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1), included in the Upper Library at Westminster after c. 1547; and in the select list of works noted by John Bale, as 'Chronica Matthei Parys. Thys chronycle remayneth in the custodye of my lorde of Arundell, beynge a fayre,
1), included in the Upper Library at Westminster after c. 1547; and in the select list of works noted by John Bale, as 'Chronica Matthei Parys. Thys chronycle remayneth in the custodye of my lorde of Arundell, beynge a fayre,
1), included in the Upper Library at Westminster after c. 1547; and in the select list of works noted by John Bale, as 'Chronica Matthei Parys. Thys chronycle remayneth in the custodye of my lorde of Arundell, beynge a fayre,
1), included in the Upper Library at Westminster after c. 1547; and in the select list of works noted by John Bale, as 'Chronica Matthei Parys. Thys chronycle remayneth in the custodye of my lorde of Arundell, beynge a fayre,
1), included in the Upper Library at Westminster after c. 1547; and in the select list of works noted by John Bale, as 'Chronica Matthei Parys. Thys chronycle remayneth in the custodye of my lorde of Arundell, beynge a fayre,
1), included in the Upper Library at Westminster after c. 1547; and in the select list of works noted by John Bale, as 'Chronica Matthei Parys. Thys chronycle remayneth in the custodye of my lorde of Arundell, beynge a fayre,
1), included in the Upper Library at Westminster after c. 1547; and in the select list of works noted by John Bale, as 'Chronica Matthei Parys. Thys chronycle remayneth in the custodye of my lorde of Arundell, beynge a fayre,
1), included in the Upper Library at Westminster after c. 1547; and in the select list of works noted by John Bale, as 'Chronica Matthei Parys. Thys chronycle remayneth in the custodye of my lorde of Arundell, beynge a fayre,
1), included in the Upper Library at Westminster after c. 1547; and in the select list of works noted by John Bale, as 'Chronica Matthei Parys. Thys chronycle remayneth in the custodye of my lorde of Arundell, beynge a fayre,
1), included in the Upper Library at Westminster after c. 1547; and in the select list of works noted by John Bale, as 'Chronica Matthei Parys. Thys chronycle remayneth in the custodye of my lorde of Arundell, beynge a fayre,
1), included in the Upper Library at Westminster after c. 1547; and in the select list of works noted by John Bale, as 'Chronica Matthei Parys. Thys chronycle remayneth in the custodye of my lorde of Arundell, beynge a fayre,
1), included in the Upper Library at Westminster after c. 1547; and in the select list of works noted by John Bale, as 'Chronica Matthei Parys. Thys chronycle remayneth in the custodye of my lorde of Arundell, beynge a fayre,
1), included in the Upper Library at Westminster after c. 1547; and in the select list of works noted by John Bale, as 'Chronica Matthei Parys. Thys chronycle remayneth in the custodye of my lorde of Arundell, beynge a fayre,
lot 336, bought by Quaritch for £250 (noted by Sydney Cockerell on note pasted to 1st flyleaf, 15 July 1912). John Ruskin, art critic (b. 1819, d. 1900): his collection (see J. S. Dearden, ~John Ruskin, the Collector, with a
foundation charter. The initials occur at the beginning of the charters of Henry II (f. 21), John (f. 33), Henry III (f. 36), and the Berkshire charters (f. 47). According to Kemp, the original sections of the cartulary are: ff.
Rosa medicinae. The Rosa medicinae was written by John Gaddesden while he was at Oxford, probably between 1302 and 1317. This copy is one of 13 known surviving manuscripts. Large and smaller initials in blue with red foliate pen-flourishing. Paraph
Historiated initial 'I'(n principio) of John holding a book, at the beginning of John. Catchwords and quire and bifolium signatures. 2 historiated initials in colours, at the beginning of the two Gospels (ff. 2, 121v), and 2 foliate initials with
beginning of the Gospel of John. There is an offset of an illuminated initial on ff. v verso and 1. Plain red Initials. Decorated catchwords. Gospel of John, in the later Wycliffite version Rev. John Price (b. c.1694 d. 1751):
Drawing of John the Baptist with holding a disk depicted with a lamb, with Salome under his feet and two lions at his sides. Includes the Summa logicae et naturalis philosophiae of John Dumbleton (d. 1349?), fellow of Merton College,
at the beginning of John of Wales Summa Iustitiae. Large initials in red, many with brown pen-flourishing. Paraphs in red. Highlighting of letters in red. Small marginal drawing in ink, most with red (e.g., ff. 63, 64, 71v). Summa Iustitiae