• Coloured initial 'A'(nnus) at the beginning of book 1., Computistica, De temporibus

ei abstulerit aut titulum delev[er]it anathema sit. Am[en]' (f. 2). Thomas Wolsey (b. 1470/71, d. 1530), royal minister, archbishop of York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (see Carley 2000, p. xxxiii).The Old Royal Library (the English Royal

• Decorated initial 'D'(e), at the beginning of the prologue of Bede's treatise 'De temporibus'., Computistica, De temporibus

ei abstulerit aut titulum delev[er]it anathema sit. Am[en]' (f. 2). Thomas Wolsey (b. 1470/71, d. 1530), royal minister, archbishop of York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (see Carley 2000, p. xxxiii).The Old Royal Library (the English Royal

• Coloured initial 'T'(empora) and letters in Greek., Computistica, De temporibus

ei abstulerit aut titulum delev[er]it anathema sit. Am[en]' (f. 2). Thomas Wolsey (b. 1470/71, d. 1530), royal minister, archbishop of York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (see Carley 2000, p. xxxiii).The Old Royal Library (the English Royal

• Historiated initial (dating, like the text, from the 1st half of the 11th century) and added drawing illustrating a Psalm (2nd quarter of the 12th century)., Added drawings

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• Detail of pen drawings illustrating Psalm 53, with a decorated letter 'D'(eus in nomine tuo)., Added drawings

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• Added drawing illustrating a Psalm (2nd quarter of the 12th century), the text was written in the 1st half of the 11th century., Added drawings

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Added drawings

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Added drawings

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• null, Added drawings

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• Historiated initial (dating, like the text, from the 1st half of the 11th century) and added drawing illustrating a Psalm (2nd quarter of the 12th century)., Added drawings

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• Added drawing illustrating a Psalm (2nd quarter of the 12th century), the text was written in the 1st half of the 11th century., Added drawings

of St. Augustine, Canterbury (see Ker 1964).Perhaps commissioned by Aelfric, archbishop of Canterbury: he bequeathed it to Wulfstan, archbishop of York in 1003 or 1004 (see discussion Le Grand Atelier 2007).The Harley Collection, formed by Robert Harley (b. 1661, d.

• Decorated initial 'M'(ulierem) at the beginning of Proverbs 31:10. In the upper margin a librarian has marked it with a title., Commentary on Proverbs, Letter to Ecgberht of York (ff. 89-97)

light yellow. Rubrics in red or green. Numerous marginal drawings in brown ink. Commentary on Proverbs, Letter to Ecgberht of York (ff. 89-97) The Benedictine cathedral priory of St Cuthbert, Durham: inscribed 'D' (erased) (see Ker 1964); 13th-century inscription 'Liber

• Initial 'P'(arabolae) with foliate decoration., Commentary on Proverbs, Letter to Ecgberht of York (ff. 89-97)

light yellow. Rubrics in red or green. Numerous marginal drawings in brown ink. Commentary on Proverbs, Letter to Ecgberht of York (ff. 89-97) The Benedictine cathedral priory of St Cuthbert, Durham: inscribed 'D' (erased) (see Ker 1964); 13th-century inscription 'Liber

• Decorated initial 'P'(arabolae) at the beginning of the commentary on Proverbs 10., Commentary on Proverbs, Letter to Ecgberht of York (ff. 89-97)

light yellow. Rubrics in red or green. Numerous marginal drawings in brown ink. Commentary on Proverbs, Letter to Ecgberht of York (ff. 89-97) The Benedictine cathedral priory of St Cuthbert, Durham: inscribed 'D' (erased) (see Ker 1964); 13th-century inscription 'Liber

• Coloured drawing of William the Conqueror, king of England, giving a letter (with a seal) concerning the ruling of the city of York to the duke Alan of Brittany., Historica monumenta diversa (ff. 2-18v), Chronica monasterii de Pipwell (ff. 21-35v), etc., added by Sir Simonds D'Ewes c. 1639-1643

letter (with a seal) concerning the ruling of the city of York to the duke Alan of Brittany. f. 83 is a title-page to the 12th-century manuscript (part 1), added by Sir Simonds d'Ewes.f. 84 has been vertically cut in