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British Library Catalogue of Illuminated Manuscripts
Text page. 1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v,
Decorated initial. 1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v,
Decorated initial. 1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v,
Text page. 1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v,
Decorated initial. 1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v,
Decorated initial. 1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v,
Decorated initial. 1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v,
Decorated initial. 1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v,
Decorated initial. 1 large zoomorphic initial, in colours and gold, with a partial border incorporating heraldic arms (f. 1). Small foliate initials in muted colours, at the start of each speech (ff. 14, 35, 54v, 60v, 95v, 111v, 129v,
frame with the winged lion of Mark and the arms of the Priuli family of Venice. Italian cutting.The present cutting is bound in an album with Add. 18196, ff. 2-89. To see this cutting in the Manuscripts Reading Room order
supporting a laurel medallion with arms probably of the Bragadin family of Venice. Scribal marginal variants and occasional additions.Marginal notes by a later reader. Partial border and initial with foliate decoration in colours and gold, with two winged putti supporting
(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.
(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.
(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.
Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Decorated initial Joannes de Vitalibus Joannes de Vitalibus Venice Italy, N. E. (Venice)
edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 4803 (Venice, 1493) and 4804 (Syracuse, 1495; Venice, 1491-92, 1494).Original pagination in red ink.Piece of paper bound after f. [86] inscribed the title of
edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 4803 (Venice, 1493) and 4804 (Syracuse, 1495; Venice, 1491-92, 1494).Original pagination in red ink.Piece of paper bound after f. [86] inscribed the title of
lot 2251/1 (f. 4v); lot purchased for £3 5s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Andrea Gritti to Stefano Trevisan Master T.° Ve. Venice Italy, N. E. (Venice)
written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of
crescents ~or~, surmounted by a papal tiara, added after his accession to the papacy in 1458 (f. 1).Cristoforus Canchi of Venice: inscribed, 16th century, 'Christofori canchi quondam' (f. [ii verso]).Nicolaus: inscribed, 16th century, 'domini Nicolaj patricius Venetorum' (f. [ii verso]).