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became part of the Royal Library.The Old Royal Library (the English Royal Library): included in the catalogue of 1666 (f. 11).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Diagrams Gautier de
became part of the Royal Library.The Old Royal Library (the English Royal Library): included in the catalogue of 1666 (f. 11).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. La fourme de
became part of the Royal Library.The Old Royal Library (the English Royal Library): included in the catalogue of 1666 (f. 11).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Night and Day
became part of the Royal Library.The Old Royal Library (the English Royal Library): included in the catalogue of 1666 (f. 11).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page Gautier
Cebes and an Old Man pointing to the Tabula Cebetis, facing a decorated initial with a full border, at the beginning of Philippus Albericus's Tabula Cebetis. A foreigner, Cebes, enters the temple of Saturn. He sees a painted tablet, now
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and
the litany (f. 159).The decoration was begun, but not completed by, the De Bois Master, one of the most prolific English illuminators of the third and fourth decades of the 14th century (according to Smith, pp. 28-29).ff. 68, 84, and
de vitiis et peccatis' (ff. 100v-106), with continuous interlinear gloss in Old English.Numerous margins excised. Large initials in red and green. Liber scintillarum and other theological collections, with OldEnglish glosses The Benedictine priory of Holy Trinity, or Christ Church,
de vitiis et peccatis' (ff. 100v-106), with continuous interlinear gloss in Old English.Numerous margins excised. Large initials in red and green. Liber scintillarum and other theological collections, with OldEnglish glosses The Benedictine priory of Holy Trinity, or Christ Church,
Decorated initial 'Chi-rho', with a zoomorphic decoration, at the beginning of Matthew; and an added OldEnglish text of a manumission by king Athelstan. The manuscript contains a text of a manumission by King Athelstan, one of the earliest of
Detail of a decorated initial 'Chi-rho', with a zoomorphic decoration, at the beginning of Matthew; and an added OldEnglish text of a manumission by king Athelstan. The manuscript contains a text of a manumission by King Athelstan, one of
Detail of an added OldEnglish text of a manumission by king Athelstan. The manuscript contains a text of a manumission by King Athelstan, one of the earliest of the Anglo-Saxon examples of the practice of inserting records in sacred
colour. Rubrics in red. Quire signatures have brown penwork decoration. Paraphs in red. Devotional and medical miscellany The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 1043' (f. 1), included in the inventory of books in the
colour. Rubrics in red. Quire signatures have brown penwork decoration. Paraphs in red. Devotional and medical miscellany The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 1043' (f. 1), included in the inventory of books in the
colour. Rubrics in red. Quire signatures have brown penwork decoration. Paraphs in red. Devotional and medical miscellany The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 1043' (f. 1), included in the inventory of books in the