Miniature of the author, Jean de Courcy, accompanied by Virtues leaving the Forest of Temptation, with a full border containing the arms of Edward IV and three lozenges with a white rose of the York family, and the Yorkist badge
record of books in the Great Wardrobe Accounts of 1480 (see McKendrick 1994). The Old Royal Library (the English Royal Library): included in the list of books at Richmond Palace of 1535, no. 26; and in the Catalogue of 1666,
Detail of a miniature of Prowess and Boldness as soldiers addressing a group of women, following a rubric, 'Comment proesse et hardement se partirent et alerent devers les sept dames'; with a lozenge bearing a white rose of the York
record of books in the Great Wardrobe Accounts of 1480 (see McKendrick 1994). The Old Royal Library (the English Royal Library): included in the list of books at Richmond Palace of 1535, no. 26; and in the Catalogue of 1666,
Miniature of the coronation procession ofRichard I. Contains the first volume of seven of the third edition of the Anciennes et nouvelles chroniques d'Angleterre of Jean de Wavrin (b. 1399/1400, d. c. 1473/4), which was intended to continue the
Detail of a miniature of the coronation procession ofRichard I. Contains the first volume of seven of the third edition of the Anciennes et nouvelles chroniques d'Angleterre of Jean de Wavrin (b. 1399/1400, d. c. 1473/4), which was intended
Detail of a miniature of the coronation procession ofRichard I. Contains the first volume of seven of the third edition of the Anciennes et nouvelles chroniques d'Angleterre of Jean de Wavrin (b. 1399/1400, d. c. 1473/4), which was intended
Miniature of the coronation procession ofRichard I. Contains the first volume of seven of the third edition of the Anciennes et nouvelles chroniques d'Angleterre of Jean de Wavrin (b. 1399/1400, d. c. 1473/4), which was intended to continue the
Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection (note on 2nd flyleaf). The Baptism of Christ Master of Spencer 6 Jean le Meung Bourges France,
trompe l'oeil border, at the beginning of Compline in the Hours of the Virgin. Contemporary sketch of the Virgin (blank leaf after f. 97).No calendar; Hours of the Virgin (f. 3) and Office of the Dead (f. 98) begin imperfect.
and landowner, of Naworth Castle, Cumberland, the younger son of Thomas Howard (b. 1538, d. 1572), 4th duke of Norfolk, in 1630: according to a note in English (f. 3v).Thomas Astle (b. 1735, d. 1803), archivist and collector of books
red. Outlines of initials in blue and/or red (ff. 59v, 69). 5 decorated catchwords (ff. 73v, 81v, 89v, 97v, 105v). Cartulary of the Augustianian priory of Bradenstoke, Wiltshire, with table of contents (ff. 2-25) The Augustianian priory of Bradenstoke, Wiltshire,
Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection (note on 2nd flyleaf). The Trinity Master of Spencer 6 Jean le Meung Bourges France, Central
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.