, made in 1486: inscription, a later copy of an earlier colophon (f. 5); its arms,

• Miniature of a bust of Edward VI., Guild Book of the Barber Surgeons of York, including its ordinances

in black and red (f. 54). Guild Book of the Barber Surgeons ofYork, including its ordinances The Guild of the Barber Surgeons ofYork, made in 1486: inscription, a later copy of an earlier colophon (f. 5); its arms,

• Miniature of a bust of Queen Mary., Guild Book of the Barber Surgeons of York, including its ordinances

in black and red (f. 54). Guild Book of the Barber Surgeons ofYork, including its ordinances The Guild of the Barber Surgeons ofYork, made in 1486: inscription, a later copy of an earlier colophon (f. 5); its arms,

• Miniature of a bust of Queen Elizabeth I., Guild Book of the Barber Surgeons of York, including its ordinances

in black and red (f. 54). Guild Book of the Barber Surgeons ofYork, including its ordinances The Guild of the Barber Surgeons ofYork, made in 1486: inscription, a later copy of an earlier colophon (f. 5); its arms,

• Miniature of a bust of James I., Guild Book of the Barber Surgeons of York, including its ordinances

in black and red (f. 54). Guild Book of the Barber Surgeons ofYork, including its ordinances The Guild of the Barber Surgeons ofYork, made in 1486: inscription, a later copy of an earlier colophon (f. 5); its arms,

• Miniature of a bust of Charles I., Guild Book of the Barber Surgeons of York, including its ordinances

in black and red (f. 54). Guild Book of the Barber Surgeons ofYork, including its ordinances The Guild of the Barber Surgeons ofYork, made in 1486: inscription, a later copy of an earlier colophon (f. 5); its arms,

• Miniature of a bust of Charles II., Guild Book of the Barber Surgeons of York, including its ordinances

in black and red (f. 54). Guild Book of the Barber Surgeons ofYork, including its ordinances The Guild of the Barber Surgeons ofYork, made in 1486: inscription, a later copy of an earlier colophon (f. 5); its arms,