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85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
85, 88, 92, 95v, 98v). Foliate initials in colours and gold at the beginning of books. Initials in gold on blue and rose grounds with penwork decoration in white and ivy extensions Historia destructionis Troiae in a French translation Inscription
with roses and portcullises alternately placed, in colours and gold (ff. 3, 50). Small initials in gold on red and blue grounds. Indenture between Lady Margaret Beaufort, countess of Richmond, and John Islip, abbot of Westminster abbey ? Lady Margaret
and a red heart with an arrow through it (f. 20). 1 initial with a hybrid figure in red and blue (f. 30). 1 initial in red and green with a light brown wash and figures (f. 4v). 2 brown
colours and gold. Large decorated foliate initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Book of Hours, Use of Tiron Louis I de Crevant, abbot (between 1494 and 1503) of the Benedictine
colours and gold. Large decorated foliate initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Book of Hours, Use of Tiron Louis I de Crevant, abbot (between 1494 and 1503) of the Benedictine
colours and gold. Large decorated foliate initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Book of Hours, Use of Tiron Louis I de Crevant, abbot (between 1494 and 1503) of the Benedictine
and a red heart with an arrow through it (f. 20). 1 initial with a hybrid figure in red and blue (f. 30). 1 initial in red and green with a light brown wash and figures (f. 4v). 2 brown
initials formed of grey acanthus on brown grounds highlighted with gold. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing.The second quire with the beginning of the Hours of the Virgin (ff. 7-14) was unfinished; the
initials formed of grey acanthus on brown grounds highlighted with gold. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing.The second quire with the beginning of the Hours of the Virgin (ff. 7-14) was unfinished; the
initials formed of grey acanthus on brown grounds highlighted with gold. Small initials in red with purple pen-flourishing or in blue with red pen-flourishing.The second quire with the beginning of the Hours of the Virgin (ff. 7-14) was unfinished; the
angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground
angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground
angel (f. 6v), the Man of Sorrows (f. 9), and Jerome and the lion (f. 21)). Initials in gold/ochre with blue acanthus leaves on a dark red ground patterned with gold, or in blue-grey or gold on a gold ground