Your search found 297 results in 1 resource
frame with the winged lion of Mark and the arms of the Priuli family of Venice. Italian cutting.The present cutting is bound in an album with Add. 18196, ff. 2-89. To see this cutting in the Manuscripts Reading Room order
supporting a laurel medallion with arms probably of the Bragadin family of Venice. Scribal marginal variants and occasional additions.Marginal notes by a later reader. Partial border and initial with foliate decoration in colours and gold, with two winged putti supporting
Rusotas's presence in the Veneto region from 1465 onwards (Venice and Vicenza) and the watermarks's origins suggest that the manuscript was produced in Northeastern Italy in the last quarter of the 15th century.Watermarks of scales, similar to Gerhard Piccard, ~Wasserzeichen
edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 4803 (Venice, 1493) and 4804 (Syracuse, 1495; Venice, 1491-92, 1494).Original pagination in red ink.Piece of paper bound after f. [86] inscribed the title of
edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 4803 (Venice, 1493) and 4804 (Syracuse, 1495; Venice, 1491-92, 1494).Original pagination in red ink.Piece of paper bound after f. [86] inscribed the title of
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of
catalogue (see ~Bibliotheca Smithiana seu catalogus librorum Josephi Smithii Angli per cognomina authorum dispositus, Addenda, & Corrigenda in superiori Catalogo~ (Venice: Pasquali, 1755), p. 43, col. 1); sold to King George III, along with the bulk of Smith's library and
Noctes Atticae Maffeo Pinelli (b. 1735, d. 1785), of Venice: inscription '7943', f. 1, upper left corner, corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7943; his sale,
Noctes Atticae Maffeo Pinelli (b. 1735, d. 1785), of Venice: inscription '7943', f. 1, upper left corner, corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7943; his sale,
£10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. White vine initial Pseudo-Cicero Venice Italy, N. E. (?Venice)
nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Detail Pseudo-Cicero Venice Italy, N. E. (?Venice)
by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 7464 (Udine and Venice, 1461; Rome, 1464), and 7465 (Florence, 1464; Venice, 1460-67, 1470-71, 1472; Venice and Ferrara, 1471-76). White vine initials in colours and gold (ff. 1, 5,
Mare at the Bodleian Library, Oxford, this manuscript was made in the 3rd quarter of the 15th century, possibly in Venice. Large initial in gold on a blue panel with foliate decoration, combined with a full border with flowers, cornucopias,
Machiavelli family quartered with other arms (f. 59). Notes by Paulus Manutius (b. 1512, d. 1574), printer and scholar of Venice (contemporary note, f. 2v, inscription: ‘Pauli Amicorum L(iber)’ (f. 2); the library of the Manutius family dispersed after the
Machiavelli family quartered with other arms (f. 59). Notes by Paulus Manutius (b. 1512, d. 1574), printer and scholar of Venice (contemporary note, f. 2v, inscription: ‘Pauli Amicorum L(iber)’ (f. 2); the library of the Manutius family dispersed after the