• Map of Crete, with text., Geography (index Cosmographie primus), translated by Jacopo Angeli da Scarperia, with eighteen maps of Europe, Asia and Africa (index portolan charts, nautical maps, mappamundi)

of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Map of Crete Ptolemy (index Claudius Ptolemaeus), translated by Emanuel Chrysoloras and Jacobus Angelus Venice Italy, N. E. (Venice)

• Illuminated initial 'S'(i) entwined with strapwork, square capitals in a four-colour sequence, and a trompe l'oeil page with its corners curling at the edges, surrounded by a full border with all'antica elements, a frieze, and griffins supporting a shield in a wreath; at the beginning of Cicero's In verrem., Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A member of the Contarini family of Venice: with their arms, bendy of seven, ~or~ and ~azure~, the ~azure~ bends overpainted (f. 1), cf. King's 19.Joseph Smith

• Illuminated white vine-stem border and illuminated initial 'A'(ntequam), with square capitals used as display script in an unfinished four-colour sequence; at the beginning of Cicero's Philippic orations., 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

• Illuminated white vine-stem initial 'V'(ellem), and square capitals in a three-colour sequence; at the beginning of Cicero's ninth Philippic oration., 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

• Illuminated white vine-stem border and initial 'C'(redo) of strapwork, and square capitals as display script in alternating colours, at the beginning of Cicero's Pro Roscio Amerino., Orations and letters (ff. 1-147); Invectivum in Ciceronem (ff. 147v-149)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.A member of the Contarini family of Venice, with the family's (overpainted) arms: bendy of 7, ~or~ and ~azure~, flanked by (overpainted) letters ‘A’ and ‘C’ (f.

• Illuminated white vine-stem initial 'Q'(uamquam), and display script in alternating colours in the style of Felice Feliciano of Verona, at the beginning of Cicero's De Imperio Cn. Pompei., Orations and letters (ff. 1-147); Invectivum in Ciceronem (ff. 147v-149)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.A member of the Contarini family of Venice, with the family's (overpainted) arms: bendy of 7, ~or~ and ~azure~, flanked by (overpainted) letters ‘A’ and ‘C’ (f.

• null, 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

• null, 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

• null, 14 Philippic orations (ff. 1-168); Somnium scipionis (ff. 168v-178v)

perhaps including a circle in the lower half of the shield (f. 1).? A member of the Mocenigo family of Venice: with the arms, per fess ~azure~ and ~argent~, each half with a cinquefoil counter-charged (f. 1) (see Eugenio Morando

• Historiated initial 'S' of the Entombment of Christ., Cuttings from a choir book

and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70 and app. no. 14); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414.Musical notation. 2 historiated

• Miniature of Nemrod and the construction of the tower of Babel, at the beginning of book 4., Chronique de la Bouquechardière

Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and

• Miniature of Noah coming out of the Ark, and the construction of Argos and of Athens, at the beginning of book 1., Chronique de la Bouquechardière

Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and

• Text page in book 4., Chronique de la Bouquechardière

Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and

• Miniature of Alexander and the Wheel of Fortune, and the murder of Alexander II of Macedonia before the throne of Eurydice, at the beginning of book 5., Chronique de la Bouquechardière

Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and

• Decorated initial 'D'(eus) at the beginning of the book., Epistolae, imperfect at the end

1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 8936 (made in Venice 1443-9). Large initial in colours and gold (f. 1). Rubrics in red. Large plain initials in blue or red.

• Decorated initial 'S'(egondo) at the beginning of the text., History of Venice to 1439

initials in alternating red or grey (f. 1). Spaces for initials left blank or with a faint outline. History of Venice to 1439 Gaspard Coignet de la Thuilerie, count of Courson (d. 1653): his armorial binding.The Loménie de Brienne family

• Initial and headpiece with foliate and geometric decoration., Miscellany of Byzantine liturgical music, including 'Kekragaria' (ff. 9-115v), Glykys's settings for 11 Morning Hymns (index Eothina anastasima) of the Emperor Leo the Wise (ff. 115v-130v), and Chrysaphes's 'Cheroubikon' and 'Koinonikon' (ff. 131v-133v), with late music notation

Edward Heawood, ~Watermarks: Mainly of the 17th and 18th Centuries~ (Hilversum: Paper Publications Society, 1950), no. 866 (dated 1696 to Venice). Headpieces with geometric and floral decoration in black and red (ff. 3, 9, 34, 46, 60v, 77, 92, 104,

• Miniature of Paris and Helena meeting Priam outside Troy, at the beginning of book 2; initial and borders., Chronique de la Bouquechardière

Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and

• Detail of a miniature of Paris and Helena meeting Priam outside Troy, at the beginning of book 2., Chronique de la Bouquechardière

Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and

• Detail of a miniature of Paris and Helena meeting Priam outside Troy, at the beginning of book 2., Chronique de la Bouquechardière

Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and