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December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
December 1997, lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art,
full border containing the royal arms of Henry VII impaled with those of Elisabeth of York between red and white roses, the Yorkist motto 'Dieu et mon droet', an ostrich feather with a motto 'Ic dene'; and an initial 'D'(u)
168). Camillo Jaghel, censor: inscribed with his name, 1619 (f. 231v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 50-56.Owner's inscription in Italian, partially illegible: 'Questo lib[ro] .. David a Samuel ..
168). Camillo Jaghel, censor: inscribed with his name, 1619 (f. 231v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 50-56.Owner's inscription in Italian, partially illegible: 'Questo lib[ro] .. David a Samuel ..
astronomical tables on ff. 1-15v correspond to the years 1444-1500), imperfect The parish church of All Saints on the Pavement, York, late 15th or early 16th century: the calendar includes the feast of the dedication of the church, 14 May
royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and
Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268).
royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and
royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and
royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and
with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 5 small miniatures, in colours and gold (ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large
168). Camillo Jaghel, censor: inscribed with his name, 1619 (f. 231v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 50-56.Owner's inscription in Italian, partially illegible: 'Questo lib[ro] .. David a Samuel ..
19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms. A. 6 (see Pier Luigi Mulas, 'Crivelli, Protasio', in ~Dizionario Biografico
19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms. A. 6 (see Pier Luigi Mulas, 'Crivelli, Protasio', in ~Dizionario Biografico
19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms. A. 6 (see Pier Luigi Mulas, 'Crivelli, Protasio', in ~Dizionario Biografico