with interlace patterns within full-page rectangular frames of gold and red or colours at the beginning of Gospels, that for John on a purple background (ff. 15, 57, 86, 132). Initials and text entirely in gold. Numbers in red. Gospels,
parallel passages in Matthew, Mark, Luke, and John. 12 canon tables in colours and gold, with architectural decoration, and various figures, such as Christ blessing, Peter and Paul, angels, animals, and hybrid creatures (ff. 6-12v). Incipit page for Mark with
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
Text page with entries for the letter 'A'. This portion of a glossary contains Latin words from 'a' to 'fu'. Most words are glossed in Latin, with some Old English glosses as explanations of the Latin glosses and some
Text page with Latin and Old English glosses. This portion of a glossary contains Latin words from 'a' to 'fu'. Most words are glossed in Latin, with some Old English glosses as explanations of the Latin glosses and some
Text page. This portion of a glossary contains Latin words from 'a' to 'fu'. Most words are glossed in Latin, with some Old English glosses as explanations of the Latin glosses and some words having Old English glosses only.
93v, 105v, 116v, 126v, 137v, 149v, 161v). Large plain initials in red or blue. Capitals marked in red. Opera (Works) John Chamberlayne (b. 1666, d. 1723), son of Edward Chamberlayne (b. 1616, d. 1703): his sale, conducted by Daniel Browne,
Text page of the beginning of Gregory the Great' 'De cura pastoral'.i The manuscript includes:Gregory the Great, De cura pastorali (ff. 1-97);Ambrose, Libellus de dignitate sacerdotali (ff. 97v-106);Ambrose, De Helia et ieiunio (ff. 106v-13);Augustine, 'Sermo ad episcopos' (ff. 132-134);The
15th-century: 'Young' and monogram 'I H' with effaced text (f. 29v). Inscribed several names, 16th-century: 'William Brome' (f. 3), 'Johannes', 'John & framyng', 'Richarde' (f. 4), 'Richardus Bowle' (ff. 8, 26v, 29), 'Thomas / Henry / William / Johannes /
15th-century: 'Young' and monogram 'I H' with effaced text (f. 29v). Inscribed several names, 16th-century: 'William Brome' (f. 3), 'Johannes', 'John & framyng', 'Richarde' (f. 4), 'Richardus Bowle' (ff. 8, 26v, 29), 'Thomas / Henry / William / Johannes /
15th-century: 'Young' and monogram 'I H' with effaced text (f. 29v). Inscribed several names, 16th-century: 'William Brome' (f. 3), 'Johannes', 'John & framyng', 'Richarde' (f. 4), 'Richardus Bowle' (ff. 8, 26v, 29), 'Thomas / Henry / William / Johannes /
15th-century: 'Young' and monogram 'I H' with effaced text (f. 29v). Inscribed several names, 16th-century: 'William Brome' (f. 3), 'Johannes', 'John & framyng', 'Richarde' (f. 4), 'Richardus Bowle' (ff. 8, 26v, 29), 'Thomas / Henry / William / Johannes /
Detail of a historiated initial 'Q'(uoniam) with Augustine in a bishop's mitre holding a bishop's staff and a heart The litany including saints Swithin, Dunstan, Edith, and Etheldreda.Watermark, f. 1, of a quartered coat of arms, similar to ~Monumenta
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four
3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four