angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground
angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground
angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground
angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground
angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground
angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground
angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground
angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground
angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground
angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground
angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground
angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground
angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground
17 9 (x2), 35 (x2), 50, 54. Large initials in red and blue, some with penwork decoration at the beginning of major divisions. Large initials in red or blue. Small initials in brown, some with red penwork decoration. Text in
and gold, some large, some small. Smaller gold initials on coloured grounds. Running headers in blue and gold. Rubrics in red. Headings in gold or blue. Sermons (index Homiliae) Ferdinand I of Aragon, king of Naples (b. 1424, d. 1494):
angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground
incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),
113, 156v, 170v, 197v, 221, 232, 281). 1 small puzzle initial in red and blue (f. 271v). Large and small initials in plain red or blue. Cadels (e.g. f. 122). F. 10v by another hand than ff. 146v, 147. Missal
12, 16, 18, 20, 24, 117v, 119, 133v, 148) in colours. Large zoomorphic initials, usually of birds in blue and red, or blue, red, and green. Large red or brown initials, many of or with foliate forms, some with other
style. Other small initials in gold on blue and red panels. Capitals in red identify the speakers in the dialogues (e.g. Socrates and Alcibiades). Rubrics, headings, and marginal notes in red and blue. Opera Ferdinand I of Aragon, king of