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in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'
in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'
in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'
in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'
Psalter (Arundel 83 II), with the Virgin Mary, John the Evangelist, and eight other Apostles witnessing the figure of Christ disappearing behind a layer of clouds. Musical notation (the Howard Psalter-Hours). 10 diagrams, in colours and gold (ff. 123v, 125v,
the dove of the Holy Spirit descending upon the Virgin Mary, Peter, and John the Evangelist, as well as the other Apostles. Musical notation (the Howard Psalter-Hours). 10 diagrams, in colours and gold (ff. 123v, 125v, 126, 126v, 127v, 128,
of Wisdom, from John of Metz, from the De Lisle Psalter (Arundel 83 II), an allegorical representation and personification of Christian virtues. Musical notation (the Howard Psalter-Hours). 10 diagrams, in colours and gold (ff. 123v, 125v, 126, 126v, 127v, 128,
15th-century: 'Young' and monogram 'I H' with effaced text (f. 29v). Inscribed several names, 16th-century: 'William Brome' (f. 3), 'Johannes', 'John & framyng', 'Richarde' (f. 4), 'Richardus Bowle' (ff. 8, 26v, 29), 'Thomas / Henry / William / Johannes /
Psalter (Arundel 83 II), with the Virgin Mary and John the Evangelist on either side of the Crucified Christ. Above, a pelican nests with its young, flanked by two angels holding golden globes. Musical notation (the Howard Psalter-Hours). 10 diagrams,
with six additional figures in a row below the cross, each carrying an inscribed scroll. Underneath is the prophecy of John from the Apocalypse; at the top of the cross a pelican nests with its young. Musical notation (the Howard
Puzzle initial ''R'(everendo) and smaller decorated initials, at the beginning of Guillelmus Duranti's Repertorium juris canonici.. For other manuscripts owned by Morton see Arundel 366 and 454.Pecia notes occur throughout the manuscript.According to notes supplied by Magnus Ryan, the
Text page, with small decorated initials and the pecia mark 'xvii p' in the right margin. For other manuscripts owned by Morton see Arundel 366 and 454.Pecia notes occur throughout the manuscript.According to notes supplied by Magnus Ryan, the
later owned by Firmin-Didot; perhaps bound for him; annotated perhaps by him with several notes concerning the Hospitallers of St John, and '+ de moy patriarche de alexandrie +' and 'sera(?) de moy lyon(?) est' (f. 122).This is the earlier
later owned by Firmin-Didot; perhaps bound for him; annotated perhaps by him with several notes concerning the Hospitallers of St John, and '+ de moy patriarche de alexandrie +' and 'sera(?) de moy lyon(?) est' (f. 122).This is the earlier
later owned by Firmin-Didot; perhaps bound for him; annotated perhaps by him with several notes concerning the Hospitallers of St John, and '+ de moy patriarche de alexandrie +' and 'sera(?) de moy lyon(?) est' (f. 122).This is the earlier
later owned by Firmin-Didot; perhaps bound for him; annotated perhaps by him with several notes concerning the Hospitallers of St John, and '+ de moy patriarche de alexandrie +' and 'sera(?) de moy lyon(?) est' (f. 122).This is the earlier
later owned by Firmin-Didot; perhaps bound for him; annotated perhaps by him with several notes concerning the Hospitallers of St John, and '+ de moy patriarche de alexandrie +' and 'sera(?) de moy lyon(?) est' (f. 122).This is the earlier
Elisabeth with John the Baptist and Anne with Mary and Christ, decorated initial 'O'(r), and three-sided border, in Brunetto Latini's Le Livre du Trésor. This manuscript is related to two other Brunetto Latini manuscripts, Paris, Bibliothèque nationale, fr. 567 and
with a hawk (f. 7v), Henry II and Thomas Becket (above); genealogical table (below) (f. 7v), Richard I (f. 8), John with hounds (above); genealogical table (below) (f. 8v), Henry III with façade of Westminster Abbey (above); genealogical table (below)
with a hawk (f. 7v), Henry II and Thomas Becket (above); genealogical table (below) (f. 7v), Richard I (f. 8), John with hounds (above); genealogical table (below) (f. 8v), Henry III with façade of Westminster Abbey (above); genealogical table (below)