the Prick of Conscience (IMEV 3428.44), and the Gospel of Nichodemus (IMEV 512). Large initials in gold on grounds of blue and pink with painted flourishes at the beginning of each new narrative section. Cadels in ink including faces of
the Prick of Conscience (IMEV 3428.44), and the Gospel of Nichodemus (IMEV 512). Large initials in gold on grounds of blue and pink with painted flourishes at the beginning of each new narrative section. Cadels in ink including faces of
the Prick of Conscience (IMEV 3428.44), and the Gospel of Nichodemus (IMEV 512). Large initials in gold on grounds of blue and pink with painted flourishes at the beginning of each new narrative section. Cadels in ink including faces of
the Prick of Conscience (IMEV 3428.44), and the Gospel of Nichodemus (IMEV 512). Large initials in gold on grounds of blue and pink with painted flourishes at the beginning of each new narrative section. Cadels in ink including faces of
wreath enclosing an unidentified coat of arms in the lower margin (f. 1). Smaller coloured initials in alternating red and blue. Rhetorica ad Herennium (index De ratione dicendi ad Herennium)(ff. 1-76), Synonyma ad Lucium Veturium (ff. 77-93), Epitaph of St
is a blank, ruled paper leaf with a 16th- or 17th- century(?) inscription. 1 large blue initial with red pen-flourishing (f. 1). 13 smaller red initials (ff. 4v, 7v, 14, 17v, 20v, 34, 38v, 54v, 58v, 61, 64, 66v, 67).
pasted onto f. [i]. 1 large initial in colours and gold with a foliate extension (f. 1). 3 initials in blue with red penwork decoration (ff. 1v, 28v, 53). 2 initials in red with purple penwork decoration (ff. 11v, 41).
of the 1907 edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968). Initials in blue with pen work decoration in red. Rubrics, initials and paraphs in red. Collection of letters attributed to Hippocrates and
65, 77, 78, 79v, 83). Marginal heraldic decoration in colours and gold, now effaced (f. 1). Large simple initials in blue. Small simple initials in brown, or sometimes red (e.g. ff. 34v, 35v, 36v) at the beginning of lines. Headings
century (f. 20v); 11th century (f. 84v). Several large initials with interlace decoration, usually in yellow, metallic red (often tarnished), blue, and green, outlined in brown. Initials in brown ink, filled in metallic red (often tarnished), yellow, and/or green. Diagrams
century (f. 20v); 11th century (f. 84v). Several large initials with interlace decoration, usually in yellow, metallic red (often tarnished), blue, and green, outlined in brown. Initials in brown ink, filled in metallic red (often tarnished), yellow, and/or green. Diagrams
century (f. 20v); 11th century (f. 84v). Several large initials with interlace decoration, usually in yellow, metallic red (often tarnished), blue, and green, outlined in brown. Initials in brown ink, filled in metallic red (often tarnished), yellow, and/or green. Diagrams
in colours and gold. Large decorated initials, in colours and gold. Smaller and small initials in gold on red and blue grounds. The Golden Legend (La Légende Dorée) Château d'Anet: its library mark(?) 'quarante vii' (vol. 1, f. 1) (see
36v-37) in darker ink, e.g. a Roman eagle (f. 71), a dragon (f. 86). Numerous large and smaller initials in blue with pen-flourishing including leaf patterns in red. Elongated ascenders on top line decorated in red (e.g. ff. 24v, 25).
36v-37) in darker ink, e.g. a Roman eagle (f. 71), a dragon (f. 86). Numerous large and smaller initials in blue with pen-flourishing including leaf patterns in red. Elongated ascenders on top line decorated in red (e.g. ff. 24v, 25).
36v-37) in darker ink, e.g. a Roman eagle (f. 71), a dragon (f. 86). Numerous large and smaller initials in blue with pen-flourishing including leaf patterns in red. Elongated ascenders on top line decorated in red (e.g. ff. 24v, 25).
36v-37) in darker ink, e.g. a Roman eagle (f. 71), a dragon (f. 86). Numerous large and smaller initials in blue with pen-flourishing including leaf patterns in red. Elongated ascenders on top line decorated in red (e.g. ff. 24v, 25).
by 2 putti (f. 3). 2 large white vine initials in colours and gold (ff. 65, 115). Plain initials in blue. Rubrics and marginal annotations in red. Historia, with capitula (f. 2) Written by Michael Laurenti: colophon, 'Jacobi de Sancto
by 2 putti (f. 3). 2 large white vine initials in colours and gold (ff. 65, 115). Plain initials in blue. Rubrics and marginal annotations in red. Historia, with capitula (f. 2) Written by Michael Laurenti: colophon, 'Jacobi de Sancto
by 2 putti (f. 3). 2 large white vine initials in colours and gold (ff. 65, 115). Plain initials in blue. Rubrics and marginal annotations in red. Historia, with capitula (f. 2) Written by Michael Laurenti: colophon, 'Jacobi de Sancto