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Three-sided white vine border with gold initial 'V'(os) and mutilated arms in the lower margin. ff. 1-2 are parchment leaves with various inscriptions.ff. 162 is a blank, ruled folio with inscriptions on the verso.Horizontal catchwords. Three-sided white vine border,
Decorated iInitial 'Q'(uoniam) with foliate decoration, at the beginning of the prologue to Josephus's De bello Judaico. 2 large initials in colours, at the beginning of the prologue and Book 1 (ff. 4, 5v). 6 large puzzle initials in
Puzzle initial 'N'(eronem) at the beginning of Book 3 of Josephus's De bello Judaico. 2 large initials in colours, at the beginning of the prologue and Book 1 (ff. 4, 5v). 6 large puzzle initials in red and blue,
Master of the Soane Josephus (ff. 21, 54v, 80, 111, 137v, 158v, 199, 232, 263, 330v, 355v, 365v), named after John Soane's Museum 1, and the small miniatures attributed to the follower of Loyset Liedet who was also responsible for
Master of the Soane Josephus (ff. 21, 54v, 80, 111, 137v, 158v, 199, 232, 263, 330v, 355v, 365v), named after John Soane's Museum 1, and the small miniatures attributed to the follower of Loyset Liedet who was also responsible for
Miniature of Richard II resigning his crown. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list of contents (ff. 2-5v).According to Kren and McKendrick 2003, two miniatures are attributed to the
Detail of a miniature of Richard II resigning his crown. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list of contents (ff. 2-5v).According to Kren and McKendrick 2003, two miniatures are
Miniature of a Charles VI on horseback entering a walled city. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list of contents (ff. 2-5v).According to Kren and McKendrick 2003, two miniatures
Miniature of two knights (Peter Courtenay and De Clary) on horseback jousting. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list of contents (ff. 2-5v).According to Kren and McKendrick 2003, two
Detail of a miniature of a king on horseback entering a walled city. Includes a volume 4 of the 'Chroniques' of Froissart, covering the period 1389-1400, preceded by a list of contents (ff. 2-5v).According to Kren and McKendrick 2003,
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
Miniature of Isabel arriving at Paris in a litter carried by two white horses, with a full border containing two banners held by lions bearing the royal arms of England, and a shield with the royal arms of England
Missal, Use of Rome Executed at Lisbon for the rectification of the services of the Portuguese Church, by order of John III King of Portugal (1521-1557), and completed after his death under the patronage of his wife, Queen Catherine, and
Missal, Use of Rome Executed at Lisbon for the rectification of the services of the Portuguese Church, by order of John III King of Portugal (1521-1557), and completed after his death under the patronage of his wife, Queen Catherine, and
Architectural frontispiece with an historiated initial, a portrait of Josephus, and the coat of arms and mottos of Aragon. The manuscript was copied in Florence and illuminated in Rome. The miniaturist, Gaspare da Padova, also known as the Master
Detail of the arms of Aragon and the mottos: BIEN ELIR (with the tassel of pearls) and POR BIEN FINIR (with bundle of maces). The manuscript was copied in Florence and illuminated in Rome. The miniaturist, Gaspare da Padova,
Detail of faceted initial 'H'(ebreos) with a putto reading from a book. The manuscript was copied in Florence and illuminated in Rome. The miniaturist, Gaspare da Padova, also known as the Master of the Vatican Homer, worked for various