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of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John
of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John
of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John
of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John
of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John
of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John
of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John
of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John
of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John
folding almanac based on the 'Kalendarium' of John Somer (d. in or after 1409), Franciscan friar at Bridgwater and astronomer.One of 29 English folding almanacs, of which 10 are in the British Library: see Carey 2003. Initials in gold on
that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Nativity of John the Baptist Master of the Breviary of John the Fearless Master of Egerton 1070 Paris France, Central (Paris)
that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Nativity of John the Baptist Master of the Breviary of John the Fearless Master of Egerton 1070 Paris France, Central (Paris)
Illuminated historiated initial 'I'(n) at the beginning of John, of four separate scenes: John with the head of his evangelist symbol, the Eagle; John resting against Christ at the Last Supper; John presenting a woman (the woman taken in adultery,
Illuminated historiated initial 'S's of Peter and John at the beginnings of II and III John. In the left-hand one John hands a book to Peter, below which are the children who are referred to several times in the short
University of Paris (f. 4). John Batayle, a canon of St Bartholomew's at Smithfield, mentioned among other canons in a clerical subsidy roll of 1379 and named in a will of 1382, made by John Chyshull, another canon of St
a miniature of John the Baptist in prison, sending disciples to Christ. ~Meditationes vitae Christi~ attributed here to Bonaventure, translated as ~Le Livre doré des meditations de la vie de nostre seigneur Jesu Christ~ by Jean Galopes, dean of Saint-Louis
of the execution of John the Baptist. ~Meditationes vitae Christi~ attributed here to Bonaventure, translated as ~Le Livre doré des meditations de la vie de nostre seigneur Jesu Christ~ by Jean Galopes, dean of Saint-Louis de la Saussaye (diocese of
of John writing, assisted by his evangelist symbol, the eagle, with an angel looking upon from an open window, with an illuminated initial 'I'(n) and a full foliate border. Quaternion with the Gospel Lessons misbound, in the unusual order of
woman holding shields with the arms of John the Fearless (d. 1419), duke of Burgundy, and his wife, Margaret of Bavaria. The manuscript bears references to the work of the Limbourg brothers, e.g., the Martyrdom of Mark (f. 282v) copies
(ff. 59v-194v);Catholic Epistles, with prologues, imperfect (ff. 195-224v): in the previous uncorrect arrangement the epistles followed Acts after f. 59;St John Chrysostom, 'De proditione Judae homilia ii' (ff. 225-237v);Revelation, imperfect (ff. 238-267v): ending 22:2. The text of Rev. 22: 19,