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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

90 results from this resource . Displaying 1 to 20

various notes, proverbs, and verses Maffeo Pinelli (d. 1785) of Venice: inscription '7909' (f. 1v), corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7909): his London sale, 2

Rusotas's presence in the Veneto region from 1465 onwards (Venice and Vicenza) and the watermarks's origins suggest that the manuscript was produced in Northeastern Italy in the last quarter of the 15th century.Watermarks of scales, similar to Gerhard Piccard, ~Wasserzeichen

the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Mass Venice Italy, N. E. (?Venice)

of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription

of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription

of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription

of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription

of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription

of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription

of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription

of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription

note (f. 359v).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818. Diagram Heron of Alexandria, Apollodorus of Damascus Venice Italy, N. E. (Venice)

note (f. 359v).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818. Diagram Heron of Alexandria, Apollodorus of Damascus Venice Italy, N. E. (Venice)

watching the construction of Venice, Helen and Trojans at the building of Sycambria (Cymmbre?), Dido watching the construction of Carthage and Romulus supervising the building of Rome, at the beginning of book 3. 6 large miniatures in colours and gold

edition of Juvenal published in Rome in 1471.? Perhaps owned by a member of the Badoeri or Emo families of Venice, with their arms: ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 27; cf.

edition of Juvenal published in Rome in 1471.? Perhaps owned by a member of the Badoeri or Emo families of Venice, with their arms: ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 27; cf.

edition of Juvenal published in Rome in 1471.? Perhaps owned by a member of the Badoeri or Emo families of Venice, with their arms: ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 27; cf.

and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70 and app. no. 14); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414. 1 historiated initial

Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and

Argos, and the foundation of Athens (f. 2v); Paris and Helena meeting Priam outside Troy (f. 90); the construction of Venice, Sycambria, Carthage, and Rome (f. 150): Nimrod and the construction of the tower of Babel (f. 206v); Alexander and

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 13 July 2024), https://www.manuscriptsonline.org/search/results?ac=f&kw=venice&sdf=1475&sdt=1478