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the King of Castile, with a partial border containing a lozenge bearing a white rose of the York family, at the beginning of chapter 14 of book 4. Includes the third volume of the Recueil des croniques d’Engleterre of Jean
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
five points for the king's two sons, in the lower margin, and a lozenge bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', on the external margin. This manuscript contains the first volume
mal y pense', and on a banner held by an angel, between two lozenges bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', at the beginning of chapter 1 of book 1. Includes
mal y pense', and on a banner held by an angel, between two lozenges bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', at the beginning of chapter 1 of book 1. Includes
five points for the king's two sons, in the lower margin, and a lozenge bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', on the external margin. This manuscript contains the first volume
the lower margin, and on a banner held by an angel, between two lozenges bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', in the external margin, at the beginning of chapter 1
faiz du grant Alexandre by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; first presented to Charles the Bold in 1468.Another copy of the same text copied by Jean Duchesne of Lille
faiz du grant Alexandre by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; first presented to Charles the Bold in 1468.Another copy of the same text copied by Jean Duchesne of Lille
faiz du grant Alexandre by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; first presented to Charles the Bold in 1468.Another copy of the same text copied by Jean Duchesne of Lille
faiz du grant Alexandre by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; first presented to Charles the Bold in 1468.Another copy of the same text copied by Jean Duchesne of Lille
faiz du grant Alexandre by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; first presented to Charles the Bold in 1468.Another copy of the same text copied by Jean Duchesne of Lille
by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; first presented to Charles the Bold in 1468.Another copy of the same text copied by Jean Duchesne of Lille is now Los Angeles,
faiz du grant Alexandre by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; first presented to Charles the Bold in 1468.Another copy of the same text copied by Jean Duchesne of Lille
grant Alexandre by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret of York; first presented to Charles the Bold in 1468.Another copy of the same text copied by Jean Duchesne of Lille is now
Miniature of John on Patmos, at the beginning of his Gospel. 1 full-page miniature (f. 16v) and 5 full-page miniatures surrounding three or four lines of text (ff. 185v, 216v, 233v, 254v, 260v). Miniatures added to a Book of
Miniature of the Mass of Gregory, at the beginning of the verses of Gregory. 1 full-page miniature (f. 16v) and 5 full-page miniatures surrounding three or four lines of text (ff. 185v, 216v, 233v, 254v, 260v). Miniatures added to
Miniature of Mary teaching the Christ child to read, at the beginning of the Litany for Mary. 1 full-page miniature (f. 16v) and 5 full-page miniatures surrounding three or four lines of text (ff. 185v, 216v, 233v, 254v, 260v).
Miniature of Mary teaching the Christ child to read, at the beginning of the Litany for Mary. 1 full-page miniature (f. 16v) and 5 full-page miniatures surrounding three or four lines of text (ff. 185v, 216v, 233v, 254v, 260v).
Miniature of the Pieta, at the beginning of a prayer. 1 full-page miniature (f. 16v) and 5 full-page miniatures surrounding three or four lines of text (ff. 185v, 216v, 233v, 254v, 260v). Miniatures added to a Book of Hours